Melanie Rawn

Sorcerer-painters frolic in a pseudo-Renaissance Italian city-state. The three authors split the book into three sections, and I liked each section about as much as I like each author. The first section felt repetitious and redundant; the second section combined candy-colored central characters with the wonderfully Machiavellian maneuverings of the villainous protagonist; and the third section was good but marred by wrapping up all the threads introduced in the first two sections. All together, it was...eh.… (altro)