Immagine dell'autore.

Willem Frederik Hermans (1921–1995)

Autore di The Darkroom of Damocles

158+ opere 8,232 membri 151 recensioni 61 preferito

Sull'Autore

Fonte dell'immagine: Roland Gerrits / Anefo

Serie

Opere di Willem Frederik Hermans

The Darkroom of Damocles (1958) 1,135 copie
Beyond Sleep (1966) 1,115 copie
Onder professoren (1975) — Autore; Postfazione — 575 copie
Au pair (1989) 493 copie
La casa vuota (1951) 360 copie
A Guardian Angel Recalls (1971) 322 copie
De tranen der acacia's (1949) 216 copie
Ik heb altijd gelijk (1951) 167 copie
De laatste roker (1991) 162 copie
Paranoia (1953) 113 copie
Ruisend gruis : roman (1995) 112 copie
Het sadistische universum 1 (1964) 100 copie
Boze brieven van Bijkaart (1977) 93 copie
Filip's sonatine (1980) 67 copie
De zegelring (1984) 64 copie
Homme's hoest (1980) 58 copie
Wittgenstein (1990) 50 copie
Mandarijnen op zwavelzuur (1963) 48 copie
Drie melodrama's (1957) 44 copie
Klaas kwam niet (1983) 41 copie
Het evangelie van O. Dapper Dapper (1973) — pseudonym — 38 copie
Dinky Toys (1988) 35 copie
Geyerstein's dynamiek (1982) 32 copie
Conserve (1947) 31 copie
Waarom schrijven? (1984) 27 copie
Drie drama's (1967) 23 copie
Volledige werken / 13 (2009) 22 copie
Volledige werken 4 (2012) 20 copie
Volledige werken 5 (2005) 19 copie
Naar Magnitogorsk (1990) 17 copie
Vincent literator (1990) 16 copie
Fotobiografie (2003) 15 copie
Volledige werken 15 (2005) 15 copie
Volledige werken 6 (2005) 14 copie
Volledige werken 16 (2005) 14 copie
Volledige werken 18 (2005) 13 copie
Volledige werken 8 (2005) 13 copie
Vier novellen (1993) 13 copie
Overgebleven gedichten (1982) 11 copie
Periander (1974) 11 copie
Volledige werken deel 10 (2005) 10 copie
Volledige werken 19 (2019) 10 copie
Koningin Eenoog (1986) 9 copie
Volledige werken 17 (2005) 8 copie
Hollywood 7 copie
Een foto uit eigen doos (1994) 5 copie
Hypnodrome 5 copie
Reizigers (1994) 5 copie
La maison préservée (2023) 4 copie
De aardappel van de dood (1993) 4 copie
Erosie 3 copie
Tirade 2 copie
Een anekdote 2 copie
Nema više sna (2022) 1 copia
Wat eraan voorafging (2023) 1 copia
Mayerling 1 copia
Pang 1 copia
Dutch comfort 1 copia
Een toerist 1 copia

Opere correlate

Tractatus Logico-Philosophicus (1921) — Traduttore, alcune edizioni4,158 copie
Voor wie dit leest : proza en poëzie van 1920 tot heden (1959) — Collaboratore — 25 copie
The Sorrows of a Fat Man (1922) — Traduttore, alcune edizioni25 copie
Voor wie dit leest : proza en poëzie van 1950 tot heden (1959) — Collaboratore — 20 copie
Griezelverhalen (1982) — Prefazione — 18 copie
De fruitkar (1984) — Introduzione, alcune edizioni18 copie
De beste korte verhalen van De Bezige Bij (1977) — Collaboratore — 13 copie
De schilderkunst in een kritiek stadium (1950) — Collaboratore, alcune edizioni6 copie
De zeven hoofdzonden — Autore, alcune edizioni5 copie
Engelen stuifmeel uit de hemel (2002) — Collaboratore — 4 copie
15 verhalen uit noordelijke oorden (1987) — Collaboratore — 3 copie
Over Multatuli — Collaboratore — 3 copie
Focquenbroch — Introduzione, alcune edizioni3 copie
Lezen & Schrijvers: foto's van lezende schrijvers (1992) — Prefazione — 2 copie
Literaire rechtspraak — Collaboratore, alcune edizioni1 copia

Etichette

Informazioni generali

Nome legale
Hermans, Willem Frederik
Hermans, W.F.
Altri nomi
Prudhomme s.j., Pater Anastase
Schrijver Dezes
Bijkaart, Age
Klondyke, Fjodor
Wissel, Sita van de
Cimatarra, Luis (mostra tutto 8)
Zomerplaag, B.J.O.
Boefjes O.F.M., Pater Frater B.I.M.
Data di nascita
1921-09-01
Data di morte
1995-04-27
Luogo di sepoltura
Gecremeerd
Sesso
male
Nazionalità
Nederland
Nazione (per mappa)
Nederland
Luogo di nascita
Amsterdam, Noord-Holland, Nederland
Luogo di morte
Utrecht, Utrecht, Nederland
Luogo di residenza
Groningen, Groningen, Nederland
Parijs, Île-de-France, France
Brussel, Brussels Hoofdstedelijk Gewest, België
Istruzione
Universiteit van Amsterdam (fysische geografie)
Attività lavorative
auteur
geoloog
lector in de fysische geografie
vertaler Duits-Nederlands
Premi e riconoscimenti
P.C. Hooft-prijs (1971)
Prijs der Nederlandse Letteren (1977)
Breve biografia
Willem Frederik Hermans was a Dutch author of poetry, novels, short stories, plays, as well as booklength studies, essays, and literary criticism. His most famous works are The House of Refuge (novella, 1952), The Darkroom of Damocles (novel, 1958), and Beyond Sleep (novel, 1966).

After World War II, Hermans tried to live off his writing exclusively, but as his country was just recovering from the Occupation, he had no opportunity to sustain himself. He published three important collections of short stories from 1948 to 1957, chief among them the novella The House of Refuge (1952), and in 1958 became lecturer in physical geography at Groningen University, a position he retained until his move to Paris, France, in 1973. The same year 1958 he broke to a wide audience with The Darkroom of Damocles. In the seventies Hermans played an important role in the unmasking of Friedrich Weinreb as a cheater of Jews in the war. Hermans refused to accept the P.C. Hooftprijs for 1971. In 1977 he received the Prijs der Nederlandse Letteren, the most prestigious literary award available for writers in the language, handed out every three years alternately by the reigning Dutch and Belgian monarchs to a writer of the other country, the Belgian king Baudouin handing the prize to Hermans. Hermans is considered one of the three most important authors in the Netherlands in the postwar period, along with Harry Mulisch and Gerard Reve.
[Wikipedia]

Utenti

Recensioni

 
Segnalato
jopla | 3 altre recensioni | Apr 21, 2024 |
Rating: 4* of five

The Publisher Says: In this dark, unnerving work of wartime fiction, W. F. Hermans exposes humanity’s essential savagery, barely concealed by its mores and morals. The year is 1944, and a Dutch partisan chances on an abandoned estate, where he decides to take refuge during a lull in the hostilities. The house seems untouched by the war, a kind of haven, its ornament and grandeur intact (not to mention its walls), clothes and sheets to spare, a kitchen stocked with food and drink. He settles in, and begins to consider himself the owner. When the Nazis recapture the village and come knocking, they similarly assume the house to be his; they assume, also, its spare rooms, which they outfit as barracks.

It is all and well until the true owner and his wife return to their estate. Horrified at the thought of being caught in his subterfuge, our protagonist finds himself drawn into further deceit—and swept up in the violence that ensues.

Civilization comes face-to-face with brutality, truth meets the duplicity that has upended and challenged its certainty—Hermans’ prose searches for an order to the chaos and nihilism of war and life. What he cannot find is as telling as what he uncovers.

I RECEIVED A DRC FROM THE PUBLISHER VIA EDELWEISS+. THANK YOU.

My Review
: Novellas are, by definition, brief and gestural as opposed to the novel in its deeper dives, its wider emotional landscape. These general observations are, of course, not true of every novel or novella. They serve to define nothing but an expectation of the reasonably experienced reader when picking up one or the other.

I went into this read, then, expecting to get a glancing blow to my interest in the topic of what the Second World War was like for those who lived it, who were involved in the conflict and not observing events from afar. That was an expectation met...but exceeded, at least as the read settled into my brain. The prose, as translated, was not showy or terribly Writerly; the story itself was simple enough, really more suited to a short story than a novella; but as I sat stunned after finishing the read, I realized why the author chose this length of telling for a story this uncomplicated.

Without the novella’s-worth of buildup, the ending would feel artificial and out of proportion to the story itself. As it is, the ending is a shocker. It arrives without fanfare and smacks the complacent, even slightly bored, reader in their readerly chops. At the end of a trip through one devious survivor’s opportunistic manipulations of everyone around him, all in service of maximizing his immediate personal comfort, the situation he has created from his selfish, self-serving and utterly believable actions comes to a loud, permanent conclusion.

The issue I had been nursing against this overgrown short story exploded in the events of the ending. There is a reason for the length the author chose to tell his simple tale. I was not ready for the impact of the ending, which to be clear would always have been powerful. The novella before it, however, was exactly right to create its seismic shifting of my emotional response. An entire novel with this ending would, honestly, have vitiated its power to stun; a short story, even a long one, would make the ending feel artificial and tacked on.

This read is an excellent example of what a novella can do best, when used to best advantage: satisfy the reader’s hunger for a powerful emotional experience in a one-sitting package. So why only four stars? In the end, the manner of telling the story, the simple unfussy writing, works against the needed investment in the story being told. It gets to the stage of thinking, "Really? is this IT?" before the truly impactful payoff occurs. That I soldiered on, finishing the read, was not assured by the manner of storytelling the author used. At times I was ready to jump ship just to be done with this really dislikable man, this solipsistic selfish creep. I am glad that I persevered, but also a little surprised that I did with the truly staggering number of reads I already have lined up.

So, to all who start this read, I say: Do stick it out for the whole distance. It *is* worth your time. But because I feel the need to say that, I can only in honesty rate it four of five stars.
… (altro)
 
Segnalato
richardderus | 7 altre recensioni | Feb 24, 2024 |

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Statistiche

Opere
158
Opere correlate
22
Utenti
8,232
Popolarità
#2,936
Voto
½ 3.7
Recensioni
151
ISBN
329
Lingue
13
Preferito da
61

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