Virgil and His Translators collects twenty-eight papers from three international workshops and conferences held in Vancouver (2012), Paris (2014), and Cuma (2014), and represents the first major publication from Susanna Braund’s long-term research project ‘Virgil Translated’. The volume’s comparative scope is ambitious and capacious, comprising essays on Virgil in Castilian, Chinese, English, Esperanto, French, German, Homeric Greek, Hiberno-English, Italian, Norwegian, Brazilian Portuguese, Russian, Slovenian, and Turkish, predominantly in verse translations dating from the fourteenth century to the twenty-first—some familiar, but many new to Anglophone scholarship. The focus of the essays falls on Virgil’s Aeneid, which receives exclusive treatment in sixteen essays, with Georgics and Eclogues receiving two treatments each; the remaining essays survey translations of two or more of these works. The editors have structured the volume by dividing it into two culturally and theoretically overlapping thematic groups, ‘Virgil Translation as Cultural and Ideological Capital’, and ‘Poets as Translators of Virgil: Cultural Competition, Appropriation, and Identification’. Most of the individual contributions provide in-depth case studies that reveal each translation’s deep embeddedness within a particular culture and historical moment. These are framed by complementary bookends: the editors’ introduction of the volume’s theoretical frameworks (Braund and Torlone), and an afterword by a poet and translator who always writes powerfully on translation as a personal engagement with literature (Balmer).