Rachel Swirsky
Autore di Eros, Philia, Agape
Sull'Autore
Opere di Rachel Swirsky
Lightspeed Magazine, Issue 49 • June 2014 (Women Destroy Science Fiction! special issue) (2014) — A cura di — 161 copie
Fields of Gold 13 copie
Grand Jeté (The Great Leap) 6 copie
Again and Again and Again 6 copie
Great, Golden Wings 5 copie
The Woman at the Tower Window 3 copie
Captain Blackheart Wentworth 3 copie
Where Shadows Meet Light 2 copie
No longer you [short fiction] 2 copie
Marrying The Sun 2 copie
Needle And Thread 1 copia
The Sea Of Trees 1 copia
Seven Months Out And Two To Go 1 copia
Tea Time (short story) 1 copia
Monstrous Embrace [short story] 1 copia
Endless [short fiction] 1 copia
Detours on the Way to Nothing 1 copia
Heartstrung 1 copia
Undocumented 1 copia
Skyscrapers 1 copia
Silence 1 copia
Single Card Spread 1 copia
Mirror Images 1 copia
Scene From A Dystopia 1 copia
Opere correlate
The Thackery T. Lambshead Cabinet of Curiosities: Exhibits, Oddities, Images, and Stories from Top Authors and Artists (2011) — Collaboratore — 431 copie
Sisters of the Revolution: A Feminist Speculative Fiction Anthology (2015) — Collaboratore — 298 copie
The Long List Anthology: More Stories From the Hugo Award Nomination List (2015) — Collaboratore — 107 copie
Lightspeed Magazine, Issue 61 • June 2015 (Queers Destroy Science Fiction! special issue) (2015) — Collaboratore — 100 copie
Chicks Unravel Time: Women Journey Through Every Season of Doctor Who (2012) — Collaboratore — 99 copie
What the #@&% Is That?: The Saga Anthology of the Monstrous and the Macabre (2016) — Collaboratore — 80 copie
Queers Dig Time Lords: A Celebration of Doctor Who by the LGBTQ Fans Who Love It (2013) — Collaboratore — 77 copie
Clash of the Geeks — Collaboratore — 56 copie
More Human Than Human: Stories of Androids, Robots, and Manufactured Humanity (2017) — Collaboratore — 50 copie
Uncanny Magazine Issue 24: September/October 2018 (Disabled People Destroy Science Fiction) (2018) — Collaboratore — 42 copie
Heiresses of Russ 2011: The Year's Best Lesbian Speculative Fiction (2011) — Collaboratore — 41 copie
The WisCon Chronicles, Vol. 2: Provocative essays on feminism, race, revolution, and the future (2008) — Collaboratore — 25 copie
Talking Back: Epistolary Fantasies (Conversation Pieces, Volume 11) (2006) — Collaboratore — 12 copie
Six Tor.com Science Fiction & Fantasy Stories from the 2010 Locus Recommended Reading List (2011) — Collaboratore — 7 copie
Climbing Lightly Through Forests: A Poetry Anthology Honoring Ursula K. Le Guin (2021) — Collaboratore — 3 copie
Dark Fantasies. Antología de fantasía oscura, terror y horror internacional (Nova Fantástica #5) (2017) — Collaboratore — 3 copie
Subterranean Magazine Summer 2010 — Collaboratore — 2 copie
Etichette
Informazioni generali
- Data di nascita
- 1982-04-14
- Sesso
- agender
- Nazionalità
- USA
- Luogo di nascita
- San Jose, California, USA
- Istruzione
- Clarion West (2005)
- Breve biografia
- Rachel Swirsky uses she/they/ze pronouns.
Utenti
Recensioni
Liste
Premi e riconoscimenti
Potrebbero anche piacerti
Autori correlati
Statistiche
- Opere
- 55
- Opere correlate
- 104
- Utenti
- 915
- Popolarità
- #28,031
- Voto
- 3.7
- Recensioni
- 64
- ISBN
- 19
- Preferito da
- 2
UBI is definitely a principle that is shown in poor light here. There are maybe a FEW ways it's presented positively, but typically by a character shown as being in the wrong or untrustworthy in some way. Any positives seem vastly outweighed by the negatives. Since there's a storyline specifically with a journalist/activist angle on the subject, some of that comes in direct discourse rather than leaving the reader to draw their own conclusions. Granted, there is some back and forth in those sections on the different sides to the argument, but it felt like there was a clear "right answer" being presented. I don't even necessarily disagree, it just felt very one-sided in reading it.
Since this is split into four totally separate narratives, you could probably just choose one character and read their sections all the way through, then do the same with another character. This might help if you prefer less jumping between people and places. It took me 2 or 3 times with each to really place them, which was tough when there was only about 5 chapters for each character (short story). There might be some historical notes and nuance that would be missed until you went to the next character, but I think overall each of them is pretty discrete and coherent on their own.… (altro)