Fai clic su di un'immagine per andare a Google Ricerca Libri.
Sto caricando le informazioni... Entre dos palacios (Cairo Trilogy) (edizione 1956)di Naguib Mahfouz
Informazioni sull'operaTra i due palazzi: la trilogia del Cairo di Naguib Mahfouz
Books Read in 2013 (490) » 15 altro Historical Fiction (664) Urban Fiction (61) A's favorite novels (62) Nifty Fifties (79) Books Set In Africa (29) Alphabetical Books (197) Sto caricando le informazioni...
Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro.
Read Around the World. Egypt Naguib Mahfouz was a prolific author, considered one of the fathers of contemporary Egyptian fiction, and the only Egyptian to win the Nobel Prize for literature. He received many death threats from fundamentalist Islamic groups and was the victim of an assassination attempt wherein he was stabbed in the neck outside his home. The 82 year old survived the attempt but was unable to write for more than a few minutes a day due to nerve damage in his right arm. Palace Walk is the first of the Cairo Trilogy and tells of a Muslim family living there from 1917 to the Egyptian Revolution in 1919. It features Al-Sayyid Ahmad Abd al-Jawad, his wife and children. The characters are well drawn and the family dynamics complex, with Al-Sayyid ruling his home with an iron fist, creating fear in his children and subservience in his pious wife. Al-Sayyid Ahmad follows the Hanbali sect, an ultra conservative form of Islam. As he says to his children, “I’m a man. I’m the one who commands and forbids. I will not accept any criticism of my behavior. All I ask of you is to obey me. Don’t force me to discipline you.” He is a tyrannical, despotic hypocrite of a man, keeping his wife and daughters virtual prisoners in their home, unable to leave its doors, yet staying out himself night after night, drinking and carousing with women and entertaining his friends. Despite this he seems to love his children. I read about him with an almost morbid fascination of repulsion and intrigue. His wife Amina is a subservient doormat and although she aroused my sympathy, I wanted to shake her at points in the story. Her stepson Yasin is a lecherous creep, with some repulsive views on women. “A woman. Yes, she’s nothing but a woman. Every woman is a filthy curse. A woman doesn’t know what virtue is, unless she’s denied all opportunities for adultery. Even my stepmother, who’s a fine woman – God only knows what she would be like if it weren’t for my father.” The next son Fahmy is an idealistic teen, who when thwarted in love throws himself into the nationalist cause of trying to free Egypt from the British. Khadija makes up for her lack of beauty with a rapier-like tongue. Aisha is the beautiful one and very conscious of her charms. My favourite character was the youngest son Khamal, the inquisitive mischief maker of the family with his endless questions and curiosity. I shifted between the kindle and audiobook versions of this story with the amazing Whispersync. I wasn’t entirely enamored with the audio narration by Neil Shah which seemed breathy and over dramatic at times. I found the book engaging, but probably not sufficiently so to induce me to follow the family into the second book of the trilogy. It is no doubt educational reading about the way women are, or have been, treated in various places in the world, but nevertheless feels like heavy going. 3.5 stars for me. بين القصرين هو الجزء الأول من ثلاثية نجيب محفوظ الشهيرة، والتي تشكل القاهرة ومنطقة الحسين خصيصا المسرح الأساسي والوحيد لأحداثها.[1][2][3] تحكي الرواية قصة أسرة من الطبقة الوسطى، تعيش في حي شعبي من أحياء القاهرة في فترة ما قبل وأثناء ثورة 1919. يحكمها أب متزمت ذو شخصية قوية هو السيد أحمد عبد الجواد (سي السيد). ويعيش في كنف الأب كل من: زوجته أمينة وإبنه البكر ياسين وإبنه فهمي وكمال إضافة إلى ابنتيه خديجة وعائشة. المصدر: ويكيبيديا
Naguib Mahfouz has been compared to Balzac and Dickens, and his characters, like theirs, are drawn with absolute authority and acute psychological insight. ''Palace Walk'' is a tale told with great affection, humor and sensitivity, in a style that in this translation, by William M. Hutchins and Olive E. Kenny, is always accessible and elegant. Premi e riconoscimentiElenchi di rilievo
Volume I of the masterful Cairo Trilogy. A national best-seller in both hardcover and paperback, it introduces the engrossing saga of a Muslim family in Cairo during Egypt's occupation by British forces in the early 1900s. Non sono state trovate descrizioni di biblioteche |
Discussioni correntiNessunoCopertine popolari
Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)892.736Literature Literature of other languages Middle Eastern languages Arabic (Egypt, Lebanon, Palestine, Saudi Arabia, Sudan) Arabic fiction 1945–2000Classificazione LCVotoMedia:
Sei tu?Diventa un autore di LibraryThing. |
The book is set in Egypt just after WWI, and is the story of a family with an ultra conservative patriarch at its head. Inside his home he is a stern authoritarian with his meek, submissive second wife and their children. The balconies of the house are all covered with a lattice framework so no one can see the women inside and they can only peep out at the outside world (although even that is strongly discouraged), and they are rarely if ever allowed outside of the home. The boys of the house, whilst very much afraid of their father's authority, are allowed relative freedom, so long as they do not disgrace the good name of the family. Naturally life does not run smoothly for even the most domineering control freaks, which is where the narrative of the story goes.
Once I finally got into this book I enjoyed it. It reminded me of an Egyptian version of A Suitable Boy. The last quarter of the book focused more on the political situation in Egypt and the strive for independence from British rule. Although I appreciated the insights on this, I preferred when the storyline focused more on the domestic issues within the household rather than the impact on the family of external politics, despite the climax that this built up to.
4 stars - probably 4.5 stars for the middle half of the book, but I'm taking off a half star for the slow start and the political aspect of the last quarter which I didn't enjoy as much (although I expect many will have enjoyed that especially). ( )