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Sto caricando le informazioni... Morbidly Yours (A Love in Galway Novel) (edizione 2024)di Ivy Fairbanks (Autore)
Informazioni sull'operaMorbidly Yours: A Steamy Romantic Comedy About Love & Luck di Ivy Fairbanks
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"Callum Flannelly would rather dive into an open grave than take a stranger to dinner and a movie. But he can only inherit the family undertaking business and carry on their legacy under one condition: He must marry before his 35th birthday. So it's out of the mortuary and into the dating scene. Lark Thompson would rather get crushed by a falling anvil than live next to a funeral home during her stay in Galway, Ireland. The vivacious American cartoon creator and animator came here to embrace life, not be reminded of losing her husband. When Lark learns of Callum's dilemma and aversion to marrying out of necessity rather than love, she agrees to help the introverted mortician. Although sworn off love herself, she is optimistic that Callum can find The One and secure his inheritance. But as the dating project progresses and their friendship grows, so does a mutual attraction. The more time she spends with serious, sarcastic Callum, the more she dreads finding him a match. And the more disastrous dates he endures, the more trepidation he feels for Lark's imminent return to the states. If they think it's possible to ignore their connection, they're dead wrong." Non sono state trovate descrizioni di biblioteche |
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30-year-old widow Lark flees her native Texas, her embittered sister-in-law Rachel, who cyber-stalks her, to Ireland to work as an animator for a local studio. She moves into a house next to the undertaker’s, our male protagonist, Callum, who is about as interesting as a dead tree in winter.
At first, the chemistry and banter between the two was great and I looked forward to lots of fun. What followed, though, was basically this:
Lark: Callum is so wonderful but I must not fall in love with him because I practically killed my husband because we had an argument and he drove recklessly around afterwards.
Callum: Lark is so wonderful but I must not fall in love with her because I need to marry someone I don’t love to keep my business from falling into the hands of a greedy corporation.
Lark: Let’s be friends with benefits, though! (I cannot emotionally handle that but somehow everything will be ok!)
Callum: Yes! (I cannot handle it either but…)
Predictably, next came some pretty nice and sensitive intimate scenes (usually I would have written “smut” but that’s the only well-written part so the latter term felt too crude).
Both Lark and Callum know communication is key and, consequently…
»Were we just going to ignore what just happened? The words were right there, resting on my tongue like a piece of hard toffee. I swallowed them down. Better left unsaid.«
With that, the vicious circle of “I love (him/her) but must not!” goes on and on and on… Mixed among all this are workplace drama, violence, a token non-binary person, whereas morbidity on the other hand is not really part of all this. Callum is supposed to be demi-sexual and/or demi-romantic (the author herself didn’t seem to be sure) but the representation here is just plain bad.
Oh, and, of course, there’s a third-act breakup so dumb I actually face-palmed.
The writing style and use of language is at high school level and the pacing varies between racing and Valium-induced creeping along.
One star out of five.
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