The collection brings together a wide range of contributors,including both philosophers and film scholars. All of them addressthe question of whether philosophy can take the form of, or bearticulated through, film. A new text for the growing field of philosophy of film,engaging with a variety of questions concerning the relationshipbetween film and art, aesthetics and philosophy. Explores a wide variety of forms and periods of film, such asthe avant-garde, continental film and popular American cinema, topresent diverse answers to this question. Draws on a range of films, from the works of Hitchcock toMission: Impossible and Being John Malkovich.