Immagine dell'autore.
10+ opere 167 membri 2 recensioni

Sull'Autore

Don Bachardy lives in Santa Monica, California. His drawings and paintings are in the collections of many major art museums, including the Metropolitan in New York, the de Young in San Francisco, the Fogg in Cambridge, the Smithsonian in Washington, and the National Portrait Gallery in London
Fonte dell'immagine: Donald Bachardy (1934- ), photographed by Carl Van Vechten, Jan. 2, 1954 (Library of Congress Prints and Photographs Division, Van Vechten Collection, Digital ID: van 5a51669)

Opere di Don Bachardy

Opere correlate

Un uomo solo (1964) — Immagine di copertina, alcune edizioni2,216 copie
Christopher and his kind (2001) — Immagine di copertina, alcune edizioni795 copie

Etichette

Informazioni generali

Nome canonico
Bachardy, Don
Nome legale
Bachardy, Donald Jess
Data di nascita
1934-05-18
Sesso
male
Nazionalità
USA
Luogo di nascita
Los Angeles, California, USA
Luogo di residenza
Santa Monica, California, USA
Istruzione
Slade School of Fine Art
Chouinard Art Institute
University of California, Los Angeles
Attività lavorative
artist
Relazioni
Isherwood, Christopher (partner)
Breve biografia
Don Bachardy was born in Los Angeles in 1934. He studied art at the Chouinard Art Institute in Los Angeles and the Slade School of Art in London. His first one-man exhibition was held in October 1961 at the Redfern Gallery in London. He has since had many one-man exhibitions in Los Angeles, San Francisco, Seattle, Houston and New York. Additionally, in 2004, the Huntington Library in San Marino, California presented a survey of his work.

Bachardy's portraits reside in the permanent collections of the Metropolitan Museum of Art in New York, the M.H. de Young Museum of Art in San Francisco, the University of Texas, Henry E. Huntington Library and Art Gallery, San Marino, California, the University of California, Los Angeles, the Fogg Art Museum of Harvard University, Princeton University, the California State Capitol Building (official portrait of Governor Edmund G. Brown, Jr), the Smithsonian Institution, and the National Portrait Gallery in London, England.

Utenti

Recensioni

I stumbled across this rare little treasure in the stage play collections at the downtown library. Numerous friends have highly recommended the filmed version of this story, an intriguing alternate take on the legendary Frankenstein story by Mary Shelley. Unfortunately, the film version of Frankenstein: The True Story is rather rare, and quite hard to come by. So, this small paperback, which is the script to the filmed production, serves as a quirky yet highly readable replacement to the video. This novelization-in-script-form features an opening framing sequence of author Mary Shelley sharing the origins of her story with the other writers whose mutual challenge inspired the tale. The story incorporates Shelley's fellow writer Polidori as a character in Frankenstein's tale (not actually in Shelley's story), and plays a bit fast and loose with other elements of the well-known story. But this is still a fascinating and entertaining version of the Frankenstein tale. I still recommend getting your hands on the video version (try your library's InterLibrary Loan service), but in the meantime, this is a fun and intriguing read.

Originally reviewed for my local library's website: http://www.lincolnlibraries.org/depts/bookguide/srec/staffrec10-10.htm
… (altro)
½
 
Segnalato
cannellfan | Jan 16, 2011 |
"And the true realism, always and everywhere, is that of the poets: to find out where joy resides, and give it a voice . . . For to miss the joy is to miss all." (From The Lantern Bearers by Robert Louis Stevenson as quoted by Christopher Isherwood in his commonplace book.

The quotation from Stevenson is placed as the epigraph to this selection of works by Isherwood. It is a selection that spans his lifetime as a writer from the early days in Berlin to the last days in Hollywood. In making the selections Don Bachardy and James P. White appropriately include the short novel A Single Man as the final selection. This is fitting because it is both the finest of Isherwood's novels and that one whose style and content delineate an ending to life and art in such a beautiful way. The other selections in the book include fictional, biographical, critical and spiritual writings that help the reader gain a picture of Isherwood's life from his own artistic creations. The result suggests how he imagined a world of love and freedom in an era when that life was hidden in ways that are difficult to comprehend in the twenty-first century. His friend Gore Vidal, to whom Isherwood dedicated A Single Man, states in his introduction: "throughout Christopher's life and work - and he made the two the same - he never ceased to attempt the impossible: to say exactly what a thing was and how it struck him in such a way that the reader might grasp it as he himself did, writer and reader as one in the ultimate collusive act of understanding."
This selection of his works captures that "collusive act" and presents it to readers everywhere.
… (altro)
1 vota
Segnalato
jwhenderson | Jan 9, 2011 |

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Statistiche

Opere
10
Opere correlate
2
Utenti
167
Popolarità
#127,264
Voto
4.0
Recensioni
2
ISBN
15

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