J. P. Stassen

Originally, I requested this on NetGalley to read, but the PDF expired before I could get to it. It wasn't the book itself, but the content that made me hesitate to pick this one up. Deogratias isn't something you grab for a little light reading. The Rwandan genocide "lasted 100 days and took 800,000 lives." I decided to buy the book after stumbling across a copy, and I almost wish I hadn't.

I hate to say this, but I was disappointed with the overall story. The forward was the most interesting and informative part of the book, and it's only a few pages long. I felt like it really set the tone for the story, while also conveying the severity of the situation. The forward also mentions that Stassen didn't go to Rwanda with the intention of writing a book about the genocide, but he did, and he's profiting from it. I think this story needs to be told by those who were there and experienced what happened firsthand, or at least by someone who was affected by what happened. It seems like Stassen told his version of events through a character that he himself is unable to relate to. How can you write about something like this as a white male with an outsider's perspective?

Speaking of perspective, the main character was an unreliable narrator. We see the boy he was before (someone only interested in having sex with girls), to the broken shell of a person he is after. When the Hutu started killing Tutsi, the author didn't show us how Deogratias felt, only that he chose to participate in what was happening around him. I couldn't connect with Deogratias and what he was experiencing, because it felt like everything that happened to him was out of his control. There was no depth to him or what he was feeling as the world fell apart around him.

It's clear that Deogratias has been through something traumatic, and it's impacted his mind and how he perceives himself and the world, but the author still uses him to mention female mutilation and dogs devouring bodies (always random and without warning). When we finally discover what happened to him, it's very choppy, and also disturbingly graphic. There's no explanation of his actions, and we're not given any information that would help us understand how certain parts of the story unfolded. We're just supposed to infer based on broken conversations, and images that I won't describe.

I have very little experience with this topic, so I went into this without any expectations. I do know that children were often made to do things they wouldn't normally do, and they did them to survive. I'm not sure how old the main character was supposed to be, but I think we're supposed to believe that his actions were mostly forced. However, the author doesn't even pretend to give him a choice, but makes one for him without giving us any relevant information.

None of the other characters were expanded on either, which made the story feel somewhat flat. The author has a full cast of diverse people, yet chooses to focus on other aspects of the story. The illustrations felt like caricatures of people, which felt wrong when the author was depicting graphic scenes from the genocide. The violence was often sudden and unexpected, and while it may be accurate, felt like it was included to shock an audience instead of inform them.

The Rwandan genocide is something that happened fairly recently, and I disagree with how this author chose to depict the horrific events that occurred. His story feels like an insult to the people who were there, and to those who lost loved ones to unfathomable cruelties.

Originally posted at Do You Dog-ear? on June 16, 2019.… (altro)

Deogratias is a heart-wrenching graphic novel about the genocide in Rwanda that requires both a developed ability for comprehension and advanced emotional maturity, but tells its story with rare honesty and poignancy. The story follows an unsettled young man, Deogratias, and begins after the genocide is over. Through a series of flashbacks, the reader learns that Deogratias, a Hutu, is guilty of reluctantly participating in the slaughter of Tutsis, including several of his own friends. Deogratias has lost his mind as a result and believes that he turns into a dog, like the ones he saw eating his friends’ bodies, at night. The illustration is done in dark lines and simple, bold colors. The characters are expressive, even grotesque at times, reflecting their personalities. The dialogue is often stiff, which is likely a result of its translation. Both the language and images are graphically violent, but such violence is well-suited to the story. Because the flashbacks are signalled by subtle changes in colors and characters’ appearance, the story’s progression can be confusing. An introduction by the translator is helpful for readers who are not familiar with the events portrayed. Though it is often jarring and is not appropriate for younger readers, Deogratias tells an important story and will strongly impact those who read it. Recommended. Grade 11+… (altro)

A graphic novel covering the civil war in Rwanda. The action moves between the titular character's pre war and post war experiences, from school boy to young man made insane by what happened.

The book starts with Deogratias, a young Hutu, a broken man who is reminded of his past through a meeting with people he knew from before. This provokes a series of flashbacks, showing how Deogratias and his friends were affected by the civil war. Deogratias, a Hutu, was in love with two girls, both Tutsis, who must hide as the call comes over the radio to rid Rwanda from "cockroaches". The outside world is also involved, in the form of foreign priests and the Frenchman, none of which have a positive influence.

It's a short book, less than 100 pages, but, actually, the author packs in a great story, as well as showing us the personal cost of the genocide. I've read a few books and seen films about Rwanda, but what sets this apart is the fact that it is a graphic novel. This format actually allows the author to be more brutal, but leaves more room for the reader to reflect on what is happening. Recommended.… (altro)