Nico Rost (1896–1967)
Autore di Goethe en Dachau
Sull'Autore
Fonte dell'immagine: Nico Rost 1966 Foto Ron Kroon (ANEFO)
Opere di Nico Rost
Tegenover de anderen 2 copie
Van het Spaanse vrijheidsfront 2 copie
Dachau : Concentration camp 2 copie
Opere correlate
Van Hollandsche potaard : studiën en fragmenten — A cura di — 2 copie
Etichette
Informazioni generali
- Nome canonico
- Rost, Nico
- Nome legale
- Rost, Nicolaas
- Altri nomi
- Eppens, Abel
- Data di nascita
- 1896-06-21
- Data di morte
- 1967-02-01
- Sesso
- male
- Nazionalità
- Nederland
- Luogo di nascita
- Groningen, Groningen, Nederland
- Luogo di morte
- Amsterdam, Noord-Holland, Nederland
- Luogo di residenza
- Groningen, Groningen, Nederland
Berlijn, Duitsland
België - Istruzione
- Praedinius Gymnasium
- Attività lavorative
- vertaler Duits - Nederlands
- Premi e riconoscimenti
- Marianne Philips-prijs (1958)
Utenti
Recensioni
Potrebbero anche piacerti
Autori correlati
Statistiche
- Opere
- 9
- Opere correlate
- 14
- Utenti
- 72
- Popolarità
- #243,043
- Voto
- 3.9
- Recensioni
- 1
- ISBN
- 9
- Lingue
- 2
- Preferito da
- 1
There are many reasons why this book is so important. First of all, it's an impressive effort. Analyzing Goethe, Schiller, and many other authors is not something you'd imagine someone doing in a camp while starving, seeing dozens of people dying on a daily basis, and surviving continuous bombing. Secondly, this book makes justice to the many communists, anarchists, and anti-fascists that resisted the Nazis and ended up dying in camps. History focuses mostly in the atrocities against Jews and gypsies, but little is written about the uncountable number of leftists who ended up dying for standing up to fascism -- this book, however, gives us an idea of how many ended up in Dachau and other camps, if only those that Rost was familiar with. Finally, although a concentration camp journal would be the last place where you'd expect it, this is an amazingly rich source of references to German and Dutch authors and works of literature, of all sorts, but specially those who wrote with a socially critical eye.
There's a lot more that one could say about this wonderful book, but I think you should just read it instead.… (altro)