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Beyond Greek: The Beginnings of Latin Literature

di Denis Feeney

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We take the existence of a literature in the Latin language for granted, but the emergence of this literature is a very strange moment in history. Latin literature should probably not have come into being in the form it took. This book explores the opening phase of Latin literature, from 240 to 140 BCE. The period begins with the first stage productions of Greek plays translated into Latin, which were also the first translations of Greek literary texts into any other language; it closes with the Romans in possession of a large-scale literature in Latin based on the literature of the Greeks, together with a developed historical tradition about their past and a mythology that connected them to the inheritance of the Greeks. The book uses a range of comparative evidence from both the ancient and the modern worlds in order to provide a context for understanding what the Romans did. The book recovers a great range of possibilities for cultural interaction in the ancient Mediterranean, with languages and texts sometimes interchanging quite freely and sometimes being blocked. The book argues that the Roman translation project and the resulting literature were highly anomalous in an ancient context: translation of literature was extremely rare in the world known to the Romans, and the ancient Mediterranean hosted many very successful cultures that had no kind of equivalent to the widely diffused text-based literary systems of the Greeks. The transformation of the Romans' Italian alliance into a Mediterranean imperial power provides the context for the revolution in their cultural life that led to what we call "Latin literature." --… (altro)
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This characteristically elegant and learned book essentially takes what we know about the origins of Roman literature and re-frames it in a larger, comparative context. That larger context illuminates not only how peculiar it is for a literature to have developed at all in the ancient world (either in Greece or at Rome) but especially how peculiar it is that Roman literature, from its origins and successively, presents itself as a continuation and development of Greek literature. (Ovid, Am. 15 and Accius’ Didascalica are Feeney’s opening examples of that representation.) Feeney’s object is “to de-familiarize the terms of comparison and of reference we use in describing the Roman experiment so as to bring the strange developments of the period into perspective” (p. 8). His engaging comparative data and the work he does to breathe life into facts and ideas we have long lived with (e.g. the First Punic War becomes the “Great War” on analogy with the war of 1914-18, explained in n. 2 on pp. 279-80) readily assist him in that aim.
 
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We take the existence of a literature in the Latin language for granted, but the emergence of this literature is a very strange moment in history. Latin literature should probably not have come into being in the form it took. This book explores the opening phase of Latin literature, from 240 to 140 BCE. The period begins with the first stage productions of Greek plays translated into Latin, which were also the first translations of Greek literary texts into any other language; it closes with the Romans in possession of a large-scale literature in Latin based on the literature of the Greeks, together with a developed historical tradition about their past and a mythology that connected them to the inheritance of the Greeks. The book uses a range of comparative evidence from both the ancient and the modern worlds in order to provide a context for understanding what the Romans did. The book recovers a great range of possibilities for cultural interaction in the ancient Mediterranean, with languages and texts sometimes interchanging quite freely and sometimes being blocked. The book argues that the Roman translation project and the resulting literature were highly anomalous in an ancient context: translation of literature was extremely rare in the world known to the Romans, and the ancient Mediterranean hosted many very successful cultures that had no kind of equivalent to the widely diffused text-based literary systems of the Greeks. The transformation of the Romans' Italian alliance into a Mediterranean imperial power provides the context for the revolution in their cultural life that led to what we call "Latin literature." --

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