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Sto caricando le informazioni... Party Monster: A Fabulous But True Tale of Murder in Clubland (edizione 2003)di James St. James (Autore)
Informazioni sull'operaDisco Bloodbath di James St. James
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![]() Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. I've been fascinated by the 90's New York Club Kid scene: how can so many 20-somethings live with such reckless abandon? How do they even afford to live in NYC and party all the time and go to school? It's a world that I can't relate to, but reading James St. James' book definitely threw me in to the depths of it all. James' writing swirls and flourishes...I loved every minute. I later came to find out that he was still on drugs (speed or perhaps Special K) at the time of writing the book, but it worked for this story. I can't say that I walked away feeling sorry for Michael Alig, but it definitely led me to think more deeply about shared experiences and how living on the fringe can be both horrifying and fabulous. ... so, I just remembered this book existed, and I just realised I probably read it when I was way, way too young. Oops. This reads like a fiction novel. I can almost guarantee that it will be unlike any other crime memoir you've ever read in your life. I loved reading it at the time. I'm honestly not sure how I would feel about it now, but at the time, I was trying to figure out who I was and I was absolutely starved for any LGBTIQA fiction. So, reading this was sort of like a lifeline for me, and this book could've been the worst book ever written and it would still hold a special place in my heart because of the themes. ... but! James St. James is actually a really good and consistent writer. Do I condone anything he did in the book? Not at all. I do not condone drug use or any of his outlandish behaviour that he calls partying, but man this guy can write. I still remember his monologue about taking Ketamine and reciting Hamlet after all these years of reading it. So if you like William S. Burroughs, if you like Irvine Welsh, if you like Herbert Selby Jr, you might really enjoy this book. This is Andy Warhol on speed, this is a hangover, a celebration of life and sexuality and taking ownership of a very, very chequered past. Despite this book's many, many flaws I can't help but still feel some sort of vague connection to it. Take care when you read it, it's an absolute trip. (tw: oh, god, all the things. Underaged sex, possibly nonconsensual sex, excessive drug use, gore? I can't remember all of them, I'm so sorry!) I no longer review "norm" books but this one straddled the line between norm true crime and truly odd true crime. So I won't review it, but because it was such a fantastic book, I'll share some of the best quotes. St. James really does have a fascinating capacity to be glibly deep and deeply glib. "There is no mystery to death. No complicated pattern, nothing difficult. They are no special. It could happen again. Anytime. Anywhere. Of course. A slight miscalculation, a simple mistake - it didn't take a special kind of person. Death was easy. A piece of pie. That is the true horror." "If somebody asks you for a quote about your mortal enemy, simply drip with sincerity as you gush: "I worship him." And leave it at that. IF YOU ARE CORNERED AND YOU HAVE TO TELL THE TRUTH, AND THE TRUTH IS, WELL, SLIGHTLY BITCH, put a positive spin on it, then quickly follow it up by giving three reasons why you're even worse. FOR EXAMPLE: "Sure, Michael is a monster - but look at that flawless eyeliner. How many monsters do you know that can wield liquid liner LIKE THAT? Besides, I have anal fissures. And I just love Captain Lou Albano. Oh, do I have bad breath? Here, smell..." Works like a charm." "But it's those seemingly normal exteriors (the beehive hairdo, the pennyroyal house dress, the stubble beneath the pancake...) that hide TRULY DERANGED minds. Watch out for the average - they're usual hiding something big." "Suddenly Jenny did what Jenny was sometimes prone to do in those days: she ran out of the house, in a blind panic, into the cold autumn night without a jacket. She was just lost in the sauce, poor dear. Of course, it broke the monotony and everybody ran after her to give her the attention she was demanding. She might end up at the Russian Tea Room or she might end up in a crack den, who knew? Jenny's freak-outs were periodic, intense, and always anybody's guess. These incidents were important, in that they showed her and us that the drugs were secondary, that we were a family first and foremost, and we would be there for each other, always. She wasn't really craving butter beans that night in the trash can. She needed to know that we cared enough to drop the torch and find her a can opener...stop the madness and look for her shoes,,,thank her for her money and her support... Give her a big kiss." "But before the curtain falls, let me leave you with one question - ponder it as the events unfold, then riddle me this: If one day, Mother Teresa was out weed whacking and accidentally chopped odd Hitler's head - WOULD THAT NECESSARILY BE SUCH A BAD THING? I mean...if a person commits a crime and no one cares - can we all just adjust our lip liner? Look, I'm just being honest here. I think that the whole point of my story is that nobody ever implicated Dorothy in the double witch homicides of Oz because, well... you know... She's Judy Garland, for God's sakes, and Louis B. Mayer forced her into a life of drugs at such a young age, poor thing..." "I needed my K. My lightly toasted animal tranquilizer. My own personalized Prozac, if you will. (I'd have tried the actual stuff, but Prozac is SO, like, '91.) Oh, I needed that K badly, no doubt about it. And nothing could be right until I got it. And God help the poor roommate or friend who didn't move heaven and earth on my behalf. I made Nancy Reagan seem positively CUDDLY in comparison. "SOMEBODY FIND SOME GODDAMN K FOR ME! I DON'T CARE IF YOU HAVE TO SUCK IT OUT OF A SICK CAT'S ASS AND PUT IT THROUGH A DISTILLERY! Just... do it" "Funny, that no matter where you are in the world, there's always someone eager to help you destroy yourself." "But you failed. You had so much inside of you and yet you threw it away. You hadn't finished changing the world, yet. You should be plotting corporate takeovers, making million-dollar deals, directing feature films, starting your own religion - not sitting in some overcrowded prison cell! And if YOU failed, how on earth are the rest if us supposed to succeed? What are we all supposed to do now?" James St. James is GENIUS. This story is smart, witty and shockingly TRUE. There was a time when the club kids were essential to the New York party scene, and people actually read Michael Musto's column in THE VILLAGE VOICE. They are hardly relevant anymore, but that doesn't mean you can't relive all their glory. Step into this world of Impromptu parties, DRUGS, fame, money, jealousy, and murder! It's a quick read and incredibly entertaining. nessuna recensione | aggiungi una recensione
Premi e riconoscimenti
Set in the post Warhol 1980s clubland, Disco Bloodbath tells of the fabulous and the bizarre through the astonishing tale of the 'king of the club kids', flamboyant Michael Alig. The world of crazed hedonism becomes the scene for murder. Non sono state trovate descrizioni di biblioteche |
Discussioni correntiNessunoCopertine popolari
![]() GeneriSistema Decimale Melvil (DDC)364.1523Social sciences Social problems and services; associations Criminology Crimes and Offenses Offenses against persons Homicide MurderClassificazione LCVotoMedia:![]()
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To give us that context, St. James tells his own story. An earlier arrival on the scene than Alig, St. James tells us how he came to occupy a fairly high rung on the social ladder of the nightclubbers, introducing us to the people whose asses he kissed to get there. Just a short while later, Alig arrived and St. James tells us how he at first watched and then became a friend and sort of mentor to Alig as the younger man engineered his own meteoric rise up the hierarchy. And part of what Alig brought with him, along with a new group of hangers-on, was drugs. Well, there were already drugs obviously. But more drugs, and harder ones. The kind that let two strung-out junkies, high on a cocktail of pills and their own sense of importance and untouchability, brutally murder a drug dealer, shove his body in the river, and carry on with their lives like they're going to get away with it. And they very nearly do: despite the fact that Melendez is a missing person and Alig and Riggs' involvement in his disappearance is an open secret in their community, it isn't until the body is found that the police actually take any action.
I've never been one to find substance abuse memoirs especially appealing...reading about someone's experiences taking a lot of drugs doesn't really do much for me. But St. James' arch, gossipy writing style makes it about as good as it can be. And while there's no doubt after reading it that he mostly enjoyed the experiences, he doesn't shy away from exposing the less glamorous side of it. Like groups of addicts ripping the radiator out of an apartment wall because they think they remember someone dropping a bag back there, a scene he renders darkly humorous while still exposing as pathetic. Indeed, it's St. James' strong writing that makes this book workable overall. 20somethings drinking and dancing and getting high out of their minds wearing weird costumes is something that seems like it would make a decent essay but would be tiresome at book length, and yet the way St. James tells his story makes it mostly pretty fun to read. This is not great literature, but it's an interesting, well-told account of a very particular time and place. (