Immagine dell'autore.

Sélim Nassib

Autore di Ti ho amata per la tua voce

9+ opere 120 membri 4 recensioni

Sull'Autore

Fonte dell'immagine: from web site: mots.extraits.free.fr

Opere di Sélim Nassib

L'amante palestinese (2004) 50 copie
Beirut: Front Line Story (1983) 9 copie
L'homme assis: contes (1991) 2 copie
Le Tumulte (2022) 2 copie
Un soir à Beyrouth (2007) 1 copia
L'Histoire de M (2019) 1 copia

Opere correlate

Stories of Women (1995) — Autore, alcune edizioni11 copie

Etichette

Informazioni generali

Nome canonico
Nassib, Sélim
Data di nascita
1946
Sesso
male
Nazionalità
Lebanon
Luogo di residenza
Beirut, Lebanon (birth)
Paris, France
Attività lavorative
journalist

Utenti

Recensioni

The love story is so-so, but the historical details are fascinating.
 
Segnalato
LubicaP | 3 altre recensioni | Mar 21, 2020 |
An interesting and quick read though not exactly a light one. The author does a historical what-if – speculating on what would happen if a young Golda Meir had an affair with an Arab man. I don't have strong feelings for or against Golda Meir and didn't have too many preconceptions about her, but the book's premise could bother some. Both Golda and her Palestinian lover, Albert, are portrayed sympathetically.

In short chapters, the author describes Golda’s time in the kibbutz after leaving the U.S. with her husband, her strained domestic life after they leave and her growing involvement in the Zionist movement. Albert Pharaon, a scion of a wealthy and aristocratic family, is shown to be bored and frustrated with the petty social bitchery and cold family life that makes up his world, taking comfort only in his horses and his niece Nina. After breaking with his wife and losing Nina’s company to an arranged marriage, Albert meets Golda at a party and the two instantly click – though for Golda, it’s mostly due initially to his similarity to a long-dead crush. Their affair is conducted against the background of the conflict between the three main parties in Palestine – the Arabs, Jews and the British.

The author’s style is very readable and though the book is short, Golda’s conflicts between family and politics and her fraught relationship with Albert come through clearly. However, the character of Albert seemed too good to be true – he’s cultured, intelligent, and generous with his wealth but not overly concerned with status or social rivalries and money like other members of his family. He opposes his sister forcing her daughter, Nina, to marry a much older man who she barely knows. Though he’s on the Arab side of the conflict, he’s not dogmatic the way Golda is and his love for her isn’t just physical and remains constant. A little annoying, but it didn’t put me off the book.

Initially the author focuses on Golda and narrates from her third person POV, but later on it shifts to Albert’s view. After she pulls away, he tries to replace her in a rather passive way and in general remains inert for the rest of the book. This section wasn’t as good, though the author provides a vivid picture of the situation deteriorating due to the influx of Jews from European countries on the brink of war.
… (altro)
1 vota
Segnalato
DieFledermaus | 3 altre recensioni | Mar 9, 2011 |
I tried but cannot finish it. Not my cup of tea.
 
Segnalato
wendywh | 3 altre recensioni | Aug 21, 2007 |

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Statistiche

Opere
9
Opere correlate
1
Utenti
120
Popolarità
#165,356
Voto
½ 3.7
Recensioni
4
ISBN
20
Lingue
4

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