Noah Berlatsky
Autore di Wonder Woman: Bondage and Feminism in the Marston/Peter Comics, 1941-1948 (Comics Culture)
Sull'Autore
Opere di Noah Berlatsky
Opere correlate
Etichette
Informazioni generali
- Sesso
- male
- Attività lavorative
- freelance writer
Utenti
Recensioni
Potrebbero anche piacerti
Autori correlati
Statistiche
- Opere
- 110
- Opere correlate
- 1
- Utenti
- 645
- Popolarità
- #39,135
- Voto
- 3.4
- Recensioni
- 4
- ISBN
- 249
- Lingue
- 1
Of course there's lots of variance. Some parts of the book made great arguments about the faults in hero storytelling, the political ramifications of hero tropes, and I also just learned a lot about comic history. It changed the way I viewed the medium. However, there's also a fair bit of pretention, and some essays that feel like a failed attempt to sound profound by obsessing over tedium. I don't think it's very clever to point out that if Superman actually wanted to save lives he would kill mosquitos instead of bank robbers, and then say "but fighting bad guys is cooler" as though that's a big breakthrough. Similar lines can be drawn for basically any genre and medium of story telling. The conflict is the point, and superhero films have an interior logic that demands suspension of disbelief.
Long story short, Berlatsky is a smart man with a keen eye for pop culture and he knows a lot more about this stuff than I do. He's a talented writer, a great Twitter follow, so I was happy to hear his thoughts. But the book often feels like it hates things for being popular and it hates consumers for not wanting to closely analyze everything they consume. It often feels like a bitter and angry book. As smart as the essays are, I'd enjoy them more if it was made clear that this is all in the name of good natured analysis and debate, and less about assigning value or ideology to people based on their taste in summer blockbusters. Maybe such a notice shouldn't be necessary, but I don't enjoy reading old men yelling at clouds.
The best essay was by far the Aquaman one, about fandoms focusing too much on the importance of their chosen obsession, and not on their actual enjoyment. I've been thinking about that all day; the ways we identify with our favorite characters and defend them as though they are part of us, the ways we crave success for our favorite properties so that we may feel vindicated or mainstream.… (altro)