Immagine dell'autore.

Adolphe Adam (1803–1856)

Autore di The Three Tenors Christmas

80+ opere 204 membri 1 recensione

Sull'Autore

Fonte dell'immagine: Courtesy of the NYPL Digital Gallery (image use requires permission from the New York Public Library)

Serie

Opere di Adolphe Adam

O Holy Night (2008) 20 copie
Giselle [sound recording] (1996) 14 copie
Oh Holy Night (1935) 10 copie
Giselle [video recording] (2004) — Compositore — 8 copie
Giselle [video recording] (2014) — Compositore — 7 copie
Creole Giselle [video recording] (2005) — Compositore — 5 copie
Le Toréador (1998) 5 copie
Giselle [video recording] (2001) — Compositore — 4 copie
Le Postillon de Lonjumeau (1836) — Autore — 4 copie
Le Corsaire 3 copie
Giselle {excerpts} [sound recording] (1991) — Compositore — 3 copie
Giselle [video recording] (2001) — Compositore — 2 copie
Le Chalet 2 copie
Giselle : Act 2 [sound recording] — Compositore — 2 copie
Giselle [video recording] (2001) — Compositore — 2 copie
Christmas on Guitar (1993) 2 copie
Giselle [video recording] — Compositore — 1 copia
Giselle [video recording] (2001) — Compositore — 1 copia
Giselle [video recording] (2010) — Compositore — 1 copia
Giselle [video recording] (2004) — Compositore — 1 copia
Giselle [video recording] (2004) — Compositore — 1 copia
Giselle [video recording] — Compositore — 1 copia
Giselle : Act 1 [sound recording] — Compositore — 1 copia
Le Bijou perdu (1853) 1 copia
Le Brasseur de Preston (1838) 1 copia
Le farfadet (1852) 1 copia
Le châlet (1834) 1 copia
Adam: Giselle — Compositore — 1 copia
Souvenirs d'un musicien (2016) 1 copia

Opere correlate

Portraits of Christmas (1990) — Compositore — 3 copie
Famous French Overtures (1990) 2 copie
Hark! (2020) — Compositore — 2 copie

Etichette

Informazioni generali

Nome canonico
Adam, Adolphe
Nome legale
Adam, Adolphe Charles
Altri nomi
Adam, Adolph Karl
Data di nascita
1803-07-24
Data di morte
1856-05-03
Sesso
male
Nazionalità
Frankrijk

Utenti

Recensioni

Nice recording, good singing, but slightly disappointed with Aler's non-hornlike oh-oh-oh in the famous titular aria. Is it only Germans who can do this (out of their alleged obsession with hunting horns)? This opera has been extremely popular in Germany, anyway. Maybe he needs to take a cue from Roberta Peters whose clear, high blasts as Queen of the Night could easily be mistaken as coming from a brass instrument. I also couldn't quite tell the difference between Madeleine and Mme. LaTour, but I was listening in the car on a Corolla standard system and watching for traffic at the time. I did play it twice trying to hear that ... and also to figure out why the chorus kept singing about a hat - which turned out to be "chateau" instead. So much for my French.
Silly story, of course, just the sort of thing SOME people complain about in opera (see Terry Pratchett's Maskerade). Just as they've gotten married and before they have a chance to consummate, Chapelou is lured away to Paris to be a rich and famous singer while Madeleine, who gave up the chance a life of luxury with a rich aunt to marry the man she loves, sadly decides to live with the aunt anyway and bide her time. In the next act, 10 years later, thanks to the economy of theatre, everyone from Act I is back, but all of them renamed, save the Marquis who heads the Paris Opera. We'll stick to their first act names for the sake of simplicity. Chapelou has seen Madeleine, now heir to her aunt's fortune, in the audience and fallen in love - not realizing it actually is his wife. To avenge her abandonment, Madeleine allows Chapelou to seduce her when the Marquis invites the whole opera company to her hat - no wait - house for a party. Chapelou plans a fake marriage which is undermined by Madeleine by substituting a real priest for the actor intended. The Marquis is delighted, knowing Chapelou has committed bigamy, which is punishable by hanging, and will get him out of the Marquis's way of romancing Madeleine (whom he hasn't recognized either). Act III is Madeleine taunting Chapelou as both her peasant and her wealthy selves at the same time ... in the dark, of course, and the Marquis threatening him with the hanging thing. Madeleine, fortunately for Chapelou, makes the case that there's nothing unlawful about marrying the same woman twice and they all sing the titular tune again, unrealistically happy.
… (altro)
 
Segnalato
marfita | Dec 27, 2015 |

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Statistiche

Opere
80
Opere correlate
3
Utenti
204
Popolarità
#108,207
Voto
3.9
Recensioni
1
ISBN
19
Lingue
4

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