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Wastelanding: Legacies of Uranium Mining in…
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Wastelanding: Legacies of Uranium Mining in Navajo Country (edizione 2015)

di Voyles (Autore)

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Wastelanding tells the history of the uranium industry on Navajo land in the U.S. Southwest, asking why certain landscapes and the peoples who inhabit them come to be targeted for disproportionate exposure to environmental harm. Uranium mines and mills on the Navajo Nation land have long supplied U.S. nuclear weapons and energy programs. By 1942, mines on the reservation were the main source of uranium for the top-secret Manhattan Project. Today, the Navajo Nation is home to more than a thousand abandoned uranium sites. Radiation-related diseases are endemic, claiming the health and lives of former miners and nonminers alike. Traci Brynne Voyles argues that the presence of uranium mining on Diné (Navajo) land constitutes a clear case of environmental racism. Looking at discursive constructions of landscapes, she explores how environmental racism develops over time. For Voyles, the "wasteland," where toxic materials are excavated, exploited, and dumped, is both a racial and a spatial signifier that renders an environment and the bodies that inhabit it pollutable. Because environmental inequality is inherent in the way industrialism operates, the wasteland is the "other" through which modern industrialism is established. In examining the history of wastelanding in Navajo country, Voyles provides "an environmental justice history" of uranium mining, revealing how just as "civilization" has been defined on and through "savagery," environmental privilege is produced by portraying other landscapes as marginal, worthless, and pollutable.… (altro)
Utente:GreenhouseUiS
Titolo:Wastelanding: Legacies of Uranium Mining in Navajo Country
Autori:Voyles (Autore)
Info:University of Minnesota Press (2015), Edition: 1, 310 pages
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Wastelanding: Legacies of Uranium Mining in Navajo Country di Traci Brynne Voyles

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I enjoyed this book, though I have to think through her theoretical framework more to see if I really think it is effective in what she wants it to do? Otherwise I think it's a creative way of thinking through these issues, and does good work in linking larger narratives of the height of nuclear activity. The chapter on gender was really great, especially in the ways it linked the perceived femininity of the past and the future as imagined by Diné women, but I think that really was the linchpin of the book and should have been pulled throughout the book rather than being relegated to a single chapter. ( )
  aijmiller | Mar 22, 2017 |
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Wastelanding tells the history of the uranium industry on Navajo land in the U.S. Southwest, asking why certain landscapes and the peoples who inhabit them come to be targeted for disproportionate exposure to environmental harm. Uranium mines and mills on the Navajo Nation land have long supplied U.S. nuclear weapons and energy programs. By 1942, mines on the reservation were the main source of uranium for the top-secret Manhattan Project. Today, the Navajo Nation is home to more than a thousand abandoned uranium sites. Radiation-related diseases are endemic, claiming the health and lives of former miners and nonminers alike. Traci Brynne Voyles argues that the presence of uranium mining on Diné (Navajo) land constitutes a clear case of environmental racism. Looking at discursive constructions of landscapes, she explores how environmental racism develops over time. For Voyles, the "wasteland," where toxic materials are excavated, exploited, and dumped, is both a racial and a spatial signifier that renders an environment and the bodies that inhabit it pollutable. Because environmental inequality is inherent in the way industrialism operates, the wasteland is the "other" through which modern industrialism is established. In examining the history of wastelanding in Navajo country, Voyles provides "an environmental justice history" of uranium mining, revealing how just as "civilization" has been defined on and through "savagery," environmental privilege is produced by portraying other landscapes as marginal, worthless, and pollutable.

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