Immagine dell'autore.

Ludovic Halévy (1834–1908)

Autore di Carmen [sound recording]

41+ opere 731 membri 9 recensioni

Sull'Autore

Opere di Ludovic Halévy

Carmen [sound recording] (1983) — Autore — 186 copie
Carmen [libretto] (1875) — Librettist — 153 copie
The Abbe Constantin (1888) 118 copie
Carmen [book and sound recording] (1996) — Librettist — 96 copie
English National Opera Guide : Bizet : Carmen (1982) — Librettist — 32 copie
Orpheus in the Underworld [sound recording] (1999) — Llibrettist — 15 copie
Orpheus in the Underworld [vocal score] (1858) — Libretto — 14 copie
Dover Opera Guide and Libretto Series : Carmen (1970) — Librettist — 14 copie
Orpheus in the Underworld [libretto] — Librettist — 11 copie
Carmen: The Metropolitan Opera HD Live [2011 film] (1956) — Librettist — 7 copie
Parisian points of view (2016) 7 copie
Orpheus in the Underworld {1858, 2 acts} [libretto] (1960) — Librettist — 5 copie

Opere correlate

The Masterpiece Library of Short Stories Volumes 3 & 4 (1900) — Collaboratore — 17 copie
International Short Stories French (Volume 3) (2010) — Collaboratore — 8 copie
Bizet: Carmen • von Karajan • Brumby [1967 film] (1969) — Librettist — 5 copie
Carmen: Metropolitan Opera [2010 film] (2010) — Librettist — 3 copie
Carmen (Opera di Roma 2013/2014) — Autore — 1 copia

Etichette

Informazioni generali

Nome canonico
Halévy, Ludovic
Data di nascita
1834-01-01
Data di morte
1908-05-07
Sesso
male
Nazionalità
France
Luogo di nascita
Paris, France
Luogo di morte
Paris, France
Luogo di residenza
Paris, France
Istruzione
Lycée Louis Le Grand, Paris
Attività lavorative
librettist
playwright
novelist
short story writer
Relazioni
Halèvy, Daniel (Fils)
Halévy, Elie (Fils)
Halévy, Léon (father)
Organizzazioni
Académie française (1884)
Breve biografia
Ludovic Halévy was born in Paris, France, the son of the writer Léon Halévy and his second wife Louise Alexandrine Lebas. He paternal uncle was the operatic composer Jacques François Fromental Halévy. Ludovic was educated at the Lycée Louis le Grand and then became a member of the French civil service. He began writing for the stage in his spare time. His first major success was his contribution to the libretto for Jacques Offenbach's 1858 opera Orphée aux enfers (Orpheus in the Underworld). In 1861, Halévy began a literary partnership with Henri Meilhac that lasted 20 years and that would produce a series of humorous and witty works that epitomized the spirit of the Second Empire even while making fun of it. Together the two men wrote the librettos for Offenbach’s operettas La Belle Hélène (1864), Barbe-bleue (1866), La Vie Parisienne (1866), and La Grande-Duchesse de Gérolstein (1867), among others, all highly popular works in their day. They also wrote the libretto for Georges Bizet’s opera Carmen (1875). They also co-wrote popular drawing-room comedies, including Fanny (1868) and Froufrou (1869). The partnership came to an end in 1882. Halévy also independently wrote novels and short stories, including La Famille Cardinal (1883) and L’Abbé Constantin (1882), a huge bestseller. He was elected to the Académie française in 1884 and received the Legion of Honor.

Utenti

Recensioni

CD and accompanying book. Excellent performance, plus an informative short book with archive illustrations of famous performances/performers.
 
Segnalato
captbirdseye | 1 altra recensione | Sep 10, 2018 |
This version with Risë Stevens came highly recommended by Jim Svejda, who is nothing if not opinionated. It's the only cd version I have and I hadn't compared it favorably against my LPs of Marilyn Horne, Tatiana Troyanos, etc. But now that it has been years since I've listened to the LPs (my turntable needing repair but is a 70s Garrard worth it?), it's sounding better to me. And Carmen is just sooo listenable. There's probably a reason it's America's favorite opera ... or was at one point. Jan Peerce is a bit annoying, for the same reason I find many opera singers annoying - the resonant nasal quality that sounds like they're singing for themselves instead of the back of the house. Maria Callas springs to mind. Terrific actress and in her early days sounded great. Why sing like you have a mouth full of marbles?
Anyway, good recording. Great opera for newbies, introducing motives and, like, other serious stuff.
… (altro)
1 vota
Segnalato
marfita | Jan 11, 2016 |
 
Segnalato
pikkendorff | Jun 7, 2015 |

Liste

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Autori correlati

Henri Meilhac Librettist
Hector Crémieux Libretto, Librettist
Nicholas John Series Editor
Phil Park Libretto
Ronald Hanmer Arranger
Rémy Campos Composer
Henri Crémieux Librettist
Hector Cremieux Librettist
Georges Bizet Composer
Grace Bumbry Performer
Jon Vickers Performer
William Berger Additional commentary
Mirella Freni Performer
David Foil Commentary
Lesley A. Wright Contributor
Michel Rabaud Contributor
John Moody Translator
Martin Cooper Contributor
Nell Moody Translator
Rosmarie König Contributor
Elisabetta Soldini Contributor
Jean-Claude Yon Contributor
Alain Perroux Contributor
Laurent Fraison Contributor
Richard Langham Smith Contributor, Translator
Philip Reed Editorial consultant
George Hall Contributor
John Berry Foreword
Alan Gregory Translator
Ellen H. Bleiler Translator
Thomas Martin Translator
Ruth Martin Translator
Richard Duployen Librettist
Marc Minkowski Conductor
Richard Traubner Translator
Geoffrey Dunn Translator
Henning Mehnert Herausgeber
Varnay Actor
Grobe Actor
Snoo Wilson Librettist
Ludwig Kalisch Bearbeitung
Donald Pippin Librettist
Steven Cole Vocalist
Cobos Actor
Shirley Actor
Frank Merkling Translator
Jeremy Sams Translator

Statistiche

Opere
41
Opere correlate
5
Utenti
731
Popolarità
#34,741
Voto
½ 3.7
Recensioni
9
ISBN
128
Lingue
8

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