Mireille Havet (1898–1932)
Autore di Journal 1918-1919
Sull'Autore
Opere di Mireille Havet
Etichette
Informazioni generali
- Data di nascita
- 1898-10-04
- Data di morte
- 1932-03-21
- Sesso
- female
- Nazionalità
- France
- Luogo di nascita
- Médan, France
- Luogo di morte
- Crans-Montana, Switzerland
- Causa della morte
- tuberculosis
- Luogo di residenza
- Paris, France
- Attività lavorative
- diarist
poet
novelist
lyricist - Relazioni
- Cocteau, Jean (friend)
Colette (friend) - Breve biografia
- Mireille Havet was born in Médan, France, into a penniless bourgeois family. Her father was a painter and she grew up in a rather bohemian environment, though her mother was a strict Catholic. When she was nine years old, her family moved to Paris. In 1913, the death of her father, probably by suicide after years of psychiatric treatment, left Mireille, her sister and her mother in deep financial distress. When she was not yet 15, she published her first poem in Apollinaire's review, Les Soirées de Paris. She followed with more poems published in Le Figaro and Mercure and began to make a name for herself. At 19, she published the novel La Maison dans l'œil du chat, with a preface by Colette, to great acclaim. In 1923, she published the novel Carnaval, which made her a key figure in literary Paris. In her personal life, she had a dark glamour and was openly lesbian. As early as 1917, before the boyish look came into fashion, she cut her hair very short. She was a friend of Colette and of Jean Cocteau, who gave her the role of Death in his 1926 play Orphée. In 1928, she was diagnosed with tuberculosis and went to a sanatorium in Switzerland for treatment, where she died at age 33, leaving several manuscripts unfinished. Her diary, which she kept from 1913 to 1929, was discovered in 1995 and published in 2003. The city of Paris named a public square in her honor in 2009.
Utenti
Recensioni
Statistiche
- Opere
- 8
- Utenti
- 21
- Popolarità
- #570,576
- Voto
- 4.0
- Recensioni
- 1
- ISBN
- 6
- Lingue
- 1
Et nous, enfants gâtés nés pour le plaisir du soir, la douceur des lampes, le crépuscule qui fond les contours, nous voici en pleine apocalypse. Nous aimons tout ce qui finit et tout ce qui meurt. Voilà pourquoi, sans doute, tous nos amis sont morts. Notre faute est d’y survivre."
Ensimmäisen maailmansodan jälkeisille vuosille sijoittuva Mireille Havetin päiväkirja on samanaikaisesti ihanaa ja raskasta luettavaa. Sujuvalauseisen kirjailijattaren elämä meni suunniltaan osittain nuoruusvuosille osuneen sodan vuoksi, osittain kasvukipujen takia. Merkinnät avaavat karulla tavalla arkea jossa puolet tärkeimmistä ystävistä ovat yksi kerrallaan jääneet sotatantereelle, ja loput yrittävät selvitä kukin tavallaan. Havet valitsee kasassapitäväksi voimakseen baarit, naiset ja huumeet.
Kirja vie 1920-luvun Pariisin kirjallisuuspiireihin ja useampiin naisdraamoihin, mutta myös Mireillen haavemaailmoihin ja pohdintaan elämän järjestämisestä ja rakkaudesta. Toisinaan kirjailija pakenee kaupunkia ja itseään maaseudulle, ja ne ovatkin pohdiskelun osalta kirjan antoisimpia kappaleita. Itse olen pitänyt useita "Näinhän se totisesti on! Enpä totisesti olisi itse osannut (paremmin) sanoiksi pukea!" -taukoja niin Seinen, Garonnen kuin Aurankin varrella. Suurimpia suuntaviivoja elämälleen hänen ajatustensa perusteella tuskin kuitenkaan kannattaa valita, kirjailija kun kuoli parantolassa alle kymmenen vuotta sodan loppumisen jälkeen.… (altro)