Pagina principaleGruppiConversazioniAltroStatistiche
Cerca nel Sito
Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.

Risultati da Google Ricerca Libri

Fai clic su di un'immagine per andare a Google Ricerca Libri.

Sto caricando le informazioni...

Evenfield (1942)

di Rachel Ferguson

UtentiRecensioniPopolaritàMedia votiCitazioni
41Nessuno613,441 (3.25)7
This book was written for those who don't despise children's parties, Edwardian actresses, dancing classes and the scent of lilac over sun-warmed fences. Barbara Morant spent a crucial part of her childhood in the unremarkable suburban house which lends this novel its name. For her siblings, it's merely a place to live; for her mother, it's a symbol of the provincial drudgery of suburban living. But for Barbara, the house and the routines of those years are invested with a halo of happiness, and she yearns for them long after the family's return to London. Her obsessive nostalgia, the pursuit of her childhood joys, lead her to attempt a recreation of the past. She leases the house, undoes the changes made in the intervening years, and moves in, only to find the past irretrievably changed and changed by her later knowledge and experiences. Lushly packed with domestic detail and references to popular culture, household products, advertisements, songs, dEcor, and pastimes, Evenfield provides us with a hilarious but surprisingly profound exploration of childhood and the way it's remembered (and misremembered) by adults, and of the vanity of searching for lost time. Rachel Ferguson - known for earlier classics The BrontEs Went to Woolworth's, A Footman for the Peacock and Alas, Poor Lady - gives us here her own unique variation on Proust. This new edition includes an introduction by social historian Elizabeth Crawford. 'It is only (now) that I realise how much ... my work owes to the delicacy and variety of Rachel Ferguson's exploration of the real and the dreamed of, or the made up, or desired.' A.S. Byatt… (altro)
Nessuno
Sto caricando le informazioni...

Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro.

Attualmente non vi sono conversazioni su questo libro.

» Vedi le 7 citazioni

Nessuna recensione
nessuna recensione | aggiungi una recensione

Appartiene alle Collane Editoriali

Devi effettuare l'accesso per contribuire alle Informazioni generali.
Per maggiori spiegazioni, vedi la pagina di aiuto delle informazioni generali.
Titolo canonico
Titolo originale
Titoli alternativi
Data della prima edizione
Personaggi
Luoghi significativi
Eventi significativi
Film correlati
Epigrafe
Dedica
Incipit
Dati dalle informazioni generali inglesi. Modifica per tradurlo nella tua lingua.
Of all of us Morants I was to be the one who fell in love with our house; lived with it, was separated fro it, re-united to it and finally parted from it by mutual consent.
Citazioni
Ultime parole
Nota di disambiguazione
Redattore editoriale
Elogi
Lingua originale
DDC/MDS Canonico
LCC canonico

Risorse esterne che parlano di questo libro

Wikipedia in inglese

Nessuno

This book was written for those who don't despise children's parties, Edwardian actresses, dancing classes and the scent of lilac over sun-warmed fences. Barbara Morant spent a crucial part of her childhood in the unremarkable suburban house which lends this novel its name. For her siblings, it's merely a place to live; for her mother, it's a symbol of the provincial drudgery of suburban living. But for Barbara, the house and the routines of those years are invested with a halo of happiness, and she yearns for them long after the family's return to London. Her obsessive nostalgia, the pursuit of her childhood joys, lead her to attempt a recreation of the past. She leases the house, undoes the changes made in the intervening years, and moves in, only to find the past irretrievably changed and changed by her later knowledge and experiences. Lushly packed with domestic detail and references to popular culture, household products, advertisements, songs, dEcor, and pastimes, Evenfield provides us with a hilarious but surprisingly profound exploration of childhood and the way it's remembered (and misremembered) by adults, and of the vanity of searching for lost time. Rachel Ferguson - known for earlier classics The BrontEs Went to Woolworth's, A Footman for the Peacock and Alas, Poor Lady - gives us here her own unique variation on Proust. This new edition includes an introduction by social historian Elizabeth Crawford. 'It is only (now) that I realise how much ... my work owes to the delicacy and variety of Rachel Ferguson's exploration of the real and the dreamed of, or the made up, or desired.' A.S. Byatt

Non sono state trovate descrizioni di biblioteche

Descrizione del libro
Riassunto haiku

Discussioni correnti

Nessuno

Copertine popolari

Link rapidi

Voto

Media: (3.25)
0.5
1
1.5
2
2.5
3 1
3.5 1
4
4.5
5

Sei tu?

Diventa un autore di LibraryThing.

 

A proposito di | Contatto | LibraryThing.com | Privacy/Condizioni d'uso | Guida/FAQ | Blog | Negozio | APIs | TinyCat | Biblioteche di personaggi celebri | Recensori in anteprima | Informazioni generali | 206,407,883 libri! | Barra superiore: Sempre visibile