Samantha Norman

Samantha Norman takes a stab at completing her mother Ariana Franklin's iconic mystery series starring Adelia Aguilar. Norman makes several strategic decisions with the plotting of the story to have it play to her strengths. The writing is good and the story is interesting. Unfortunately, it's the pacing that fails Norman and that shows, in a big way, that this book won't fully satisfy readers, let alone live up to the hype set by the previous novels. Overall, I highly recommend approaching this novel as a standalone story rather than as the finale to the Mistress of the Art of Death series.

Rather than take on the analytical and legendary Adelia, Norman opts to tell the story of Death and the Maiden from the point of view of her daughter Almeison "Allie". This choice is smart on the part of Norman; however, it does create a staggering tonal shift as the predecessor in the series A Murderous Procession ends on a dramatic cliffhanger. Allie is positioned as Adelia's protege in all things medical and macabre, but Allie is chafing at the monotony of her life with her mother. When fan-favorite Glytha falls ill and Adelia breaks her ankle, Allie is proposed as the replacement nurse. Unbeknownst to everyone, Allie is walking right into a village with a penchant for murdering pretty girls.

Allie starts out as interesting, but she soon petered out for me. She never shows any initiative to learn about the mystery of the disappearing girls or to explore her surroundings, even though she supposedly missed living in the Fens and everyone there. As a result, the mystery stalls, and all Allie really does is moon over her attractive neighbor whom her father is desperately trying to marry her to or sulk because she's not getting her own way. Even when a beloved character is kidnapped (and you see it coming from a mile away), Allie doesn't spring to action. The mystery only really picks up steam when Adelia's ankle recovers enough for her to show up in the Fens for the last third of the novel to save both the village and the story. Unfortunately, Allie's lack of agency continues. She neither finds her friend through her own efforts nor even finishes off the villain. Overall, she's not much of a heroine, but comparing her to her mother Adelia makes her even more disappointing. Then, Norman teases readers that Allie might find a future at court with Eleanor of Aquitaine, which would really be something, but that also comes to nothing because Allie can't make her mind up about anything.

My favorite character was Penda. Readers may recognize her as the little girl from Franklin and Norman's other novel The Siege in Winter. Penda was fierce, efficient, bold, caring in her own way, and just so much fun. She lit up the page. It makes sense since Norman finished Penda's novel too. She probably felt more familiar with her, and it showed. She was, by far, the strongest character. As for the other characters - Adelia, Rowley, Glytha, Ulf - they aren't as strong or vivid with the exception of Rowley. Norman managed to capture his dual life fairly well, I thought.

While there was a lot of promise, ultimately, this book is not one I'll revisit. I can't help but wonder if it wouldn't have been better to just let the series end with the fourth book and let readers imagine everything turned out well for the characters at the end. I appreciate the attempt to conclude this famous series, but I really don't think the book added anything. It feels unnecessary, in my opinion, even as a standalone novel in its own merit.… (altro)

Ariana Franklin carved a nice little niche for herself in the historical mystery corner of the literary world. Sadly she passed away before the last book in her "Mistress of the Art of Death" series was finished. Her daughter Samantha Norman took up the torch and ran with it. The story comes across nicely. Set in that early Plantagenet English atmosphere it may be a little predictable but only to a certain extent. It seems Franklin's daughter knew that readers might expect that, so while she put readers on that path she easily tears them away and says "This is how I am going to do it." Her curveball comes of out nowhere and strikes the skull with a pleasant.."Now you did not see that coming did you?"… (altro)