Immagine dell'autore.

Denise Levertov (1923–1997)

Autore di Selected Poems

78+ opere 2,772 membri 24 recensioni 14 preferito

Sull'Autore

Born in Essex, England, Denise Levertov became a U.S. citizen after her marriage to Mitchell Goodman, the writer who was indicted, with Benjamin Spock and the Rev. William Sloane Coffin, for his antiwar activities. She came to New York to live in 1948. Levertov acknowledges that her writing was mostra altro influenced by William Carlos Williams, Charles Olson, and Robert Duncan. After her first book, The Double Image (1946), was published in England in 1946, she did not produce another volume until 1957, when City Lights brought out Here and Now. In 1961 she was poetry editor for the Nation, and in 1965 she received the grant in literature from the National Institute of Arts and Letters. Her essays collected in The Poet in the World (1973) and Light Up the Cave are written with a penetrating intelligence. Winner of numerous awards and prizes, she is a poet of reverence and fierce moral drive. Denise Levertov died December 20, 1997. (Bowker Author Biography) mostra meno
Fonte dell'immagine: Portriat of Denise Levertov taken by Elsa Dorfman on Flagg St, Cambridge, MA

Opere di Denise Levertov

Selected Poems (1986) 212 copie
Breathing the Water (1987) 135 copie
This Great Unknowing (1999) 113 copie
Poems 1968-1972 (1987) 110 copie
Poems, 1960-1967 (1983) 110 copie
Sands of the Well (1996) 93 copie
In Praise of Krishna: Songs from the Bengali (1967) — Joint Author — 86 copie
The Sorrow Dance: Poems (1966) 83 copie
Relearning the Alphabet (1656) 78 copie
The Jacob's Ladder (1961) 74 copie
New & Selected Essays (1992) 70 copie
O Taste and See (1964) 68 copie
Door in the Hive (1656) 60 copie
Light Up the Cave (1981) 59 copie
Life in the Forest (1978) 59 copie
Oblique Prayers (1984) 59 copie
Candles in Babylon (1982) 56 copie
Footprints. (1971) 53 copie
Poems 1972-1982 (2001) 49 copie
To Stay Alive (1971) 47 copie
Mary Randlett Landscapes (2007) 18 copie
New Selected Poems (2003) 18 copie
Here and Now (1956) 10 copie
Seasons of Light (1988) 8 copie
Overland to the Islands (1958) 7 copie
The double image (1946) 4 copie
A Wanderer's Daysong (1981) 2 copie
Denise Levertov (1994) 2 copie
5 Poems 2 copie
Embroideries 2 copie
Window-Blind 1 copia
Feet (1997) 1 copia
Daybreak 1 copia
Blue Africa 1 copia
Poems 1 copia
Three poems 1 copia

Opere correlate

The Making of a Poem: A Norton Anthology of Poetic Forms (2000) — Collaboratore — 1,263 copie
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Collaboratore, alcune edizioni919 copie
The Vintage Book of Contemporary American Poetry (1990) — Collaboratore — 752 copie
Sisters of the Earth: Women's Prose and Poetry About Nature (1991) — Collaboratore — 397 copie
Contemporary American Poetry (1962) — Collaboratore, alcune edizioni385 copie
Cries of the Spirit: A Celebration of Women's Spirituality (2000) — Collaboratore — 372 copie
City Lights Pocket Poets Anthology (1995) — Collaboratore — 355 copie
Against Forgetting: Twentieth-Century Poetry of Witness (1993) — Collaboratore — 334 copie
The Portable Sixties Reader (2002) — Collaboratore — 327 copie
The New American Poetry 1945-1960 (1960) — Collaboratore — 319 copie
The Penguin Book of Women Poets (1978) — Collaboratore — 297 copie
The Best American Poetry 1999 (1999) — Collaboratore — 208 copie
The Art of Losing (2010) — Collaboratore — 199 copie
The Best American Poetry 1997 (1997) — Collaboratore — 167 copie
American Religious Poems: An Anthology (2006) — Collaboratore — 162 copie
The Best American Poetry 1993 (1993) — Collaboratore — 129 copie
No More Masks! An Anthology of Poems by Women (1973) — Collaboratore — 123 copie
Intimate Nature: The Bond Between Women and Animals (1998) — Collaboratore — 122 copie
Poems from the Women's Movement (2009) — Collaboratore — 108 copie
Gods and Mortals: Modern Poems on Classical Myths (1684) — Collaboratore — 69 copie
The Hungry Ear: Poems of Food and Drink (2012) — Collaboratore — 63 copie
The Ecopoetry Anthology (2013) — Collaboratore — 48 copie
Poetry (1962) — Collaboratore — 46 copie
Summer: A Spiritual Biography of the Season (2005) — Collaboratore; Collaboratore — 37 copie
Where is Vietnam? American poets respond; an anthology of contemporary poems (1967) — Collaboratore, alcune edizioni33 copie
Atomic Ghost: Poets Respond to the Nuclear Age (1995) — Collaboratore — 30 copie
AQA Anthology (2002) — Autore, alcune edizioni19 copie
Wonders: Writings and Drawings for the Child in Us All (1980) — Collaboratore — 18 copie
Fairy Poems (2023) — Collaboratore — 15 copie
Poetry in Crystal (1963) — Collaboratore — 15 copie
Modern Women Poets (2005) — Collaboratore — 13 copie
EVERGREEN REVIEW: VOL. 3, NO. 9: SUMMER 1959 (1959) — Collaboratore — 12 copie
Bright Poems for Dark Days: An Anthology for Hope (2021) — Collaboratore — 10 copie
Ghost Fishing: An Eco-Justice Poetry Anthology (2018) — Collaboratore — 9 copie
Men and Women: The Poetry of Love (1970) — Collaboratore — 8 copie
Epitaphs for Lorine — Collaboratore — 5 copie
Peace or perish : a crisis anthology — Collaboratore — 4 copie
Seventh Street (1961) — Introduzione — 4 copie
The Buffalo Sequence (1977) — Introduzione, alcune edizioni2 copie
Poetry Magazine Vol. 109 No. 6, March 1967 — Collaboratore — 2 copie
In'hui, No.9 — Collaboratore — 1 copia

Etichette

Informazioni generali

Utenti

Recensioni

I rejoice to have found a poet I enjoy as much as I do Mary Oliver.
 
Segnalato
Treebeard_404 | 2 altre recensioni | Jan 28, 2024 |
Poems in this volume are about peacemaking from Vietnam to the death squads in El Salvador to the first Gulf War.
 
Segnalato
PendleHillLibrary | Oct 27, 2022 |
I find my first encounter with Denise Levertov somehow ordinary. As elusive as some of the poems are, chronologically arranged, some does not stir enough of anything to leave a mark. Though this also reflects deeply on a number of virtues and the sublimity of nature, its mysticism is not as personally transcendent as let's say Mary Oliver's whose works bower places for me despite my non-belief.

** "What patience a landscape has, like an old horse,
head down in its field.
Grey days,
air and fine rain cling, become one, hovering till at last,
languidly, rain relinquishes that embrace, consents
to fall. What patience a hill, a plain,
a band of woodland holding still, have, and the slow falling
of grey rain...Is it blind faith? Is it
merely a way to deeply rest? Is the horse
only resigned, or has it
some desireable knowledge, an enclosed meadow
quite other than its sodden field,
which patience is the key to? Has it already,
within itself, entered the sunwarmed shelter?"
— PATIENCE

(I very much loved Patience, Visitation Overflow, and Memory demands so much.)

As a collection I also struggle to associate it with anything which is one of my criteria in placing a poetry collection in high regard, some has softly torn a part of my soul: Szymborska's Here reminds me of the fragility of existence, O'Hara's Lunch Poems makes me fall in love with the city life again amidst the weight and demand, Neruda's The Captain's Verses (or any poetry collection of his) caresses me with sensuality and adoration whilst both Plath's Ariel: The Restored Edition (not the one rearranged by the notorious Ted Hughes!) and Bukowski's You Get So Alone At Times It Just Makes Sense let me taste the familiar grit, rawness, and dirt of living (and personal demons) every time. Nonetheless, when Levertov's poem is lucid and vivid it is a moment in itself. This does not shy me away with Levertov's works at all but rather determines me to find a collection of hers which will wholeheartedly speak to me.

Other noteworthy lines:

** "Perhaps through a lifetime what I've desired
has always been to return
to that endless giving and receiving, the wholeness
of that attention,
that once-in-a-lifetime
secret communion."
— from FIRST LOVE

** "Westering sun a mist of gold
between solemnities of crowded vertical
poplar twigs. The mountain's
wester slow is touched
weightlessly with what will be, soon,
the afterglow."
— MID-DECEMBER

** " [...] Nostalgia
comes if it must, but is not for borrowing.
I see, I know, the desecration, I taste
the degrading sickly bile of that knowledge —
but I did not witness flower or fruit,
a specific locus, an ancestral ground.
What I hold are the links the mind
forges between a vanished field of imagined trees
and their peers remembered, the shine
of stolen cherries, far off
in time and in place; and also by now perhaps
vanished, that field built over."
— from ALIENATION IN SILICON VALLEY
… (altro)
½
 
Segnalato
lethalmauve | 2 altre recensioni | Jan 25, 2021 |
I got this collection because I was really floored by a poem from it, however upon rereading I couldn't place which poem it was. Levertov vacillates between metaphysical musing and relaying more concrete social realities and concerns. The space where these overlap captured my interest most, however there were not as many of these moments as I would've hoped for.
 
Segnalato
b.masonjudy | 2 altre recensioni | Sep 5, 2020 |

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Statistiche

Opere
78
Opere correlate
57
Utenti
2,772
Popolarità
#9,261
Voto
4.0
Recensioni
24
ISBN
89
Lingue
3
Preferito da
14

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