Foto dell'autore
8 opere 316 membri 12 recensioni

Sull'Autore

David Giffels is an assistant professor of English at the University of Akron and the author of All the Way Home, recipient of the Ohioana Book Award. His writing has appeared in the New York Times Magazine, the Wall Street Journal, the Akron Beacon Journal, Grantland, and many other publications. mostra altro He lives in Akron, Ohio, with his wife and two children. mostra meno

Opere di David Giffels

Etichette

Informazioni generali

Data di nascita
1964-03
Sesso
male
Organizzazioni
University of Akron
Agente
Daniel Greenberg

Utenti

Recensioni

David Giffels brings together the physical world of woodworking with the spiritual world of family, friendship and loss. He sets out to build a coffin for himself under The mentorship of his father,a master woodworker. Throughout the time it takes him to design, build, and finish the coffin, we learn about Giffels own family history growing up in Akron in the 70s and 80s, his friendships, and interests in art and music. He connects the coffin through all of his stories into things that matter most in his life. It’s not a sad book. It’s a hopeful one. Quoting Robert Frost summing up all that he’s learned in life, “It goes on.” He’s created something for himself, given to others in his family,and given the reader a sincerer, poignant story that should resonate with everyone.… (altro)
 
Segnalato
kropferama | Jan 1, 2023 |
Summary: The author recounts a year of traveling Ohio, always a political bellweather, to understand America.

David Giffels lives in Akron, just down Interstate 76 from my hometown of Youngstown, which features prominently in his new book. Both of us have lived our lives in Ohio, so reading this felt like inside baseball. What Giffels did in the writing of this book is travel throughout the state, talking to a wide variety of people. He contends that in doing so, this does not just reveal Ohio, it reveals the country, of which Ohio is a microcosm:

Geographically and culturally, the state is an all-American buffet, an uncannily complete everyplace. Cleveland is the end of the north, Cincinnati is the beginning of the South, Youngstown is the end of the East, and Hicksville (yes, Hicksville) is the beginning of the Midwest. Across eighty-eight counties, Ohio mashes up broad regions of farmland, major industrial centers, small towns, the third-largest university in the country, the second largest Amish population, and a bedraggled vein of Appalachia. It is coastal, it is rural, it is urban, and suburban. (p. 5)

That about captures it, although I would add that Columbus, where I now live, is home of the second largest Somali population in the U.S.

He begins by profiling Jim Renner, a former factory worker, then a business owner, someone who over time shifted in loyalty from the Democratic party to vote for Donald Trump in 2016. His story sounds like that of many disaffected Democrats who believed they had been ignored.

His travels take him to Lordstown, after GM shut down the plant and the struggles of workers, promised a recovery by the president, waiting to see what the company would offer in the way of employment at another plant. He talks about why Bruce Springsteen’s Youngstown so perfectly captures the pain of so many workers. He visits Mansfield, interviewing an indie bookstore owner leading an effort to repopulate the downtown with businesses (a store that is closing as I write). He chronicles a growing craft beer business and the resurgent Over the Rhine neighborhood of Cincinnati.

He returns to Youngstown in time for Congressman Tim Ryan’s announcement of his presidential bid, attempting to be a voice for the voiceless. He shifts to Hilliard, Ohio, outside Columbus, and a group of women going to the Women’s March. Then, we’re back home learning more of his son’s story, from fireman to policeman, on the front line of fighting Ohio’s opiate crisis. He jumps over to the demise of a local shopping mall and others, including one we regularly shopped at when we lived in Cleveland, now an Amazon fulfillment center.

Then another Ohio. Agricultural Ohio with a farmer outside Delaware, Ohio, struggling with changing weather patterns making it difficult to plant his fields. This is the Ohio where the awards come in the form of bumper crops, and fresh corn on the cob. Like the Lordstown workers, he wants to be heard, he wants Washington leadership to know where things are made and grown in “flyover” country.

Back to Youngstown, he invokes a recent legend of Valley politics–Jim Traficant–bad hair, vulgar mouth, loud clothes, fighting for the worker, and taking a little on the side, the name of the game in Youngstown politics. It helps explain how Mahoning County nearly went Republican and Trumbull County to the north did. He chronicles the sputtering end the campaign of Tim Ryan, Traficant’s protege.

Remaining months take him back to Cincinnati where he meets the former mayor and learns of policing reforms. He hangs out at a Renaissance Fair near Dayton, visits a fading Ohio River town, learning why some hang on and the hope fracking offers. He strikes a positive note as he profiles dropping off at Ohio State a young man he met at his local community college, one who turned his life around and has big hopes for a future after law school.

His journey ends at the beginning of the pandemic, reflecting as he awaits the return of the buzzards to Hinckley on why we stay, why we keep coming back. And that is a significant part of the story. With so many hard knocks, why do so many stay, and some return? I don’t think we are offered much in the way of an answer other than the bonds that tie people to each other and to a place. He reveals both resilient people, and those who struggle with hope, and sometimes terrible addictions, some overcoming, others not. He introduces us to all sorts of people who believe their lives matter, their work matters, their hopes and dreams matter–America in a Midwest state. He reveals a shared sentiment, a longing that the nation’s leaders would be worthy of those lives, respect that work, and honor those hopes and dreams.

This is not a Chamber of Commerce Ohio. I appreciate Giffels work because he shows us the Ohio that is, an Ohio I recognize. If he’s right, those from other parts will recognize something of their own situation, their own people and place as well. He opens windows to see unvarnished American life and the longing that our politicians would see it as well.

________________________________

Disclosure of Material Connection: I received a complimentary review copy of this book from the publisher. The opinions I have expressed are my own.
… (altro)
 
Segnalato
BobonBooks | Sep 29, 2020 |
Who buys a house they describe with adjectives and nouns such as these: rusty, dusty, decay, debris, ruin, smelly, stained, treacherous, flaking, rotted, grime, filthy, cluttered, damaged, wreckage, decomposed, dark, cracked, dingy, chilly, ugly, broken, dirty, scratched, soot, dangerous, rotten, warped, collapsed, cramped, broken, discolored, disintegrated, discolored, poisonous, fermenting, or crusted? You half expect to find, buried deep in the debris, a mummified body a la Bates Motel. In fact, when Giffels first tours the house there is a woman, perched amid the disaster. But, buy the house he does.
Giffels, a self described handyman, needs projects. When he buys the 1913 mansion on North Portage Path (Akron, Ohio) there is every indication he has bit off more than he can chew. That only becomes apparent to himself when he attempts to remove paint from every single door hinge in the house. The master bedroom alone has seventeen doors with at least two hinges...you do the math. And that's just hinges. Never mind the structural damage like a leaking room that requires 55 roasting pans to catch the downpour whenever it rains, or the jungle of wisteria growing in through the cracks. Then there are the uninvited guests: mice, squirrels, raccoons, termites, carpenter ants, gawkers...it's a wonder Gina didn't divorce him.
One of a thousand quotes of humor, "more than anything else, I do not want to die a cartoon character's death" (p 5).
Quote of foreshadowing, "And I honestly couldn't decide which I wanted more; to get the house, or to get the house out of my system" (p 73). Indeed, there are numerous times he hoped to get out of buying the house. Starting with his sister-in-law's neighbor, Earl. Hoping seventy-plus-year-old realtor Earl would advise him it's a lost cause after seeing it; praying the inspector would say it's his professional opinion the house is hopeless; and wishing the owners will refuse his insultingly low ball offer. Giffels is seeking any and all opportunities to wriggle out of the fantasy; to escape the choke hold of unreasonable and borderline fanatical desire. None of "outs" happen for Giffels and All the Way Home is born.
… (altro)
 
Segnalato
SeriousGrace | 3 altre recensioni | Mar 9, 2018 |
David Giffels knows what it's like to be left behind. His hometown of Akron, Ohio is a place people and businesses are perpetually leaving, while he holds fast in his determination to stay. That determination to do things the hard way on purpose, he believes, is characteristic of the Rust Belt region as a whole. In his collection of essays, Giffels examines those characteristics through sports, music, memories and culture to create a vibrant portrait of the American Midwest from someone determined to see it thrive.

As someone who relocated from Detroit to Virginia just two years after graduating from college, I can echo the truth in Giffels' statements. I watched moving vans pack up before I left and continue to see my high school classmates spread across the country through Facebook statuses and updates. If so many people are insistent on leaving, why would Giffels stay?

Continue Reading: www.rivercityreading.com
… (altro)
 
Segnalato
rivercityreading | 5 altre recensioni | Aug 10, 2015 |

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Statistiche

Opere
8
Utenti
316
Popolarità
#74,771
Voto
4.1
Recensioni
12
ISBN
21

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