Arthur Gelb (1) (1924–2014)

City Room takes place in a time in America's history when you could jot down your resume on the back of an index card while racing to an interview in a sputtering New York City taxi cab. There is an innocence to the era in which Gelb got his start. As the story of City Room goes on, Gelb reveals so many interesting behind-the-scenes details about life at the Times. For example, the strategic military censorship came back to haunt the paper when the American public belatedly learned of the true atrocities of World War II; especially the genocide in the German concentration camps of Buchenwald. Or how he scooped the Julius and Ethel Rosenberg executions. His front row seat to the Papp/Moses battle over the free Shakespeare theater in Central Park made for fascinating reading. His interest in the arts brought Gelb and John F. Kennedy together. And speaking of Kennedy, here is something I did not know. The New York Times was in the practice of writing obituaries for people before they died. Although The Times did not have an advance obituary for President Kennedy because he was so young when he was assassinated. Everyone collectively thought they had more time. Didn't we all? Other scoops of The Times: the Transit-Authority strike, the first Pope's visit to the United States, the largest power outage in history, the obtaining possession of Pentagon papers regarding the Vietnam War, and pervasive police and city hall corruption. When you put in forty-five years at one paper you can accumulate a lot of stories.
Gelb was grateful for early mentors. Enough so that he included a short biography of Mr. Fairbanks, a man who gave Gelb a chance at The Times. Gelb also reveals a wicked sense of humor. The story about sending the same pound cake back and forth between couples was hilarious.… (altro)