Immagine dell'autore.

Wayne C. Booth (1921–2005)

Autore di The Craft of Research

24+ opere 5,492 membri 38 recensioni 2 preferito

Sull'Autore

A graduate student at the University of Chicago in the late 1940s, when the English Department was dominated by members of the Chicago School of criticism, Wayne Booth returned to his alma mater in the early 1960s and became an exponent of its critical methodology. The Chicago Critics were mostra altro influenced by the formalistic, rhetorical analysis of the Poetics of Aristotle, which was concerned with the principles of literary construction and literary esthetics. Unlike the New Critics, who shared their interest in formalist analysis of texts, the Chicago Critics emphasized the importance of knowledge about the author and his or her historical context. They considered the New Criticism, which had developed at about the same time, too restrictive in its bracketing of that information as external to the text and therefore incidental to understanding and evaluating it. The first generation of Chicago School critics, who were Booth's teachers, did not have much impact beyond the university itself. Booth, however, continued to advocate pluralism. Critical Understanding: The Powers and Limits of Pluralism Critical Understanding: (1979) helped revitalize and popularize Chicago School principles. Booth is associated with two other movements in contemporary literary theory: reader-response criticism and narratology. The former includes a heterogeneous group of reader-oriented rather than text-oriented methodologies. The latter is usually seen as a type of structuralist or proto-structuralist literary study, since it focuses on the function and the grammar, or structure, of narrative. Linked with both is Booth's Rhetoric of Fiction (1962), which concentrates on the analysis of point of view and how writers manipulate it so that readers accept the values of the implied author of a text's narration. Booth's work has increasingly emphasized reading, ethics, and the rhetoric of persuasion-a concern already implicit in this early book. (Bowker Author Biography) mostra meno

Opere di Wayne C. Booth

The Craft of Research (1995) 3,688 copie
Retorica della narrativa (1961) 872 copie

Opere correlate

A Manual for Writers of Term Papers, Theses, and Dissertations (1955) — A cura di, alcune edizioni8,171 copie
The Story and Its Writer: An Introduction to Short Fiction (1983) — Collaboratore — 1,132 copie
Dostoevskij: poetica e stilistica (1929) — Introduzione, alcune edizioni442 copie
Theory's Empire: An Anthology of Dissent (2005) — Collaboratore — 100 copie
Essays on Aristotle's Poetics (1992) — Collaboratore — 33 copie
Proving Contraries (2005) — Collaboratore — 5 copie

Etichette

Informazioni generali

Utenti

Recensioni

Turns out that rain on your wedding day is not ironic, but saying "like rain on your wedding day" definitely is.
 
Segnalato
audient_void | Jan 6, 2024 |
Every bit the classic it has long and widely been held to be.
 
Segnalato
Mark_Feltskog | 22 altre recensioni | Dec 23, 2023 |
It helps to have read Emma, Tristram Shandy, Samuel Beckett's Company, some Dafoe, some Swift, and whole lot of Henry James, to really piece this work together. Booth is primarily concerned with the relationship between the narrator, the implied author, and the reader. I think he is one of the first to use the term "unreliable narrator" to describe the critical distance required when reading a first person narrative.

I enjoyed his analysis of Austen's Emma the most, as I recently reread it and appreciated his commentary on Austen's use of narrative voice to gain the both the reader's sympathy and approbation for her heroine.

… (altro)
 
Segnalato
jonbrammer | 10 altre recensioni | Jul 1, 2023 |

Liste

Premi e riconoscimenti

Potrebbero anche piacerti

Autori correlati

Statistiche

Opere
24
Opere correlate
18
Utenti
5,492
Popolarità
#4,536
Voto
3.9
Recensioni
38
ISBN
79
Lingue
7
Preferito da
2

Grafici & Tabelle