Immagine dell'autore.

John Crowley (1) (1942–)

Autore di Little, Big

Per altri autori con il nome John Crowley, vedi la pagina di disambiguazione.

39+ opere 11,484 membri 269 recensioni 108 preferito
C'è 1 discussione aperta su questo autore. Vedila ora.

Sull'Autore

John Crowley was a recipient of the American Academy & Institute of Arts & Letters Award for Literature. He lives in the hills above the Connecticut River in northern Massachusetts with his wife & twin daughters. (Bowker Author Biography)
Fonte dell'immagine: Photo by Zoe Crowley

Serie

Opere di John Crowley

Little, Big (1981) 4,189 copie
Aegypt (1987) 1,152 copie
Engine Summer (1979) 713 copie
Love & Sleep (1994) 559 copie
Daemonomania (2000) 536 copie
The Translator (2002) 477 copie
Beasts (1976) 466 copie
The Deep (1975) 403 copie
Endless Things (2007) 391 copie
Novelty: Four Stories (1989) 200 copie
Four Freedoms (2009) 183 copie

Opere correlate

Naked City (2011) — Collaboratore — 640 copie
Black Swan, White Raven (1997) — Collaboratore — 584 copie
The Science Fiction Century (1997) — Collaboratore — 533 copie
American Gothic Tales (1996) — Collaboratore — 459 copie
Poe's Children: The New Horror: An Anthology (2008) — Collaboratore — 459 copie
Masterpieces: The Best Science Fiction of the Century (2001) — Collaboratore — 450 copie
The Big Book of Science Fiction (2016) — Collaboratore — 417 copie
The Year's Best Science Fiction: Seventh Annual Collection (1990) — Collaboratore — 281 copie
The Year's Best Science Fiction: Third Annual Collection (1986) — Collaboratore — 227 copie
Magicats! (1939) — Collaboratore — 218 copie
Tails of Wonder and Imagination: Cat Stories (2010) — Collaboratore — 215 copie
Modern Classics of Fantasy (1939) — Collaboratore — 208 copie
Conjunctions: 39, The New Wave Fabulists (2002) — Collaboratore — 197 copie
The Book of Magic: A Collection of Stories (2018) — Collaboratore — 166 copie
The Judges of the Secret Court (2011) — Introduzione, alcune edizioni161 copie
Interfaces (1980) — Collaboratore — 155 copie
The Year's Best Fantasy and Horror: Fourth Annual Collection (1991) — Collaboratore — 154 copie
A Science Fiction Omnibus (1973) — Collaboratore — 148 copie
Elsewhere: Tales of Fantasy (1982) — Collaboratore — 144 copie
Future on Ice (1998) — Collaboratore — 143 copie
Shadows (1978) — Collaboratore — 141 copie
The Mammoth Book of the Best of Best New SF (2008) — Collaboratore — 104 copie
Whispers: An Anthology of Fantasy and Horror (1977) — Collaboratore — 96 copie
American Fantastic Tales: Boxed Set (2009) — Collaboratore — 92 copie
The Best Science Fiction of the Year #15 (1986) — Collaboratore — 76 copie
Nebula Awards 25 (1991) — Collaboratore — 62 copie
Snake's Hands: The Fiction of John Crowley (2003) — Collaboratore — 45 copie
New Haven Noir (2017) — Collaboratore — 45 copie
The Seventh Omni Book of Science Fiction (1989) — Collaboratore — 38 copie
The Orbit Science Fiction Yearbook: No. 3 (1990) — Collaboratore — 32 copie
Omni Best Science Fiction Three (1993) — Collaboratore — 28 copie
The Year's Best Science Fiction & Fantasy, 2020 Edition (2020) — Collaboratore — 21 copie
Conjunctions: 67, Other Aliens (2016) — Collaboratore — 14 copie
Lightspeed Magazine, Issue 33 • February 2013 (2013) — Collaboratore — 14 copie
Spirits Unwrapped (2019) — Collaboratore — 8 copie
Lightspeed Magazine, Issue 18 • November 2011 (2011) — Collaboratore — 7 copie
Lightspeed Magazine, Issue 96 • May 2018 (2018) — Collaboratore — 5 copie

Etichette

Informazioni generali

Utenti

Discussioni

Little, Big 25th Anniversary Edition in Fine Press Forum (Agosto 2023)
Little, Big in Hogwarts Express (Aprile 2013)
Fantasy Novel in Name that Book (Ottobre 2010)

Recensioni

The best "What if?" stories out there are the ones which take a certain action (or character) and change it a little bit - and then allow the story to unfold with that change in place. Sometimes, that allows weirder things to be added, sometimes it is just a story as it may have happened.

Crowley went for the first option - he started with a small change but wrapped it into a secret society and time travel. And yet, the novella works because its internal logic makes sense inside of its own framework.

Cecil Rhodes's real life reads as a story even without embellishments. His will established the Rhodes Scholarship - which is probably the first thing a modern reader think of when they hear his name. His story in Africa may be colorful and his name may be living in a lot of local names (past and current) but I'd admit that I knew very little about him before I met him in this novella (and then went to check how much of what was in the text was true - the answer ended up being "a lot").

It all started really innocently - a young man invented a time machine and went back in time to get a rare stamp. Things did not go exactly as expected and before long the reality he started from seemed to have changed - the British Empire never fell, a time traveling society had been meddling and ensuring that the Empire will stand forever and history as we know it had become a bit less stable. So where does Rhodes come into play you wonder? Well, he had the money and he had the right upbringing and mindset - setting up a scholarship while making sense before his death did not really match his thoughts earlier in his life. So what if he never managed to get to the later stage of his life and never got disillusioned with the Empire?

For most of the novella, the reader needs to pick up from sometimes very subtle clues what kind of reality the text is talking about - ours, the one where Rhodes dies even younger than in ours or something totally different. It could have been frustrating but it ends up fascinating - Crowley's handling of the real history works flawlessly in its merging of the story of a young man, Winterset, who is asked to go back in time and undo a change which brought what he thinks of the real history. There are some places where the text could have stalled but somehow it never happens - the necessary confusion for the story to work ends up being the strength of the novella. And by the end of it, by the time when the reader knows a lot more about that world than any of the characters, it all gets tied together - all the way back to where we started with that rare stamp.

This story is exactly what science fiction (and fantasy) is really good at - looking at real life issues with a different lens. In this case, it is colonialism and the British Colonial Service - the format allows the exploration not only of what had been but of what could have been (both good and bad). The ending may feel unresolved - the story is closed but there is enough of an opening for everyone, including the reader and Winterset, to realize that this may not be the end.

I am not surprised the novella won the World Fantasy Award (even if it is nominally a science fiction story, there are some elements to push it to the border between the two genres or even over into fantasy) - if anything, I am surprised it did not win more awards. I am glad to have finally found it.
… (altro)
½
 
Segnalato
AnnieMod | 2 altre recensioni | Apr 23, 2024 |
An Irish nobleman is torn between loyalty to England and his Ulster homeland, or so it appears. A magical flint which he carries on him represents old Ireland and its gods, and a small magical mirror reflects the image of Elizabeth I. With aching beauty and rich period detail, this novel of paranormal history demands to be slowly savored, and so I did.
 
Segnalato
jillrhudy | 2 altre recensioni | Mar 21, 2024 |
I really liked this. It had some pretty cool ideas for post-apocalypse societies, but I'll admit, I liked the truthful speakers the best. I got a little bored and distracted at Dr. Boots' List, which is a shame, because it ties in really well with the main story. I hope I didn't miss anything because of it. I very much liked the idea of Path, and the Filing System, and I was intrigued by the League of women. Quite interesting!
 
Segnalato
zjakkelien | 14 altre recensioni | Jan 2, 2024 |
It took me forever to get through this book. It has sleep dust embedded throughout its pages, and apparently they’ve invented a release mechanism that works even with e-books. Seriously, I don’t think there was a single session where I sat down to read this book during the day and didn’t fall asleep at some point before standing back up, and I rarely take mid-day naps. Likewise, when I read it before bed, I usually ended up going to sleep earlier than I normally would. So… I guess that’s the main thing I got out of this book. I’m now very well rested?

The story revolves around a large and very convoluted family, most of whom live in or around a large and very convoluted house in the middle of nowhere. There's some overlap with the fairy realm there, so that some family members are able to see them, although others can’t, and most lose the ability as they get older.

My Kindle edition had a family tree – at the very end of the book, with no reference to it in the table of contents that might have clued me in to its existence. By the time I saw it, it was too late to do me much good. The most critical people were pretty easy to keep track of though, and since I was reading on the Kindle I was able to search and find prior references if I forgot who someone was, so I did ok without the tree. In the earlier parts of the book, it jumps back and forth in the timeline quite a bit and introduces a large number of characters, but this wasn’t the part I disliked. It felt a little confusing at times, but I was able to follow it and the setting seemed really interesting, so I’d looked forward to learning where everything was going.

The further I got into the book, the less I liked it. The timeline got more linear and the character focus narrowed, but the story became more nebulous. It became more metaphorical and less logical, and there were long sequences where the author wrote about things happening to characters, except that apparently those things weren’t actually happening, or at least not in the way the characters thought they were, to the point that sometimes I was confused about what was “real” in the context of the book and what wasn’t. And then you have people becoming fish, birds, and trees? It probably didn’t help that, by this point, I was in a perpetually sleepy haze myself whenever I read the book. Reading this made me feel like what I imagine it would feel like to be on drugs, and I’ve never enjoyed books that give me that sensation.

The writing style is more literary I guess, with some odd ways of phrasing things that occasionally required me to re-read a sentence. I wouldn’t call this a funny book, but there were times it made me burst out in surprised laughter because something unexpectedly struck me funny, even toward the end when I wasn’t enjoying it anymore. Sometimes I wasn’t even sure if the things that made me laugh were supposed to be funny. It’s possible I might have been delirious. The ending was as unsatisfying as I expected it to be by the time I finally reached it. This book I think is more about style and atmosphere, but the story itself lacked enough substance for me to sink my teeth into.

I’m rating this at 2.5 stars and rounding down to 2 because I think I would have preferred less sleep.
… (altro)
½
1 vota
Segnalato
YouKneeK | 113 altre recensioni | Sep 9, 2023 |

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Statistiche

Opere
39
Opere correlate
51
Utenti
11,484
Popolarità
#2,043
Voto
3.9
Recensioni
269
ISBN
246
Lingue
11
Preferito da
108

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