Marshall Blonsky

Happy millionaires, floating above money. Tastemakers and models where the substance of sign are widgets produced from the mysteries of Eurocentric sytle. Even anti-stye is currency spoken at the proper moment. Castles in the sky held up by anti-gravity - the collective will of the subordinate and subordinated who dare not look the other way. Whether it is the act of looking away or looking as in appearing the Other way, those in thrall refuse to ignore the central process, their ennobling whitewash without which they become the non-audience, those left outside the theater of the West.

Marshall Blonsky, in American Mythologies, examines the symbolic discourse between the performers and the performed upon as if to examine the state of the ceiling in the house whose walls have already collapsed. Yet it remains a valid work because while we all stand in the cold ruins, the ceiling remains frozen in mid-air suspended like our disbelief, while from its reflections we measure our steps. As intellectual excavator and personal ruminator par excellence, Blonsky will become the McLuhan of the 21st Century.… (altro)