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Harvest: A Novel di Jim Crace
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Harvest: A Novel (originale 2013; edizione 2013)

di Jim Crace (Autore)

UtentiRecensioniPopolaritàMedia votiConversazioni / Citazioni
1,0757118,891 (3.87)1 / 141
Fiction. Literature. Historical Fiction. HTML:SHORT-LISTED FOR THE MAN BOOKER PRIZE
A Christian Science Monitor Best Book of the Year

On the morning after harvest, the inhabitants of a remote English village awaken looking forward to a hard-earned day of rest and feasting at their landowner's table. But the sky is marred by two conspicuous columns of smoke, replacing pleasurable anticipation with alarm and suspicion.

One smoke column is the result of an overnight fire that has damaged the master's outbuildings. The second column rises from the wooded edge of the village, sent up by newcomers to announce their presence. In the minds of the wary villagers a mere coincidence of events appears to be unlikely, with violent confrontation looming as the unavoidable outcome. Meanwhile, another newcomer has recently been spotted taking careful notes and making drawings of the land. It is his presence more than any other that will threaten the village's entire way of life...
… (altro)
Utente:craly
Titolo:Harvest: A Novel
Autori:Jim Crace (Autore)
Info:Nan A. Talese (2013), Edition: 1st Edition, 224 pages
Collezioni:La tua biblioteca, In lettura, Lista dei desideri, Da leggere
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Etichette:to-acquire

Informazioni sull'opera

Harvest di Jim Crace (2013)

  1. 10
    Wolf Hall di Hilary Mantel (kazzer2u)
    kazzer2u: Both very powerful and evocative novels that draw you in to the period they depict.
  2. 00
    Riddley Walker di Russell Hoban (spiphany)
  3. 00
    The Wake di Paul Kingsnorth (spiphany)
  4. 00
    Company of Liars di Karen Maitland (spiphany)
  5. 00
    The Western Wind di Samantha Harvey (cbl_tn)
    cbl_tn: Both books are historical fiction about isolated English villages confronted by forces of change.
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» Vedi le 141 citazioni

Engaging story but I had no trouble putting it down, or indeed falling asleep while reading it. At least it started our engaging. By the end I barely cared, and really didn't understand the reason I'd just read this story. ( )
  zizabeph | May 7, 2023 |
Once again this author has impressed me with his authentic portrayal of earlier times. The book opens in a hamlet, during the 1600's.
The community attached to the manor has just finished harvesting the fields and look forward to the annual celebrations followed by a day of rest. However, some mischief makers have accidentally set fire to one of the farm buildings. When three strangers happen upon the community, they are seen as scapegoats and a chain of events is triggered which will bring about the collapse of their carefully managed rural idyll.
Their kindly master has also been widowed and with no heirs, the title to the property falls into his wife's cousin's hands. He has plans to convert the land to sheep farming which requires limited man power.
Walter Thirsk's world crumbles over a matter of days. The descriptive writing conjures strong images of life how it was lived in times past and of the grim reality experienced by these rural workers. ( )
  HelenBaker | Apr 11, 2023 |
Jim Crace's Harvest is set in an isolated English village where narrator Walt lives with a community of peasant farmers working for a well-loved Master. The book commences with the completion of the year's barley harvest, and the attendant celebrations.

During the celebrations, an act of arson occurs that burns down the Master's dovecote. While the villagers know who the guilty parties are, they allow the blame to be shifted to three itinerants camped on the outskirts of the village. This action gives rise to the second harvest in Crace's novel; a bitter harvest for the villagers of the consequences stemming from this flagrant injustice.

Crace is clever in that he never locates his story temporally. We could be reading about a remote modern community or a community in the Middle Ages. In doing so he plays up the universality of some of his themes: the relentless march of progress, fear and resentment of outsiders and, above all, the love for the land itself and the deeper meaning of occupying a place beyond purely economic gain.

Crace writes beautifully and conveys Walt's somewhat mixed feelings for his adopted village very well. Some of the descriptions of the land and the village lifestlye seen through Walt's eyes are truly lyrical. This is much more the sort of writing that I would expect to be winning prizes rather than the genre novels favoured more recently. ( )
  gjky | Apr 9, 2023 |
Harvest is an ironic title for the book. The events that happened surrounded the harvest but it turned out to be the last one. The village disintegrated when three outsiders came and set off a series of events, which also came about because of a change in ownership of the land. It is an allegory of how society responds to dramatic change. It is also a study of human nature. In searching his fellow villagers' homes, Walter was seen as part of the new owner's gang and he was ostracised. No one wanted to be seen with him. An average read overall. I suppose Crace deliberately gave Walter a detached tone of voice but it didn't work here as it made it hard to get into the story. ( )
  siok | Sep 26, 2021 |
Such evocative writing! I felt as if I were right in the middle of the story. The guilt, the desire, the fury, the
powerlessness, the soil, the barley... Toward the end, the metaphors seemed to me a little heavy handed, but overall a tremendously moving book!
  audrey0510 | Aug 26, 2021 |
In some ways, every novel by Jim Crace is about a sort of apocalypse; his characters are always faced with the shifting of the world, and the conflict arises from their attempts to either avoid change or adapt to it. What’s amazing is how varied his apocalyptic moments are, and The Harvest is no exemption.

...

An amazing novel, The Harvest is both an historical piece and a reminder of how hard it is to adapt to change, and how quickly we will turn on those we perceive as “other" when we are threatened.
aggiunto da KelMunger | modificaLit/Rant, Kel Munger (Jul 17, 2013)
 
Crace writes with a particular, haunting empathy for the displaced. Indeed, displacement doubles as his theme and as his storytelling strategy. By transposing contemporary anxieties onto distant times he allows us to feel them afresh. To say as much is not to pigeonhole him as an abstract or formulaic writer: his plots may be epic, but his sentences carry a sensual charge. “I slide my hand across the rough mattressing,” a sleepless Thirsk remarks, reaching out for the dependable past, “and find comfort in the hollows where my Cecily has slept (and died), where her shoulders and her hips have left their body ghosts.”

“Harvest” is shadowed by body ghosts and soon-to-be-ghosted body politics. “I stand at the threshold of the gleaning field,” Thirsk tells us, “and wonder what the future has in mind for me.” From that threshold, he must adapt to cutthroat times or be scythed down by history. In his compassionate curiosity and his instincts for insurgent uncertainty, Crace surely ranks among our greatest novelists of radical upheaval, a perfect fit for our unstable, unforgiving age.
aggiunto da ozzer | modificaNew York Times, Rob Nixon (Feb 8, 2013)
 
It’s a simple thing to get lost in British author Jim Crace’s stark, evocative prose. Lulling us with the poetic cadence of a story set in a rural landscape sometime in the past, he recreates an ancient Britain that’s surprisingly recognizable
 
This is a novel with plenty of incident but little drama, creating its considerable power, instead, through Walter's mesmerising narrative. At the end, it may not be too fanciful to conflate Walter and Crace, as the narrator steps out of bounds and says farewell to a way of life.
 
(“I’m a very hard-line post-Darwinist atheist”), and we must take him at his word, despite the plethora of Christian symbols in the book. Which leaves us to wonder why he has written what amounts to a parable, almost quaint in its archaic diction and tone.

If you like your stories with an epic flavour, and don’t mind archetypes for characters, Harvest is for you. But there’s something to be said for the straightforward realism of such works as Being Dead, Crace’s 1999 novel that begins with the brutal killing of a middle-aged couple and continues with a microscopic examination of their decomposing corpses, the narrative all the while echoing down through the 30 years of their relationship. It is far less ghoulish than it sounds, and much more compelling.
 
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Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air
In his own ground.

'Ode on Solitude', Alexander Pope
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Two twists of smoke at a time of year too warm for cottage fires surprise us at first light, or they at least surprise those of us who've not been up to mischief in the dark.
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Fiction. Literature. Historical Fiction. HTML:SHORT-LISTED FOR THE MAN BOOKER PRIZE
A Christian Science Monitor Best Book of the Year

On the morning after harvest, the inhabitants of a remote English village awaken looking forward to a hard-earned day of rest and feasting at their landowner's table. But the sky is marred by two conspicuous columns of smoke, replacing pleasurable anticipation with alarm and suspicion.

One smoke column is the result of an overnight fire that has damaged the master's outbuildings. The second column rises from the wooded edge of the village, sent up by newcomers to announce their presence. In the minds of the wary villagers a mere coincidence of events appears to be unlikely, with violent confrontation looming as the unavoidable outcome. Meanwhile, another newcomer has recently been spotted taking careful notes and making drawings of the land. It is his presence more than any other that will threaten the village's entire way of life...

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