M Sarki
Autore di ZIMBLE ZAMBLE ZUMBLE
Opere di M Sarki
Shorter Prose: Ponzil, the Pistolero, and his Comedy of Combustion, a Different World from Olive Listed's, and Max Lane (2013) 5 copie
Any Fucking Day 2 copie
Unsaid v4.n1 2 copie
Unsaid v5.n1 2 copie
Etichette
Informazioni generali
- Nome canonico
- Sarki, M
- Nome legale
- Sarki, Michael Thomas
- Data di nascita
- 1953-12-06
- Nazionalità
- USA
- Nazione (per mappa)
- USA
- Luogo di nascita
- East Tawas , Michigan
- Istruzione
- self taught
- Attività lavorative
- carpenter
sales representative
writer - Relazioni
- Lane, Beverly (spouse)
- Organizzazioni
- Coffee Club
- Agente
- Sabottai Hermann
- Breve biografia
- Besides being a poet with four collections published, M Sarki is a painter and photographer. He likes fine coffee and long walks, as well as his good woman.
M Sarki has written, directed, and produced six short films titled Gnoman's Bois de Rose, Biscuits and Striola , The Tools of Migrant Hunters, My Father's Kitchen, GL, and Cropped Out 2010. More details to follow. Also the author of the feature film screenplay, Alphonso Bow.
Sarki's work is on the strong side, but he wouldn't have it any other way. Every syllable, consonant, verb, and phoneme counts. Art moves the body; is "unexampled in its feeling". There is much to hate, or to be left feeling a little too uncomfortable with, in good art. To recognize the position of power from which it ventured forth certainly is deserving of respect. And reverently.
Utenti
Recensioni
Statistiche
- Opere
- 14
- Utenti
- 34
- Popolarità
- #413,653
- Voto
- 4.5
- Recensioni
- 18
- ISBN
- 12
The accounting that follows places itself within a specific time frame spanning the years 1995 through 2017. And I believe in my heart that one of these main characters, my teacher, editor, and friend [a:Gordon Lish|232097|Gordon Lish|https://images.gr-assets.com/authors/1267719924p2/232097.jpg] will be remembered for what he gave the literary world through his tyrannical teaching, editing, and authoring of his own work. I am impelled to give an accounting of our relationship in order to counteract anything that might be reported by another critic not so flattering nor tolerant of our relationship. In his teaching, Gordon insisted that a writer maintain a required gaze upon the object. When writing short poems I learned it was paramount to do so, and by default, I found it much easier to compose verse in this manner. But when faced with crafting a longer work, and one that encourages digression in many forms, the task itself becomes at times overwhelming and insurmountable. Life does not behave in a non-digressive manner so why does writing have to? Untold events alter everything.… (altro)