Immagine dell'autore.

Juri Lotman (1922–1993)

Autore di Universe of the Mind: A Semiotic Theory of Culture

108+ opere 466 membri 2 recensioni 5 preferito

Sull'Autore

Fonte dell'immagine: Juri M. Lotman, Wikipedia

Opere di Juri Lotman

Semiotica del cinema (1976) 19 copie
Kultuur ja plahvatus (2001) 11 copie
Tipologia della cultura (1995) 8 copie
Valik kirju (2007) 7 copie
Kultuuritüpoloogiast (2010) 6 copie
Non-Memoirs (2014) 4 copie
Semiotica de la cultura (1979) 3 copie
Mida inimesed õpivad (2022) 3 copie
Sotvorenie Karamzina (1998) 3 copie
Kultura i eksplozja (1999) 2 copie
Wokół problemów realizmu — Collaboratore — 2 copie
Text a kultúra (1994) 2 copie
Semiotics of Cinema (1988) 2 copie
Da Rousseau a Tolstoj (1984) 2 copie
O po♯takh i po♯zii (1996) 2 copie
Semiotica e cultura — Autore — 1 copia
Den poetiska texten (1974) 1 copia
Non-memorie (2001) 1 copia
Dialoog ekraaniga (2022) 1 copia
Perepiska. 1954-1993 (2018) 1 copia
Dialogo con lo schermo (2000) 1 copia

Opere correlate

Etichette

Informazioni generali

Nome legale
Lotman, Juri Michailowitsch
Data di nascita
1922-02-28
Data di morte
1993-10-28
Sesso
male
Nazionalità
Russia

Utenti

Recensioni

There aren't very many English translations of the works of cultural semiotician Yuri M. Lotman (1922-1993) who spent the majority of his working life at Estonia's University of Tartu where the relative remove from the central locations of Soviet power gave him some freedom of study and independence, certainly enough to make him an especially well respected international figure in his field.

His "Non-Memoirs' were dictated in the last year of his life but were based around anecdotes that he told many times to students and colleagues. This is a non-memoir in the sense that it is really just a few anecdotes and episodes from his days in an artillery battalion during WWII and then about his life and academic career in at first Leningrad and later Tartu. Of the book's 110 pages, only 67 are Lotman's own with the rest consisting of Notes and Translator's Introduction and Afterword. This might seem like small-measure but the anecdotes have been sharpened over time and are quite entertaining and often very funny.

Along the way you'll learn a sure-fire lice removal method used in the army, about the time Alexander Solzhenitsyn showed up at Lotman's door with the intention of punching him in the mouth (Lotman had inadvertently introduced Mikhail Bulgakov's widow to a student who turned out to be a kleptomaniac and who had purloined the only existing manuscript copy of The Master and Margarita, A.S. showed up to make indirect retribution - fortunately Lotman had already arranged for the return of the manuscript in the meantime) and you learn how Lotman won over his future wife despite her leaving him at their first meeting muttering "scum with a mustache." And yes, semiotics are scattered throughout, even in the nuances of the words "scram" vs. "retreat" from the days of the Soviet army.

As an introduction to Lotman and his work, but also to knowing why he was so beloved, this is ideal.
… (altro)
 
Segnalato
alanteder | Feb 5, 2015 |
Jurij M. Lotman y Boris A. Uspenskij,
" Sobre el mecanismo semiótico de la cultura"
en Jurij M. Lotman y la Escuela de Tartu, Semiótica de la cultura, Ed. Cátedra, Madrid, 1979. Págs. 67-92. (Extracto y resumen del Prof. Jaime Moreno Garrido).
 
Segnalato
cursodesistemas | Aug 27, 2007 |

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Statistiche

Opere
108
Opere correlate
1
Utenti
466
Popolarità
#52,775
Voto
4.1
Recensioni
2
ISBN
115
Lingue
13
Preferito da
5

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