I received this novel from the author, through NetGalley, in exchange for an honest review: my thanks to both of them for this opportunity.

In his afterword, author Alexander Darwin touches on the subject of middle book syndrome, the point in a series that can either make it or break it: now that I have read Grievar’s Blood I can say with total assurance that this book does not only make the series, but it also expands on the characters’ journey and on the view of the world in which the story is set, and does so in a gripping, page-turning way.

Where The Combat Codes focused mainly on the characters of young Cego, rising star in the Grievars’ training school, and of Murray Pearson, former Grievar Knight turned scout for fighting talent, Grievar’s Blood adds two more POVs to the story, Solara Halberd and Silas the Slayer and through them gives us a deeper, wider understanding of this world and its social and political forces at work. All of the characters - old and new - are on some form of quest here: Cego needs to learn more about himself and his talents after the momentous revelation on his origins, a discovery that has a profound impact both on his personality and on the way he interacts with his friends. In the previous book I enjoyed the theme of found family in this group of young trainees, and here the strength of the bond linking them is stressed even more once Cego finds himself facing a quite unexpected turn of events in what proved to be a very compelling narrative thread: the team’s reaction to what is happening is both heartwarming and harrowing, and leads to a detailed trial scene that kept me on the edge of the seat for the whole run. It’s interesting to note, though, that Cego’s journey is not front and center in Grievar’s Blood: the bold move of having him share the limelight in equal measure with other characters pays off in the end, because the uncertainty about his fate that colors the last quarter of the book adds even more strength to the pivotal scene where the present leg of his journey ends to start a new one. Apologies for these quite cryptic comments, but I don’t want to spoil anything here…

Murray, after the shocking discoveries he made in the previous book, is a rudderless man who has turned to drinking himself into a stupor, literally touching bottom, physically and spiritually until something awakens him and gives him a new purpose: finding Sam, Cego’s younger brother. His commitment to this goal takes him back to his former self, and we see him taking great risks and paying a huge price for his actions: I am amazed at the kind of beatings this man can take and yet be back on his feet again, never surrendering to obstacles once he finds again a purpose in life. In the course of the first two books of this series I have grown very fond of Murray: this grizzled, blunt, grumpy individual has unexpectedly carved a place in my heart, and I hope of seeing more of him in the final book.

In The Combat Codes Solara Halberd was described as a very committed, very serious young woman whose life has been focused on becoming a Grievar Knight and making her father - an eminent fighter - proud of her accomplishments. Here, on the heels of a huge personal tragedy, we see her leave the Lyceum on an almost impossible quest, to which she brings the same determination she applied to her studies and training. Where she might have previously appeared as merely ambitious and a little self-centered, here she exhibits a many-layered personality that comes across at its best in her dealings with another young trainee, N’auri: the growing friendship between these two girls is a delightful addition to the story and also brings some welcome female presence that was slightly missing in the previous installment.

And finally we come to Silas: the way Cego remembered his older brother - capable, focused but also affectionate - clashes with the person represented here, a cold-blooded fighter who crushes his opponents with cold, surgical detachment. The nickname “Slayer” seemed perfectly tailored for a character I was ready to dislike, to say the least - that is, until more was revealed about his personality and, more important, the ultimate goal he is pursuing here, and which ties in closely with the huge twist toward which the author has been leading his readers, carefully managing the various narrative threads that combine toward the end into a breath-taking payoff which, in turn, holds the promise for a quite spectacular conclusion in the next book.

When reading The Combat Codes I was often curious to know more about the world in which this series is set, and Grievar’s Blood did indeed reveal more details about it, particularly where the Daimyo - the actual rulers of the world - are concerned: there are several interesting glimpses into their mindset and customs, and in the social and political machinations they surround themselves with, but the most intriguing detail about the foundations of this society, and the origin of Grievar Knights, comes from a bitter musing from Silas:

The Grievar [...] are characters in this world they’ve built made to play a very specific part [...] fight in their arenas, settle their disputes [...] With them looking down on us from above, watching us fight and bleed and get buried, all to serve at their pleasure.

It’s in this small seed that the riveting turning point at the end of the book finds the means to expand the story and its scope into a tale which grows from the relatively small-scale conflicts of the fighting arenas to an epic battle for freedom and dignity:

We who are not bound by the world they build
We who are free to fight
We who will fight to be free

Given what I’ve learned in this second volume, I can hardly wait to see what Alexander Darwin has in store for his readers in what promises to be the impressive climax of a gripping series. ( )