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Opere di Barbara Hofland

Self-denial : a tale (2010) 2 copie
Katherine 1 copia
A Father as He Should Be (2010) 1 copia

Etichette

Informazioni generali

Altri nomi
Wreakes, Barbara [birth name]
Hoole, Barbara [married name ]
Hofland, Barbara [married name
Data di nascita
1770
Data di morte
1844-11-04
Luogo di sepoltura
Richmond, Surrey, UK
Sesso
female
Nazionalità
England, UK
Luogo di nascita
Sheffield, England, UK
Luogo di residenza
Sheffield, England, UK
Harrogate, England, UK
London, UK
Twickenham, Middlesex, England, UK
Attività lavorative
children's book author
young adult writer
poet
novelist
Relazioni
Hofland, T. C. (second husband)
Edgeworth, Maria (friend)
Mitford, Mary Russell (friend)
Breve biografia
Barbara Hofland, née Wreaks or Wreakes, was the daughter of a Sheffield manufacturer who died when she was three years old. She was raised by an aunt and began writing for the local newspaper. In 1796, she married Thomas Bradshawe Hoole, a businessman. She was left a widow with an infant son only two years later and supported herself partly by writing poetry. In 1809 she opened a girls' boarding school at Grove House, Harrogate, developing it as a young ladies finishing school before moving to London in 1811. The following year, she married Thomas Christopher Hofland, a painter. Her writing continued to be the main financial support of the family and she was prolific, producing nearly 70 books for adults and young readers over 40 years. She befriended the architect John Soane and the writers Maria Edgeworth and Mary Russell Mitford. Her first published novel was The Son of a Genius (1812). Among her many popular books were The Blind Farmer and His Children (1816), Tales of the Priory (1820), Tales of the Manor (1822) and Self-Denial (1835). She also wrote geographical and topographical books for educational purposes.

Utenti

Recensioni

First published in 1828, this children's Robinsonade - named for Defoe's 1719 novel, Robinson Crusoe, the Robinsonade is a genre of story involving being castaway on a desert island for a period of time - follows the adventures of a young boy named Charles Crusoe. The son of an English merchant in Bombay, he is a great admirer of the figure of Robinson Crusoe, and of Alexander Selkirk, the Scotsman whose story is said to have influenced Defoe's tale. When Charles and his father sail for home, the boy gets a chance to live out some of his hero's experiences, after a shipwreck leaves them stranded on St. Paul's Island, not far from the volcanic Amsterdam Island, in the southern Indian Ocean. When Charles' father and servant mysteriously disappear from the island, the boy believes himself abandoned, and continues on alone, learning to survive on what is available to him. He also begins to read his Bible, and to draw closer to God. Eventually, he is rescued, and returns to England, a far more mature and spiritual boy...

I had not read Defoe's classic novel, when The Young Crusoe, or The Shipwrecked Boy was assigned as a text in the class I took on early children's literature, during the course of my masters, and I have yet to read it still, something I hope to one day remedy. That said, the title alone gives the reader an idea of what is contained therein, and I was interested to see what Barbara Hofland, a prolific early 19th-century English children's author, would do with the tale. Not unexpectedly, she used it as an opportunity to explore issues of faith, and of devotion to God. I thought it was fascinating that, once returned to "civilization," Charles found the proximity of so many other people somewhat off-putting, and was a little shocked at the triviality of so many of their concerns. I suspect that this must often be the case, for those who have survived extreme experiences, when being reunited with 'normal' human society. The Robinsonade is not a genre I have read extensively, although I can certainly understand its fascinating, and its usefulness to storytellers wanting to explore the connections between the individual and society and/or God. It's fascinating that this entire genre owes its name to a famous novel. This reminds me of the 'Ruritanian Romance,' a genre featuring adventures in make-believe middle-European kingdoms, named for the fictional kingdom of Ruritania, in Anthony Hope's The Prisoner of Zenda. In any case, this was an engaging and brief read, and is one I would recommend to those with an interest in children's Robinsonades, or in children's literature of the early 19th century.
… (altro)
 
Segnalato
AbigailAdams26 | May 30, 2020 |

Statistiche

Opere
44
Utenti
79
Popolarità
#226,897
Voto
3.0
Recensioni
1
ISBN
7

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