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Catie Maye

Autore di Men Can Wear Dresses Too

1 opera 2 membri 1 recensione

Opere di Catie Maye

Men Can Wear Dresses Too (2014) 2 copie

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Over half a century later, a young boy stared into a mirror and saw himself cross-dressed for the first time.

I am Catie Maye. I am a transvestite.


And so begins Catie Maye’s tale, a true story and cultural exploration of what it means to be a transvestite. It’s a story that explores the parallel lives of the cross-dresser, hiding the truth from others, lying to protect that oh-so-necessary form of self-expression, and battling the depression that takes root from the need for deceit.

As part of looking to understand himself, Catie dives deep into the studies and statistics surrounding cross-dressing. He confronts the assumption that cross-dressing is rooted in some sort of adolescent abuse, and destroys the accompanying assumption that all cross-dressers are gay. He reveals the surprising truth of just how many cross-dressers are married, how many of them are open with their spouses, and how few of them consider it a sexual fetish.

The entire book is largely an autobiographical tale, but one that’s intertwined with the studies and theories (many of them painfully dated, as Catie points out) that attempt to put that life’s story into context. Some of those statistics are fascinating – such as when the men first cross-dressed (4-6 years old), with who’s clothes (mom’s), and with what items (panties) – while others are surprising in their contradictions – with only 42% claimed to have ever felt guilty, but 77% having purged.

Risks and secrecy are a recurring theme of Catie’s story, to nobody’s surprise, but it’s sobering to realize how strong the need to express ourselves is, regardless of those risks. For some it’s the feeling of the clothes themselves, for others it’s a sexual sensation, and for others still it’s a way of dealing with stress. As Catie says, “I don’t dress to attract men (or women). I don’t do it for any reason other than to relax. Cross-dressing gets me out of myself. I don’t want to be cured because there is nothing wrong with me. I won’t ever stop.”

Where the story gets really interesting is when Catie talks about taking his cross-dressing public, and about learning to pass as a woman. It’s a funny story, with a young man in a wench’s outfit and wig, first trapped in a shed, then finding himself accidentally locked out of the house, but it’s all too easy to sympathise with the gut-wrenching terror of the experience . . . and the guilty compulsion to purge rather than deal with that fear again.

Rounding out Catie’s story is that of his wife, her discovery of his secret, and how they’ve come to terms with that aspect of his life. “To me,” she says, “it’s not the ‘dressing’ that’s the problem; it’s the secrecy.” Having survived (and strived) through that first difficult conversation, I can say her take on the situation isn’t unique, and should serve as something of a prompt for more men to come out and be honest with their partners.

Catie concludes his story with a chapter on ‘What Does it All Mean’ that attempts to summarize the salient facts and figures of the story. Rather than trying to define the cross-dresser, Catie’s goal is to dispel “the myths, social untruths, and pieces of pure gossip” and help promote a societal understanding of “whom and what we are.”

So, if you have ever wondered, questioned, debated, and doubted, believe that Men Can Wear Dresses Too.


Originally reviewed for Frock Magazine
… (altro)
 
Segnalato
bibrarybookslut | Jul 5, 2017 |

Statistiche

Opere
1
Utenti
2
Popolarità
#2,183,609
Voto
4.0
Recensioni
1
ISBN
3