Immagine dell'autore.
70+ opere 5,486 membri 16 recensioni 6 preferito

Sull'Autore

Fredric R. Jameson, Marxist theorist and professor of comparative literature at Duke University, was born in Cleveland in 1934. He earned a Ph.D. from Harvard University and taught at Harvard, the University of California at San Diego, and Yale University before moving to Duke in 1985. He most mostra altro famous work is Postmodernism, or the Cultural Logic of Late Capitalism, which won the Modern Language Association's Lowell Award. Jameson was among the first to associate a specific set of political and economic circumstances with the term postmodernism. His other books include Sartre: The Origin of a Style, The Seeds of Time, and The Cultural Turn. (Bowker Author Biography) mostra meno

Comprende i nomi: Fredri Jameson, Fredric Jameson, Frederic Jameson

Comprende anche: F. Jameson (1)

Fonte dell'immagine: From Wikimedia Commons

Serie

Opere di Fredric Jameson

L'inconscio politico (1981) 617 copie
Marxism and Form (1971) 241 copie
The Antinomies Of Realism (2013) 131 copie
Valences of the Dialectic (2009) 130 copie
Brecht and Method (1998) 110 copie
Signatures of the Visible (1990) 106 copie
The Modernist Papers (2007) 90 copie
The Seeds of Time (1994) 85 copie
Syntax of History (1988) 79 copie
Allegory and Ideology (2019) 79 copie
The Benjamin Files (2020) 75 copie
Situations of Theory (1988) 71 copie
The Sixties, Without Apology (1984) — A cura di — 35 copie
Sartre: Origins of Style (1961) 16 copie
Modernizm Ideolojisi (2008) 5 copie
Sartre After Sartre (1985) 3 copie
Zamanin Tohumlari (2020) 2 copie
Kültürel Dönemec (2016) 2 copie
Mythen der Moderne. (2004) 2 copie
ESTETICA GEOPOLITICA, LA (2014) 1 copia
Kapital'i Sahnelemek (2013) 1 copia

Opere correlate

Aesthetics and Politics (2007) — Postfazione — 643 copie
Art After Modernism: Rethinking Representation (1984) — Collaboratore — 225 copie
Mapping Ideology (1994) — Collaboratore — 183 copie
Lord Jim [Norton Critical Edition, 2nd ed.] (1996) — Collaboratore — 154 copie
Verso 2015 Mixtape — Collaboratore — 2 copie

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Informazioni generali

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Recensioni

Super theoretical and dense! But if you can forgive the overuse of German phrases with no English equivalent this serves as a really good primer to some very exciting sci-fi! I can't wait to read (or watch the movie verison of) Solaris!
 
Segnalato
uncleflannery | 1 altra recensione | May 16, 2020 |
 
Segnalato
Lior.Zylberman | Apr 11, 2020 |
In Raymond Chandler: The Detections of Totality Fredric Jameson returns to his work on the detective novel, focusing this time on Chandler. As usual Jameson makes nuanced observations and posits very reasonable and well-argued points for their presence. Some basic readers may claim Jameson is claiming things Chandler never consciously intended which, while in some cases may be true, is moot in that reading is a dynamic partnership and both the writing and the reading are contextualized within different realities (era, location, social and cultural norms, etc) so Chandler consciously choosing something makes no difference to what it may represent about Chandler's time or about a reader's time.

For Chandler fans there is much to appreciate. Jameson grounds his observations with textual support. One may agree, wholly or in part, with his interpretations or disagree but one cannot say it isn't textually based. Whether discussing spatiality, particularity (Ford rather than car) or Chandler's social typography Jameson highlights aspects of the texts that may have, for most readers, been nothing more than setting the scene. yet setting a scene, like taking a photograph, is as much about choosing what is seen and what is not seen. Those choices were indeed Chandler's.

For literary theorists, whether Marxist or not, Jameson gives many new perspectives with which to look at the novels. Non-theorists will just dismiss with a wave of the hand and claim Chandler didn't mean it, which, as I stated, means nothing. Theorists and serious readers will find some agreement with Jameson or perhaps find other ways of explaining the themes and trends Chandler had running throughout his novels.

This is not a casual read but neither is it a particularly dense nor convoluted read. It will be accessible to most readers, particularly those who choose to engage rather than dismiss before even engaging. I would recommend this to both Chandler fans, with the caveat that this is not a basic overview of plots, and those interested in how literature (particularly popular literature) works and what it can say about the society that both produced and consumed it.

Reviewed from a copy made available by the publisher via NetGalley.
… (altro)
½
 
Segnalato
pomo58 | 2 altre recensioni | May 27, 2017 |
His writing has a remarkable resemblance to projectile vomiting.
½
1 vota
Segnalato
johnclaydon | Apr 17, 2017 |

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Statistiche

Opere
70
Opere correlate
9
Utenti
5,486
Popolarità
#4,540
Voto
3.8
Recensioni
16
ISBN
213
Lingue
15
Preferito da
6

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