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Joseph J. Rishel (1940–2020)

Autore di Van Gogh Il Ritratto

16+ opere 616 membri 1 recensione

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Comprende i nomi: Joseph Rishel, JOSEPH J. RISHEL

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Informazioni generali

Nome canonico
Rishel, Joseph J.
Data di nascita
1940-05-15
Data di morte
2020-11-05
Sesso
male
Nazionalità
USA
Luogo di nascita
Clifton Springs, New York, USA
Luogo di morte
Philadelphia, Pennsylvania, USA
Causa della morte
Parkinson's Disease
Luogo di residenza
Philadelphia, Pennsylvania, USA
Istruzione
University of Chicago (AM|1968)
Hobart and Smith Colleges (AB|1962)
Attività lavorative
museum curator
art historian
Relazioni
D'Harnoncourt, Anne (spouse)
Organizzazioni
Philadelphia Museum of Art
Art Institute of Chicago
Premi e riconoscimenti
American Academy of Arts and Sciences (2002)
American Philosophical Society (2010)
Officier, l'Ordre des Arts et des Lettres (2002)
Chevalier, l'Ordre des Arts et des Lettres (1996)
Breve biografia
Since arriving at the Philadelphia Museum of Art from the Art Institute of Chicago in 1971, Joseph J. Rishel had made his life's work the expansion and research of the museum's collections, the engagement with its international public, and the fulfillment of its potential to contribute to its immediate community. He served there as the Gisela and Dennis Alter Senior Curator of European Painting before 1900 and took a post at the National Gallery of Art as Samuel H. Kress Professor. Through a series of extraordinary exhibitions, including Cézanne (1995-96), The Splendor of 18th Century Rome (2000), Manet and the Sea (2003-04), The Arts in Latin America, 1492-1820 (2006-07), and Cézanne and Beyond (2009), this curator and diplomat has imagined new ways of presenting works both famous and unknown, and he has overcome immense obstacles in realizing these visions. Within the museum profession he is highly regarded for his dedication to the formation of a new generation of curators, and he has been particularly supportive of the combination of technical analysis with historical evidence in research. In Philadelphia he served as chairman of the Barnes Foundation Collection Assessment Advisory Committee. From Mexico City to London and Paris, he was held in the highest esteem as a colleague and convivial companion by artists and scholars alike. He received his M.A. from the University of Chicago in 1962 and is the author or coauthor of a number of works including Delacroix: The Late Work, (with E. Delacroix, et al 1998), Goya: Another Look (2006), and Cezanne and Beyond (with K. Sachs and a team of scholars 2009). He has been honored a number of times, including twice by the French Government, being named Chevalier, l'Ordre des Arts et des Lettres in 1996 and Officier dans l'Ordre des Arts et des Lettres in 2002. Rishel is a member of the American Academy of Arts & Sciences and was elected to membership in the American Philosophical Society in 2010. He died on November 5, 2020.

Utenti

Recensioni

It seems a little weird to me that before the exhibition hosted in 2000 by the Detroit Institute of Arts (and chronicled in this catalogue) that there had never before been a show dedicated to the portraits painted by Van Gogh, but I guess everyone has previously been focused on his landscapes, cafe scenes, and sunflowers. I definitely agree with the curators that Van Gogh’s portraits are worth a dedicated examination, even though “Starry Night” will always be my favourite of his pieces, since each piece shows the same dedication to his artistry that one would expect from one of the best painters. Careful brushstrokes, a unique sense of colouration, and vivid characterization are present throughout this collection, and I was pleased to discover some unexpected themes emerge from this curation. Portraits are a typical focus for many artists contemporary and historical as a means to earn a living prior to the photographic medium becoming more accessible, but I was surprised to discover that Van Gogh’s portraits eschewed this trend to focus on subjects of his own choosing and (when he ran out of subjects) self portraits. Even though some of his subjects were dressed in costume or given a fixed scope of depiction by the artist, Van Gogh’s preoccupation with character (unique or not is up to the viewer) is an interesting revelation, and gives a further depth than the base artistry portrayed by his technique. While I might not have liked, per se, each of the portraits herein, I appreciated the chronological act of collection for this exhibition, and in particular found the evolution of his technique away from the Dutch masters and into his own style to be excellently portrayed. The accompanying text was also well narrated (barring the missing chunks from my maligned thrifted copy…) by the curators, each having a unique voice that brought Van Gogh’s paintings together with their historical context well and illuminating the core themes of the exhibition. I’ll have to replace this volume at some point with a unmarred copy, since the previous owner did a great job of tearing out half pages and sections (seriously /rolls eyes), and peruse it again for a more in depth look into the many faces of Van Gogh.… (altro)
 
Segnalato
JaimieRiella | Jan 1, 2024 |

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Statistiche

Opere
16
Opere correlate
6
Utenti
616
Popolarità
#40,815
Voto
½ 4.3
Recensioni
1
ISBN
40
Lingue
5

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