Daniel Pinchbeck
Autore di Breaking Open the Head: A Psychedelic Journey into the Heart of Contemporary Shamanism
Sull'Autore
Daniel Pinchbeck is the bestselling author of Breaking Open the Head and 2012. The Return of Quetzalcoatt. He co-founded the web magazine Reality Sandwich and the online platform Evoiver.net. His essays and articles have appeared in publications including the New York Times, Esquire, Rolling Stone mostra altro and ArtForum. mostra meno
Opere di Daniel Pinchbeck
Breaking Open the Head: A Psychedelic Journey into the Heart of Contemporary Shamanism (2002) — Autore — 520 copie
When Plants Dream: Ayahuasca, Amazonian Shamanism and the Global Psychedelic Renaissance (2019) — Autore — 24 copie
What Comes After Money?: Essays from Reality Sandwich on Transforming Currency and Community (2011) — A cura di — 21 copie
Opere correlate
The Rolling Stone Book of the Beats: The Beat Generation and American Culture (1999) — Collaboratore — 167 copie
Etichette
Informazioni generali
- Nome canonico
- Pinchbeck, Daniel
- Altri nomi
- PINCHBECK, Daniel
- Data di nascita
- 1966-06-15
- Sesso
- male
- Nazionalità
- USA
- Luogo di residenza
- New York, New York, USA
- Attività lavorative
- author
journalist - Relazioni
- Johnson, Joyce (mother)
Utenti
Recensioni
Liste
Potrebbero anche piacerti
Autori correlati
Statistiche
- Opere
- 15
- Opere correlate
- 2
- Utenti
- 1,223
- Popolarità
- #20,999
- Voto
- 3.7
- Recensioni
- 19
- ISBN
- 35
- Lingue
- 3
- Preferito da
- 3
Contrary to popular perception, 2012 won't necessarily be apocalyptic; it's a movement into a different stage of consciousness. Pinchbeck plunges into a wide-ranging examination and comparison of cross-cultural (and atemporal) phenomena and theory that deal with the eschatological; social scientists (and physicists too, probably) would fling the book against the wall early on, but it's fascinating regardless. It's not often you find one place that discusses the Mayan calendar, alien abduction, Terence McKenna, crop circles, quantum physics, Teilhard de Chardin, Burning Man and ayahuasca at the same time -- well, if you were at Burning Man, maybe.
It's all fun until the whining takes over. There's nothing wrong with all this self-reflexivity in a memoir, but Pinchbeck later justifies his cold behavior towards his family through his theory that polyamory as a more "evolved" form of interrelationships. Sure, we're carefully led through his process of self-realization, but it smacks the reader of self-aggrandizement at this point in the narrative. (And I won't reveal the ending concerning the author's role in all this, but let's just say it concerns the subtitle.)
There's no relation to the Roland Emmerich disaster movie 2012, which is a good thing, but at least the movie had a better sense of humor.… (altro)