Immagine dell'autore.

Jenny Offill

Autore di Dept. of Speculation

17+ opere 4,873 membri 347 recensioni 3 preferito

Sull'Autore

Serie

Opere di Jenny Offill

Opere correlate

Electric Literature No. 3 (2010) — Collaboratore — 10 copie

Etichette

Informazioni generali

Data di nascita
1968
Sesso
female
Nazionalità
USA
Luogo di nascita
Massachusetts, USA
Luogo di residenza
Brooklyn, New York, USA
Istruzione
University of North Carolina, Chapel Hill
Attività lavorative
author
Organizzazioni
Brooklyn College
Queens University of Charlotte
Breve biografia
Jennie Offill teaches in the M.F.A. writing program at Brooklyn College.  [adapted from The Friend Who Got Away (2005)]

Utenti

Recensioni

I don’t know how to feel about this book.

Each sentence is beautifully written, but disjointed from the others. It’s almost stream-of-consciousness, but then there is a plot twisted into it. It rambles, yet somehow no words are wasted.

The storytelling is not my style, I’ve concluded, but I can’t discredit the author’s way with words. Give it a shot. It’s so short that if you don’t like it, it’s still a book read and didn’t eat up too much of your time.
 
Segnalato
jnoshields | 144 altre recensioni | Apr 10, 2024 |
The first few chapters wowed me. Offill's writing was crisp and she had a talent for observing and writing about people. For example, who could forget the wife's experience of hiding something she dislikes at a restaurant and then find out that the restaurant's staff didn't care? However, I feel that the tone of the book somehow changed after the first few chapters, which affected my enjoyment of the book.
½
 
Segnalato
siok | 144 altre recensioni | Mar 17, 2024 |
An amusing book about adultery; educational too! I never knew that research shows men tend to have affairs after their oldest child turns six, our evolutionarily reptilian brains thinking that genetic investment is able to carry on without us now, so time to go create a different one. Or that Buddhists believe there are 121 states of consciousness, only 3 of which involve misery or suffering, though naturally we spend most of our time just in those three. I have no confirmation that these are true, mind, but they sound legit.

The book's heroine never intended to get married, and the book never intends to give the reader much of any idea about the husband. He exists, he is outlined, and then he cheats, and we're given the wife's reaction along with a steady stream of amusing factoids. Interestingly, the perspective shifts from first to third person once this trouble occurs, as if the character steps back from this clichéd situation to wryly observe the difficulty she's gotten herself into. "If only you'd stuck to your plan to be an Art Monster," her third person omniscient voice might say to her first person character, "this totally could have been avoided." Happily, however, the first person wrenches back control of the narrative at the last. It's always better to have loved.

There is a comparison in the style of this book to Renata Adler's Speedboat in that it is told in little episodic chunks. But Offill is funny; Adler is arch. Offill has a plot; Adler does not. Between the two I'll definitely take Offill.
… (altro)
 
Segnalato
lelandleslie | 144 altre recensioni | Feb 24, 2024 |
Good writing, but no narrative coherence; i just didn’t get the point. Experimental style isn’t for me
½
 
Segnalato
JosephKing6602 | 144 altre recensioni | Dec 6, 2023 |

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Statistiche

Opere
17
Opere correlate
2
Utenti
4,873
Popolarità
#5,159
Voto
½ 3.7
Recensioni
347
ISBN
111
Lingue
12
Preferito da
3

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