Immagine dell'autore.

Laura Talbot (1) (1907–1966)

Autore di The Gentlewomen

Per altri autori con il nome Laura Talbot, vedi la pagina di disambiguazione.

3 opere 151 membri 7 recensioni

Opere di Laura Talbot

The Gentlewomen (1952) 148 copie
The Elopement 2 copie
Prairial (1950) 1 copia

Etichette

Informazioni generali

Nome canonico
Talbot, Laura
Altri nomi
Chetwynd-Talbot, Lady Ursula (birth)
Stewart, Ursula
James, Lady Ursula Winifred
Data di nascita
1907-09-12
Data di morte
1966-08-26
Sesso
female
Nazionalità
UK
Attività lavorative
novelist
short story writer
aristocrat
playwright
Breve biografia
Lady Ursula Chetwynd-Talbot was a daughter of Charles Chetwynd-Talbot, Viscount Ingestre, and his wife Winifred Paget, and a granddaughter of the 20th Earl and Countess of Shrewsbury. She was married four times: firstly to Hector Stewart in 1930; secondly to Lt.-Cdr. Michael Burton Stewart in 1942 (div. 1952); thirdly to writer Patrick Hamilton in 1954; and fourthly to Dr. William Leonard James in 1964. She took the pen name Laura Talbot for her short stories, plays, and novels, which included The Gentlewomen (1952), Prairial (1950), Barcelona Road (1953), The Elopement (1958), and The Last of the Tenants (1961). She was killed in an air accident at age 58.

Utenti

Recensioni

Miss Bolby considers herself “a gentlewoman” -- an English woman of good breeding -- whose life circumstances have unfortunately resulted in a need to work for a living. But she won’t work for just anybody; only the best families will do. When Miss Bolby is hired as a governess for Lady Rushford’s daughters, she finds the family’s idyllic country house lifestyle disrupted by World War II. Lord Rushford is away, the house is short staffed, and two Italian prisoners of war work as groundskeepers. Lady Rushford does her best, but is poorly equipped to manage it all.

Miss Bolby was born in India and, in her youth, was considered a beauty and a talented singer. Her parents discouraged a singing career, and she declined an early marriage proposal. When no further offers came, she was left to find her own way. Meanwhile, her sister Sita made a socially advantageous marriage and went to live in India with her husband. Miss Bolby constantly mentions her birthplace and her sister’s connections in a vain attempt to strengthen her own social status. The boarding house she previously lived in becomes her pied-à-terre, as if she could jaunt off for the weekend if she so chose. Sadly, no one cares, and Miss Bolby fails to command the respect she believes is her due. When Miss Pickford joins the household staff as a secretary, she unknowingly threatens Miss Bolby’s sense of identity and status.

Both Miss Bolby and Miss Pickford have been forced into lines of work they are poorly suited to, and are reliant on the upper classes for basic needs like food and shelter. While Miss Pickford seems to accept her lot in life, Miss Bolby strives to be seen as an equal with Lady Rushford and her contemporaries. Then Miss Bolby’s prized bracelets go missing and she begins to unravel, with consequences that ripple through everyone at Rushford. The Gentlewomen is brilliant satire, a moving character study, and a sad portrait of the single woman in wartime
… (altro)
½
1 vota
Segnalato
lauralkeet | 6 altre recensioni | Apr 29, 2019 |
(review from 2010)

Governess Miss Bolby leaves her boarding house in Birmingham for Rushford where she will be teaching the daughters of Lady Rushford. Rushford is not all that Roona Bolby expects, there is a new house maid, who Miss Bolby doesn't think is up to to scratch, and two Italian prisoners work in the grounds. Miss Bolby is obsessed by her past, she constantly lives in the past, hanging on to the threads of her aristocratic connections. Her life has been a series of disappointments, and she is constantly aware of what might have been. She is a snob and a harsh critic of others, and therefore a not very sympathetic character, although she is fascinating and beautifully drawn. Miss Pickford is also a gentlewoman, an aging clergyman's daughter, seems to threaten Miss Bolby when she arrives at Rushford as the new secretary. Miss Pickford is not such a robust character as Miss Bolby, she's nervous and unassuming, and liked by the half sisters that Miss Bolby teaches, and who don't at all like Miss Bolby. There is an inevitability about the climax of this story – which was at the same time really unexpected. Runing alongside the story of Miss Bolby and the household at Rushford, we get small tantalising glimpses of the people she left behind at Hillstone House in Birmingham. These sketches reveal another world, of middle class boarding houses and the small lives lived within. Wonderful stuff.… (altro)
2 vota
Segnalato
Heaven-Ali | 6 altre recensioni | May 17, 2015 |
[The Gentlewomen] is not a comfortable read, Talbot takes a sharp instrument and pulls up the tattered moth-eaten fabric of 'big house' life in Britain during the war. Using everything at her disposal to make her points, the weather, the silver (who's polishing it), the mysterious and almost impenetrable rules of precedence of these households (does the secretary trump the governess socially?), the diminishing size of the coronet on the notepaper, to what exactly defines a 'gentlewoman'. Suddenly, as if it was a thing embalmed for so long that it has become dust, the wind blows and the whole structure seems to go pouf! In the center of this story, an aging woman Roona Bolby (what a ghastly name, btw), once a beauty, takes on a post as governess at Rushford a 'great house' in the midlands. Her charges, four girls from two previous marriages won't be trammeled, won't be obedient. From the start she is in conflict with all of them in different ways. (They call their parents by their first names, for example.) It truly is, in some ways, the story of Lily Bart had you set her in a different and more rigid context. Like Lily, she let various opportunities to marry go, because..... well, because a mix of hoping to 'do better' and real distaste for having marriage be her only resort. Roona herself, Miss Bolby, is tragic mainly because she can't change, she let her life be determined by these rules, forgoing a possible career as a singer (her voice is truly gorgeous) and without them she is nothing, no one. Inevitably she comes into conflict with the secretary of Lady Rushford, also an impoverished gentlewomen only slightly lower on the rungs than she, but close enough to threaten her own (perceived) delicate position. The new kitchen maid, Reena (I just noticed how close the names are) who arrives the same day she does, is an ordinary girl, with no sense of class distinctions, a hard worker and a truly nice person whom everyone likes -- Roona is the only person who doesn't appreciate her. She is the 'new' woman, for certain. Roona's treasured Indian bracelets (given to her mother by a Rajah) disappear the same day the new secretary turns up and things deteriorate for Roona from then on...... It's rare to read a novel that doesn't in some way romanticize the aristocracy or make subtle fun of the bewildering ins and outs of precedence and status; it's very hard for us to appreciate how intensely important all that was to many people then -- that Nanny was Becca and also Miss Stroud depending on your own status and relation to her -- sufficiently offended and she would be your enemy for good -- and that using the wrong word to say you'd had enough tea could doom you socially, put you outside the pale in an instant, even with people who didn't mean to be snobby. **** stars for tackling a hard topic head on, for being truly a serious 'domestic' novel, casting a very close eye on the closed world women lived in then..... but be cautioned, I found it a strangely stifling and painful read, as I was meant to, I think.

As mentioned in the excellent foreword, the dialogue is truly original and engaging, and I loved the four girls -- they are each very distinct and the way they interacted with each other and the adults is superbly done. ****
… (altro)
11 vota
Segnalato
sibylline | 6 altre recensioni | Feb 3, 2011 |
The Gentlewomen is one of the first books I added to my TBR list when I first heard about Virago Modern Classics back in May (how come I’d never heard about them before then?). This particular VMS tells the tale of Roona Bolby, a middle-aged governess who styles herself as a “gentlewomen.” She gets a situation with the daughters of Lady Rushford. It’s wartime, but the old attitude towards governesses still stands. Miss Bolby places great stress upon her genteel connections and Indian background, but she can’t quite launch herself out of the in-between ground that governesses occupy.

Miss Bolby is perhaps one of the most detestable characters I’ve come across in a really long time. She is one of the most conceited, snobbish, and rude characters I’ve ever seen. The reader isn’t really supposed to like her; but oddly enough, towards the end of the book, you kind of feel the tragedy of Miss Bolby’s situation, especially since Miss Bolby constantly dwells on the past and what might have been. This feeling is enhanced by a series of flashbacks, which I thought kind of ruined the narrative but thankfully drop off as the narrative progresses. Miss Bolby takes herself completely seriously, but everyone else mocks her behind her back. I do wish, however, that there had been some comedy to Miss Bolby’s character.

Much more sympathetic, but definitely a lesser character, is Miss Bolby’s nemesis, the new secretary Miss Pickford. Miss Pickford is of a similar age to Miss Bolby, but they couldn’t be more different from one another, and this contrast is what makes the novel so interesting. There’s a whole lot of tension that builds and builds and builds until that perfect scene at the end. Inevitably, tragedy will happen—and all because of a relatively simple misunderstanding precipitated by one of Miss Bolby’s charges. This is an absolutely stunning novel, well worth a read.
… (altro)
3 vota
Segnalato
Kasthu | 6 altre recensioni | Dec 5, 2010 |

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Statistiche

Opere
3
Utenti
151
Popolarità
#137,935
Voto
3.9
Recensioni
7
ISBN
3
Lingue
1

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