Matthieu Simard
Autore di The country will bring us no peace
Sull'Autore
Fonte dell'immagine: Matthieu Simard photographed photographed in Montréal , Québec, Canada at the Salon du livre de Montréal 2018. By Bull-Doser - Own work., Public Domain, https://commons.wikimedia.org/w/index.php?curid=75098239
Opere di Matthieu Simard
Etichette
Informazioni generali
- Sesso
- male
Utenti
Recensioni
Premi e riconoscimenti
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Statistiche
- Opere
- 14
- Utenti
- 92
- Popolarità
- #202,476
- Voto
- 4.0
- Recensioni
- 5
- ISBN
- 25
- Lingue
- 1
The villagers also make vague allusions to tragic occurrences in the community’s past and, particularly, to some dark story which seems to be linked to previous occupier of the house where Simon and Marie live. They are even warned to leave “for their own good”.
Simard builds an atmosphere of dread around the village. It often feels bleak and silent, as if even the birds have lost their song. This lack of sound is a recurring theme – on the title page, the work is described or subtitled as “a novel without music”; the cello which Marie used to play and which she carried with her to the village sits silent in its case; a mysterious young woman roams the streets, allegedly deaf and dumb after a mysterious accident; no children can be heard playing in the park or the surrounding forest; the birds no longer sing. Ominously overlooking the village stands a much-hated antenna, which is seemingly the cause of the all the community’s woes or, perhaps, just a sentinel or witness to the daily tragedies of life. After all, as Marie points out:
Every town has its stories. Dark secrets, accidents, disappearances…Every little town has the same stories, and they’re always a lot like our own.
In The Country Will Bring Us No Peace, Matthieu Simard has given us a strange yet poignant novella. It is a portrayal of grief and its aftermath, whether in a family or, more widely, in a community. Yet, the strong elements of realism are also combined with the more fantastical flavours of genre fiction: the mysteries and secrets surrounding the small town would not be out of place in a thriller or crime novel, while the uncanny elements (what exactly is the antenna all about? And what is really happening in the forest?) skirt the boundaries of speculative and weird fiction. There's even a dose of humour in the dialogue.
In just over a hundred pages, Simard distils material which lesser authors would have padded out into a tome. The novella delivers gut-and-heart-wrenching twists in a language which, throughout, retains a distinctive, elegiac lyricism expertly conveyed in this English translation by Pablo Strauss. This is a special book.
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