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6 opere 899 membri 12 recensioni 2 preferito

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Comprende i nomi: Gimpel Jean, Jean Gimpel

Opere di Jean Gimpel

Etichette

Informazioni generali

Nome canonico
Gimpel, Jean
Nome legale
Gimpel, Jean Victor
Data di nascita
1918-10-10
Data di morte
1996-06-15
Luogo di sepoltura
Cimetière communal, Treflez, Finistère, Bretagne, France
Sesso
male
Nazionalità
France
Luogo di nascita
Paris, France
Luogo di morte
London, England, UK
Causa della morte
Naturelle (Vieillesse)
Luogo di residenza
Chelsea, London, England, UK
Istruzione
Lycée Louis-le-Grand, Paris, France (1938)
Le Rosey, Suisse
Swanbourne House School, Royaueme-Uni (1931)
Attività lavorative
diamond broker
historian
medievalist
art critic
Relazioni
Gimpel, Rene (father)
Duveen, Joseph, 1st Baron Duveen (uncle)
Gimpel Fils (brothers)
Organizzazioni
French Resistance
Society for the History of Medieval Technology and Science
Models for Rural Development
Premi e riconoscimenti
Croix de Guerre
Medaille de la Resistance
Legion d'Honneur
Breve biografia
Jean Gimpel was born in Paris, France, one of three sons of a French father, the well-known art dealer René Gimpel, and an English mother, Florence Duveen. His two brothers, Charles and Peter, also became art dealers. He was brought up in luxury and was educated in France, Britain, and Switzerland. He made a living as a diamond broker before establishing himself as an art critic and historian.

During World War II, Jean Gimpel served in the French Resistance, for which he was awarded the Croix de Guerre, the Resistance Medal, and the Legion of Honor. After the war, he produced a television program for the BBC called "Don't Take It for Granted," describing the pitfalls of authenticating works of art. It was during this time that he developed his profound and very practical interest in technology, especially that of the Middle Ages, which stayed with him all his working life. This interest was the basis of two classic books, The Cathedral Builders (1958) and The Medieval Machine: The Industrial Revolution of the Middle Ages (1976), and underpinned two further books, The Cult of Art: Against
Art and

Artists (1968) and The End of the Future (1995). In 1987, Gimpel became a founding vice-president of the Society for the History of Medieval Technology and Science. He was also a founder of Models for Rural Development, part of the Appropriate Technology movement.
He gave lectures at Yale University, the University of Southern California, Lehigh University, the University of Delaware, The Royal Oak Foundation, the Albany Institute History of Art, Carnegie-Mellon University, Ironbridge Gorge Museum, and St. George's Chapel, Windsor, among others. He and his wife Catherine Cara maintained a salon in London in his later years.

Utenti

Recensioni

This is a fantastic book, detailing how agriculture architecture, and building were revolutionized during the Middle Ages, and dispelling the myths of "The Dark Ages" and loss of technology for the 500 years after the fall of the Roman Empire. Anyone interested in the Middle Ages, SCA, or Renaissance Festivals should read this book.
 
Segnalato
pandr65 | 8 altre recensioni | Oct 29, 2023 |
Criminally underread writer.

Outside of its formal qualities, this book is also especially relevant today. Gimpel was obviously wrong about computers and the internet, and also failed to properly predict the fall of the USSR, but was right on the money on other issues and signs of upcoming fall (which has however not yet occured), like the decline of civic values and traditional morality, the swelling of state bureaucracy and the increase of government spending towards people that ultimately form a parasitic class, sucking away ressources while contributing not much.

His conclusions are a little too pessimistic for me however, and the ever growing presence of reactionary thought in western countries gives me a bit of hope for the future.
… (altro)
 
Segnalato
Gingembre28 | Nov 25, 2022 |
Besproken door Zeijlemaker o.c., dl.1, hfdst.V, noot 17 [hier verwart hij Gimpel met Hutin] :
Gimpel deelt het standpunt van Douglas Knoop “dat de loges oorspronkelijk niets anders waren dan groepen van vaklieden, ten hoogste met daaraan verbonden een ‘confrèrie’ ter aanduiding van de beschermheilige.”
En dl.1, hfdst.VII, p.99, noot 1:
De vraag naar een ‘voorgeschiedenis’ en van de oorsprong der Vrijmetselarij in organisatorische zin “leidde de meeste onderzoekers naar de loges, die gevormd werden bij de grote bouwwerken van de middeleeuwen, kerken, kastelen, kloosters, waarvan de bouw plaats vond onder leiding van een ‘bouwmeester’ door een groep van bouwers in steen (natuursteen).”… (altro)
 
Segnalato
MBRLibrary | 1 altra recensione | Jul 25, 2021 |
Besproken door Zeijlemaker o.c., dl.1, hfdst.V, noot 17 [hier verwart hij Gimpel met Hutin] :
Gimpel deelt het standpunt van Douglas Knoop “dat de loges oorspronkelijk niets anders waren dan groepen van vaklieden, ten hoogste met daaraan verbonden een ‘confrèrie’ ter aanduiding van de beschermheilige.”
En dl.1, hfdst.VII, p.99, noot 1:
De vraag naar een ‘voorgeschiedenis’ en van de oorsprong der Vrijmetselarij in organisatorische zin “leidde de meeste onderzoekers naar de loges, die gevormd werden bij de grote bouwwerken van de middeleeuwen, kerken, kastelen, kloosters, waarvan de bouw plaats vond onder leiding van een ‘bouwmeester’ door een groep van bouwers in steen (natuursteen).”… (altro)
 
Segnalato
MBRLibrary | 1 altra recensione | Jul 25, 2021 |

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Statistiche

Opere
6
Utenti
899
Popolarità
#28,501
Voto
3.8
Recensioni
12
ISBN
41
Lingue
7
Preferito da
2

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