“My mother danced all night and Roberta’s was sick."

Twyla and Roberta, both eight years old, find themselves wards of the State and placed at St. Bonaventure (St. Bonny’s as it is more commonly referred to by the children). They spend four months together as roommates and slowly become friends keeping each other company and looking out for each other in the classroom, the lunchroom and in the orchard where the senior girls like to tease and bully the younger ones. We are told that the population at the orphanage /shelter is racially diverse but what separates these two girls from the rest is not their race (one of them is black and the other white) but the fact that unlike the other children they are not orphans but have been “dumped” and thus the other children tend to ignore them. The author leaves their racial identities ambiguous alluding to the fact that they belong to different races indirectly (“salt and pepper” as they are referred to by the other children, or the fact that Twyla claims that her mother would not approve of her being assigned the same room as Roberta). Twyla ( who is also our narrator) is the first to leave after four months and they lose touch but encounter each other multiple times over the next few decades, each of these interactions markedly different from the ease of their childhood fondness for each other. They are adults now, socially conditioned and conscious of their differences – race, class and social status and thus they are distant, somewhat on different sides – a demarcation that becomes obvious when they find themselves protesting on different sides on the issue of integration of the school Twyla’s son is being bussed to.

One character that is referred to from their childhood is that of Maggie, employed in the kitchen of St Bonaventure who we are told was mute and also on the receiving end of a lot of ridicule and insults from the older girls .
“Maggie fell down there once. The kitchen woman with legs like parentheses.”

At approximately 20 pages this is a fast but powerful narrative that delves into the psyche of not just the two main characters as they find themselves in a world characterized by racism, prejudice and discrimination but also forces the readers to take stock of their personal preconceived notions and assumptions about the characteristics they attribute to ‘others’ (from the most simple things like food habits and clothes to life choices and views on education and general worldview). Our focus is directed to the differences while failing to acknowledge the similarities that we possess as human beings.

In the author’s own words, this story was “an experiment in the removal of all racial codes from a narrative about two characters of different races for whom racial identity is crucial”. The author’s test subjects are not the characters in the story but us- the readers, and we play into her hands very easily. The narrative is constructed in such a manner so as to compel the reader to continuously ponder over the racial identities of Twyla and Roberta. Our focus is continuously directed to the hints throughout the narrative and we rely on our perceptions and interpretations in trying to figure out which race each of these two girls belongs so much so that we relegate an episode of gross injustice towards another character in the narrative to the background, preoccupied with our own quest rather than giving due diligence to an issue that deserves our attention- as do Twyla and Roberta.

Recitatif is a short but impactful experience and though it was written in the 1980s, it is as relevant today as it was as then. Zadie Smith’s introductory essay is brilliant though I would recommend reading the story before the introduction. The introduction is an analysis of the story enriched with a discussion on Ms. Morrison’s thoughts on race and racial identity which is important reading but better read if it follows the story. Emotional and thought-provoking, it is impossible to read this short story and not engage in moments of soul searching and introspection. Reading Toni Morrison will do that to you! ( )

3.5 stars, this was a little more plot-heavy than most other disaster girl novels I've read, and that made this much more enjoyable. Two girls become roommates in Berlin, and they get swept up in playing "parts" in a mystery novel that they think their landlady is writing about them. This is chaotic, messy, fun, and unhinged. Murder is involved, which always keeps me intrigued. ( )

Best for:
People who like a little bit of a mystery but also a character study.

In a nutshell:
Zoe and Hailey are in Berlin for a study abroad art school year. Except classes are only once or twice a month. So what should they do to fill the time? How about host a casino / house party once a week?

Worth quoting:
N/A

Why I chose it:
It came in the Books That Matter subscription this month.

Review:
I had a goal at the start of the year to alternate fiction and non-fiction. Didn’t really happen, and after a run of like seven non-fiction books, I decided to read this. I have an affinity for Berlin, plus this book was set in the fairly recent past (2008), so it has a bit of nostalgia associated with it (and no smart phones!).

Zoe is the protagonist here. Her best friend has just been murdered, but that isn’t really the central mystery of the book. However, it does hover over Zoe, especially since Zoe has been dating her dead best friend’s ex boyfriend. Yikes. Zoe decides to take a year in Berlin with Hailey, heiress to a Grocery Store fortune, and sort of a stranger to our main gal.

They happen to luck out with an amazing apartment in Berlin - owned by Beatrice, who is a famous mystery novel author who will be at a writing retreat in Austria for the year. Score!

But it turns out perhaps the apartment comes with a catch. When Zoe and Hailey luck into a free fancy roulette wheel and a lot of amazing vintage party clothes (it does actually make sense in the book), they decide to throw huge fantastic parties every Friday night. But at some point they wonder if maybe they are being watched?

That’s all I’ll share from the plot. The writing is great, and the characters are developed from the perspective of Zoe, in that we get her thoughts, but everyone isn’t totally one-dimensional. And the story is a bit absurd, sure, but not so out of bounds that it feels unbelievable. We see Zoe struggle with the loss of her best friend, the weirdness of her relationship with the ex Jesse, and finding her way with new roommate Hailey. She’s just twenty, in a city where she knows no one, and has really nothing to do except explore and have fun. It can be dangerous to have that much freedom without some training on how to use it safely.

Best part? The author manages to totally stick the landing. It’s got a great ending.

Recommend to a Friend / Keep / Donate it / Toss it:
Recommend to a Friend ( )