Immagine dell'autore.

Hilton Als

Autore di White Girls

33+ opere 845 membri 13 recensioni

Sull'Autore

Hilton Als is an American writer and theater critic born in New York City, New York in 1960. He began contributing pieces to The New Yorker magazine in 1989 and later worked as a staff writer and theater critic. He worked as a staff writer for The Village Voice, an Editor-at-large at Vibe and wrote mostra altro articles for The Nation. He collaborated on film scripts for "Swoon" and "Looking for Langston." He edited the exhibition catalog for The Whitney Museum of American Art, "Black Male: Representations of Masculinity in Contemporary American Art," His first book, The Women, was published in 1996. His awards included, the New York Association of Black Journalists first prize in both Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for Creative Writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. He won the 2016 Windham-Campbell Literature Prize in nonfiction for White Girls (2013) and The Women (1996). The 2016 Lambda literary awards presented him The Trustee Award for Excellence in Literature He has taught at Yale University, Wesleyan, and Smith College. (Bowker Author Biography) mostra meno

Comprende i nomi: Hilton Als -, ed. Hilton Als

Fonte dell'immagine: Columbia University

Opere di Hilton Als

White Girls (2013) 397 copie
The Women (1734) 103 copie
My Pinup (2022) 33 copie
Alice Neel: Uptown (2017) 23 copie
Joan Didion: What She Means (2022) — A cura di — 19 copie
Elizabeth Peyton: Ghost (2011) 14 copie
(Nothing but) Flowers (2022) 8 copie
T.J. Wilcox: Films (2007) 6 copie
Catherine Opie (2021) 6 copie

Opere correlate

If He Hollers, Let Him Go (1945) — Prefazione, alcune edizioni584 copie
Let Me Tell You What I Mean (2021) — Prefazione — 464 copie
Life Stories: Profiles from the New Yorker (2000) — Collaboratore — 299 copie
The 40s: The Story of a Decade (2014) — Collaboratore — 276 copie
Without Sanctuary: Lynching Photography in America (1600) — Reaction — 263 copie
The Best American Essays 2011 (2011) — Collaboratore — 227 copie
Fashion Climbing: A Memoir with Photographs (2018) — Prefazione — 156 copie
The Best American Essays 1997 (1997) — Collaboratore — 155 copie
McSweeney's Issue 35 (McSweeney's Quarterly Concern) (2010) — Collaboratore — 114 copie
The Matter of Black Lives: Writing from The New Yorker (2021) — Collaboratore — 92 copie
Hokum: An Anthology of African-American Humor (2006) — Collaboratore — 66 copie
The Warhol Look: Glamour, Style, Fashion (1997) — Collaboratore — 61 copie
Lorna Simpson (2006) — Collaboratore — 46 copie
Nothing Personal {2017 reprint} (2017) — Introduzione — 33 copie
Robert Gober: The Heart Is Not a Metaphor (2014) — Collaboratore — 32 copie
Kara Walker: Dust Jackets for the Niggerati (2013) — Collaboratore — 19 copie
Peter Schlesinger: A Photographic Memory 1968-1989 (2015) — Introduzione — 10 copie
Glenn Ligon: Stranger (2001) — Collaboratore — 10 copie
David Salle: Bears/Interiors (1999) — Collaboratore — 8 copie
Grand Street 63: Crossing the Line (Winter 1998) (1900) — Collaboratore — 7 copie
Lynette Yiadom-Boakye: Verses After Dusk (2015) — Collaboratore — 7 copie
Kara Walker: The Black Road (2010) — Collaboratore — 4 copie
Andy Warhol at Christie's: Photographs (2012) — Collaboratore — 3 copie

Etichette

Informazioni generali

Utenti

Recensioni

Exquisite writing, abrupt ending.
 
Segnalato
monicaberger | 2 altre recensioni | Jan 22, 2024 |
This is such an incredibly curious two-part essay on, yes, Als on Prince—but also the so-much-more behind and beyond that fascination. Maybe I'd just describe it as strange and wonderful in the way that love, or at least infatuation and wanting to be loved or even to be absorbed by someone, and if you're lucky, being self-reflective about it, often is.
 
Segnalato
KatrinkaV | 2 altre recensioni | Sep 21, 2023 |
The best I could really hope for - horny, desperate, haughty and vain.
1 vota
Segnalato
adaorhell | 2 altre recensioni | Apr 19, 2023 |
The artistic career of Christopher Knowles (born 1959) began at the age of 13, when his writings and recordings came to the notice of avant-garde theater director Robert Wilson. Still a teenager, Knowles went on to write the libretto for Wilson and Philip Glass’ opera Einstein on the Beach, and his collaborations with Wilson would continue for decades. His practice spans many mediums―text, sound, painting, sculpture and performance―and exhibits a fascination with the materiality of language. In a Word is the most comprehensive look at Knowles’ work to date, published for his exhibition of the same name, organized by Anthony Elms and Hilton Als. Containing an autobiographical text by the artist himself, new texts by Elms and curator Lauren Digiulio and a personal reflection by Als, this is an essential resource on an under-recognized artist.… (altro)
 
Segnalato
petervanbeveren | Aug 5, 2021 |

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Statistiche

Opere
33
Opere correlate
29
Utenti
845
Popolarità
#30,259
Voto
3.9
Recensioni
13
ISBN
43
Lingue
1

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