Pagina principaleGruppiConversazioniAltroStatistiche
Cerca nel Sito
Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.

Risultati da Google Ricerca Libri

Fai clic su di un'immagine per andare a Google Ricerca Libri.

Introducing Kafka di David Zane Mairowitz
Sto caricando le informazioni...

Introducing Kafka (originale 1993; edizione 1994)

di David Zane Mairowitz, Robert Crumb

UtentiRecensioniPopolaritàMedia votiCitazioni
9311822,887 (3.85)16
What do I have in common with the Jews? I don't even have anything in common with myself.' Alienated from his roots, his family, his surroundings, and primarily from his own body, Kafka created a unique literary language in which to hide away, transforming himself into a cockroach, an ape, a dog, a mole or a circus artiste who starves himself to death in front of admiring crowds. Introducing Kafka helps us to see beyond the cliche 'Kafkaesque' and to peer through the glass wall at the unique creature on display there.… (altro)
Utente:bkny
Titolo:Introducing Kafka
Autori:David Zane Mairowitz
Altri autori:Robert Crumb
Info:Totem Books (1994), Paperback, 176 pages
Collezioni:La tua biblioteca
Voto:
Etichette:Nessuno

Informazioni sull'opera

Kafka: per cominciare di David Zane Mairowitz (1993)

Nessuno
Sto caricando le informazioni...

Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro.

Attualmente non vi sono conversazioni su questo libro.

» Vedi le 16 citazioni

Tegneren Crumb har illustreret denne superbog om Kafka og hans liv og bøger.

??? ( )
  bnielsen | Mar 12, 2024 |
Ogni parola si guarda attorno
in tutte le direzioni prima di
lasciarsi scrivere da me.
(pagina 85)

Avvertenza per i passeggeri: SALTARE a piè pari l'introduzione di Goffredo Fofi.
Avvertenza per Fofi: leggere i libri di Kafka prima di parlarne.

Infine, forse, se Crumb avesse lasciato perdere le varie letture / interpretazioni psicoanalitiche sul senso dei libri di Kafka ne avrebbe ricavato un ottimo lavoro (tanto, quelle interpretazioni, sono sempre identiche: la mamma, il papà ed il p. (per i maschietti)).

Infine, sul serio, Max Brod (salvatore dei testi di Kafka) ha voluto riportare 'a baita' (Sergentmagiù, ghe rivarem a baita? - Mario Rigoni Stern) ossia ha voluto riportare alla fonte ebraica l'origine dei pensieri tradotti in scritti da Kafka. Ma lasciamo perdere, dato che una più grossa l'aveva già combinata Elisabeth Förster-Nietzsche.

La metamorfosi: a fronte della nostra immagine allo specchio, giorno dopo giorno...
Il processo: a fronte dei tanti muri quotidiani...
Il castello: a fronte delle forze che non ci aiutano nel nostro cammino...
America: dove Kafka a fronte, finalmente, di un mondo reale riesce a fantasticare.

( )
  NewLibrary78 | Jul 22, 2023 |
Great read. Great art. I dug. ( )
  bloftin2 | May 4, 2023 |
Who was Franz Kafka? This book tries to answer that in a graphic novel format. For anyone curious about him, it is worth the read. ( )
  TomMcGreevy | Jan 5, 2023 |
Of course I do not know what would fix human beings individually or collectively, but of one thing I am fairly certain, that humans individually add up to the collective and that humans individually are way too stupid for our own good, and I suspect there will be possible genetic solutions to that although we are probably too near the end of our rope for it to happen on a large scale. Sooner or later the partisan politicization of issues like the Ebola outbreak are going to prove as fatal however politically successful. I don't think individuals (or small groups) in power have a lot of ability to do good, game changing good, but they do have the power to do bad, to make things worse. History is chock full of that. On a grand scale there is always Hitler, Stalin, and Mao, on a smaller scale the likes of George Bush. We do not usually get to choose between good and bad politics, only bad and worse, sometimes very much worse. So far our social institutions have been able to change and adjust and keep things afloat, but in our Western world the trend is bad and when someone like Bush comes along and gives it a push, that is the case of an individual President making a big difference.

Kafka of course is dealing with non-eugenic humanity based on his knowledge and experience of the past and present. The Cosmos, or Nature, which we as organisms are part of and, if you like, are no more than that, does not in any way seem to care about us in terms of our individual subjectivity or mentality. It always kills us, if we are lucky it ages and debilitates us, and at any time can erupt into a sickness or accident or natural disaster etc. that kills us individually or en masse, regardless of innocence, age, or anything else. You get the picture. In Kafka's world even though societies were nowhere near the size, complexity, or as pervasively organized on a mass scale (that is villages might have intimately organized but not nations), he saw that society internally was becoming a mirror of Nature. That it could kill or harm us as impersonally as the Cosmos and that that was becoming the norm. Many factors contributed to it, industrialization, population growth, advances in communication and transportation and so on. In many ways it was good, but it had a dark side: depersonalization and alienation and social structures that fostered them. Bureaucracy represented this the best, the Court and the Castle are at least in part bureaucracies which have a life and purposes of their own and which are allowed to operate almost as secret societies which can do whatever they like and also have official sanction. In many countries the police and security agencies, even private ones, function like this. They can usually do whatever they want to you nor, as you say, does anyone need to be in charge really. Society is not just outside anyone's control, but it does not act indifferently. In fact Society arguably grows more perverse, permits more perversity, as it grows and evolves, although it may, on a mass scale, provide us, in larger and larger numbers with lots and lots and lots of goodies. It becomes full of twists and turns that are literally Kafkaesque, and the Kafkaesque is a kind of implicit zeitgeist that haunts us all. Kafka right at the beginning sensed the brave new world, and it was his artistry that turned it into our collective nightmares and anguish. It was his artistry that made him so unique and made his nightmares our nightmares, not just in thought but in feeling.

In particular he went to the heart of our existential crisis in a purely material way. We, within the vast and powerful social structures we have created, have become our files, ALL OF US. It was a whole new way to understand human marginalization or residualization, turning people into something less than a person, into their own shadow. Although perhaps not the first to see this, Kundera puts it very nicely which I attach as a separate posting. ( )
1 vota antao | Aug 24, 2020 |
nessuna recensione | aggiungi una recensione

» Aggiungi altri autori (10 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
David Zane Mairowitzautore primariotutte le edizionicalcolato
Crumb, RobertIllustratoreautore principaletutte le edizioniconfermato

Appartiene alle Serie

Devi effettuare l'accesso per contribuire alle Informazioni generali.
Per maggiori spiegazioni, vedi la pagina di aiuto delle informazioni generali.
Titolo canonico
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Titolo originale
Titoli alternativi
Data della prima edizione
Personaggi
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Luoghi significativi
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Eventi significativi
Film correlati
Epigrafe
Dedica
Incipit
Citazioni
Ultime parole
Nota di disambiguazione
Redattore editoriale
Elogi
Lingua originale
DDC/MDS Canonico
LCC canonico

Risorse esterne che parlano di questo libro

Wikipedia in inglese (2)

What do I have in common with the Jews? I don't even have anything in common with myself.' Alienated from his roots, his family, his surroundings, and primarily from his own body, Kafka created a unique literary language in which to hide away, transforming himself into a cockroach, an ape, a dog, a mole or a circus artiste who starves himself to death in front of admiring crowds. Introducing Kafka helps us to see beyond the cliche 'Kafkaesque' and to peer through the glass wall at the unique creature on display there.

Non sono state trovate descrizioni di biblioteche

Descrizione del libro
Riassunto haiku

Discussioni correnti

Nessuno

Copertine popolari

Link rapidi

Voto

Media: (3.85)
0.5
1 1
1.5 1
2 7
2.5 3
3 37
3.5 17
4 74
4.5 7
5 39

Sei tu?

Diventa un autore di LibraryThing.

 

A proposito di | Contatto | LibraryThing.com | Privacy/Condizioni d'uso | Guida/FAQ | Blog | Negozio | APIs | TinyCat | Biblioteche di personaggi celebri | Recensori in anteprima | Informazioni generali | 206,315,022 libri! | Barra superiore: Sempre visibile