Immagine dell'autore.

Miroslav Holub (1923–1998)

Autore di Poems Before and After: Collected English Translations

35+ opere 471 membri 2 recensioni 3 preferito

Sull'Autore

Holub is a distinguished scientist as well as a poet. The noted British critic A. Alvarez sees Holub's main concern as "the way in which private responses, private anxieties, connect up with the public world of science, technology, and machines." (Bowker Author Biography)

Comprende i nomi: Miroslay Holub, Morislav Holub

Opere di Miroslav Holub

Vanishing Lung Syndrome (1990) 57 copie
Interferon, or On Theater (1982) 22 copie
Although (1971) 21 copie
The Fly (1987) 16 copie
The Jingle Bell Principle (1992) 13 copie

Opere correlate

The Vintage Book of Contemporary World Poetry (1996) — Collaboratore — 308 copie
The Faber Book of Beasts (1997) — Collaboratore — 141 copie
Contemporary East European Poetry: An Anthology (1983) — Collaboratore — 40 copie
The Southern California Anthology: Volume XI (1993) — Collaboratore — 1 copia

Etichette

Informazioni generali

Data di nascita
1923-09-13
Data di morte
1998-07-14
Sesso
male
Nazionalità
Czech
Luogo di nascita
Pilsner, Czechoslovakia
Luogo di morte
Prague, Czech Republic
Luogo di residenza
Plzen, Czechoslovakia (birth|now Czech Republic)
USA
Istruzione
Charles University, Prague
Attività lavorative
poet
pathologist
immunologist

Utenti

Recensioni

The titular poem is one of the greatest perspective-setting works I have ever read, and I often return to it in hard times. The rest of the collection is a wonderful series of meditations on life, death, history and the author's other career as a microbiologist.
 
Segnalato
eldang | Aug 11, 2019 |
I've discussed & posted before on how Crow by Ted Hughes is one of my favourite all time single collections of poetry, but there are others that over the years have sat like milestones marking my path through poetry. In time becoming part of the sacred pantheon of poetry this bloke likes. What I would like to do is every now & then highlight one, to reread what were at one time, a book, that I would spend hours, days or months with. A book that I would pour over and read to myself in quiet moments or that was declaimed out loud to all who would listen, whether a lack of sobriety or just the enthusiasm for the work providing the lubrication necessary to let my world know about this new collection. One such collection was Vanishing Lung Syndrome by Miroslav Holub, a writer I became aware of through another collection, The Rattle Bag, one of whose editors (Ted Hughes) claimed that “Miroslav Holub is one of the half dozen most important poets writing anywhere”. This was enough for me to find out more and on a trip back home from Germany, where I was working out the time, I picked up Vanishing Lung Syndrome from my local bookshop and the first poem I read was:

1751

That year Diderot began to publish his Encyclopaedia,
and the first insane asylum was founded in London.
So the counting out began, to separate the sane, who
veil themselves in words, from the insane, who rip off
feathers from their bodies.
Poets had to learn tightrope-walking.
And to make sure, officious types began to publish
instructions on how to be normal.

This is one of my favourite poems – ever. It hits me emotionally, it hits me logically, and it is just this book’s opening volley.

Vanishing Lung Syndrome, is a radiological syndrome in which the lungs appear to be disappearing on X-ray. The syndrome is characterized by a progressive decrease in the radiographic opacity of the lung. Causes include the accelerated progression of emphysema destroying the lung or the rapid cystic destruction of the lung by infection. It’s use as a title for a collection of poetry, declares it’s authors scientific vocation,

Miroslav Holub was born in 1923 in Plzen,(Pilsen Czech Republic) western Bohemia, the only child of a lawyer and a high school teacher of French and German. He attended a gymnasium specializing in Latin and Greek. After the war he studied medicine at Charles University, Prague, working in the department of philosophy and the history of science, and also working in the psychiatric dep’t. He became an MD in 1953. In 1954 he joined the immunological section of the Czechoslovakian Academy of Science and obtained his PHD.

It was in his student years that he started writing poetry, and also became an editor of the scientific magazine Vesmir, New Scientist. In 1954 he obtained his PHD and also published his first collection of poetry establishing what would become the twin paths of his life & going on to become the Czech republic’s most important poets and also one of her leading scientists, publishing many short essays on various aspects of science, particularly biology and medicine (specifically immunology) and life, as well as poetry.
Vanishing Lung Syndrome is divided into four sections

Syncope = Episodic interruption of the stream of consciousness induced by lack of oxygen in the brain.

Symptom = A sign of physical or mental disturbance leading usually to a patient’s complaint.

Syndrome = A group of symptoms and objective signs characterizing a disease or a defect of a structure or function.

Synapse = 1)The region of communication between two neurons. 2) The linkage between parental chromosomes preserving their individual identities.

It is through these that he asks what poets are, or what poetry means, using the language as a scientific instrument to discern and dissect it’s value, constantly stretching and challenging our conception and our assumptions about poetry. It is this rigour combined with an eloquence that just stuns, that makes this a collection of poetry that I constantly return to.

Written whilst Czechoslovakia was still under communist rule and before the Velvet Revolution of 1989, through these poems Holub uses a humour as sharp as one of his scalpels to record the blunt, brutal absurdity of the modern world, and yet, although dark, and at times despairing, they are not without hope, it shines with a warmth and benevolence, that breaks the heart.

Spacetime

When I grow up and you get small,

then--

(In Kaluza’s theory the fifth dimension

is represented as a circle

associated with every point

in spacetime)

-- then when I die, I’ll never be alive again?

Never.

Never never?

Never never.

Yes, but never never never?

No …. not never never never,

just never never.

So we made

a small family contribution

to the quantum problem of eleven-dimensional

supergravity.

http://parrishlantern.blogspot.co.uk/2013/09/vanishing-lung-syndrome.html
… (altro)
 
Segnalato
parrishlantern | Sep 20, 2013 |

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Statistiche

Opere
35
Opere correlate
6
Utenti
471
Popolarità
#52,267
Voto
3.9
Recensioni
2
ISBN
44
Lingue
5
Preferito da
3

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