Immagine dell'autore.

Leigh Hunt (1784–1859)

Autore di The autobiography of Leigh Hunt

93+ opere 281 membri 2 recensioni 1 preferito

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Leigh Hunt was so prolific that, if his writing were ever collected, it would exceed 100 volumes of mostly unmemorable prose. He was so eccentric and socially visible that even Dickens's caricature of Hunt as the perennially cheerful Harold Skimpole in Bleak House is immediately recognizable. But mostra altro his philosophy of cheer, however eccentric among such doleful writers of his generation as Coleridge and Byron, appealed to middle-class public taste, which accounts for his immense following. Educated, like Coleridge and Lamb, at Christ's Hospital, Hunt became a journalist, helping his brother John edit the weekly Examiner. As a result of the paper's liberal policy, they were both fined and imprisoned for two years for writing a libelous description of the Prince Regent on his birthday. Hunt turned his prison cell into a salon and enjoyed visits from Jeremy Bentham, Byron, Keats, Lamb, and Hazlitt. After his release, Hunt settled in Hampstead, London, a political martyr and a model of domesticity. His writing includes The Feast of the Poets (1814), a satire of contemporary writers; The Story of Rimini (1816), a saccharine Italianate romance; and Hero and Leander (1819). Young poets such as Keats found the sensual surfaces easy to imitate. But mostly Hunt wrote essays and edited dozens of short-lived magazines and journals, providing an insight into the literary life of London during this period. (Bowker Author Biography) mostra meno
Fonte dell'immagine: Leigh Hunt at an early age. Frontispiece of the book, Men, women and Books, by Leigh Hunt, published in 1847.

Opere di Leigh Hunt

Essays (1887) 34 copie
Essays and Sketches (1912) 14 copie
The Town (1848) 12 copie
Imagination and Fancy (1844) 10 copie
The Months (1936) 4 copie
Coaches and Coaching (1890) 4 copie
The Companion 3 copie
Christmas Short Works Collection 2014 — Collaboratore — 1 copia
My Books 1 copia
A day by the fire (2016) 1 copia
The Reflector 1 copia
Ballads of Robin Hood (2012) 1 copia
The book of the sonnet (2018) 1 copia
Nessun titolo 1 copia

Opere correlate

One Hundred and One Famous Poems (1916) — Collaboratore, alcune edizioni1,947 copie
Literature: An Introduction to Fiction, Poetry, and Drama (1995) — Collaboratore, alcune edizioni917 copie
The Nation's Favourite Poems (1996)alcune edizioni624 copie
A Treasury of the World's Best Loved Poems (1961) — Collaboratore — 524 copie
English Poetry, Volume II: From Collins to Fitzgerald (1910) — Collaboratore — 508 copie
English Essays: From Sir Philip Sidney to Macaulay (1909) — Collaboratore — 480 copie
Fables for Our Time and Famous Poems Illustrated (1940) — Collaboratore — 384 copie
A Book of English Essays (1942) — Collaboratore — 242 copie
The Literary Cat (1977) — Collaboratore — 241 copie
Best Remembered Poems (1992) — Collaboratore — 159 copie
The Standard Book of British and American Verse (1932) — Collaboratore — 116 copie
Prose and Poetry for Appreciation (1934) — Collaboratore — 44 copie
Poetry of Witness: The Tradition in English, 1500-2001 (2014) — Collaboratore — 42 copie
Selected sonnets, odes, and letters (1966) — Traduttore, alcune edizioni39 copie
Great English Short Stories (1930) — Collaboratore — 20 copie
100 Story Poems (1951) — Collaboratore — 20 copie
Fairy Poems (2023) — Collaboratore — 15 copie
Poems of Magic and Spells (1960) — Collaboratore — 14 copie
Englische Essays aus drei Jahrhunderten (1980) — Collaboratore — 10 copie
The dramatic works of Wycherley, Congreve, Vanbrugh, and Farquhar — A cura di, alcune edizioni8 copie
Men and Women: The Poetry of Love (1970) — Collaboratore — 8 copie
English Romantic Poetry (1996) — Collaboratore — 2 copie
The King's Story Book — Collaboratore — 1 copia

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"Coaches and Coaching"ACCORDING to the opinion commonly entertained respecting an author's want of riches, it may be allowed us to say that we retain from childhood a considerable notion of "a ride in a coach." Nor do we hesitate to confess, that by coach we especially mean a hired one; from the equivocal dignity of the post-chaise, down to that despised old castaway, the hackney.
It is true that the carriage, as it is indifferently called (as if nothing less genteel could carry any one), is a more decided thing than the chaise; it may be swifter even than the mail, leaves the stage at a still greater distance in every respect, and (forgetting what it may come to itself) darts by the poor old lumbering hackney with immeasureable contempt.

It rolls with a prouder ease than any other vehicle. It is full of cushions and comfort; elegantly coloured inside and out; rich, yet neat; light and rapid, yet substantial. The horses seem proud to draw it. The fat and fair-wigged coachman "lends his sounding lash," his arm only in action and that but little, his body well set with its own weight.

The footman, in the pride of his nonchalance, holding by the straps behind, and glancing down sideways betwixt his cocked-hat and neckcloth, stands swinging from east to west upon his springy toes.

The horses rush along amidst their glancing harness. Spotted dogs leap about them, barking with a princely superfluity of noise. The hammer-cloth trembles through all its fringe. The paint flashes in the sun.

We, contemptuous of everything less convenient, bow backwards and forwards with a certain indifferent air of gentility, infinitely predominant.
… (altro)
 
Segnalato
amzmchaichun | Jul 20, 2013 |
 
Segnalato
ostrom | Jul 24, 2008 |

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93
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Utenti
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Popolarità
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Voto
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ISBN
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