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Sto caricando le informazioni... Rosencrantz and Guildenstern Are Dead (originale 1966; edizione 1994)di Tom Stoppard
Informazioni sull'operaRosencrantz e Guildenstern sono morti di Tom Stoppard (1966)
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This is a most remarkable play. Very funny. Very brilliant. Very chilling. Rosencrantz & Guildenstern are Dead [is] verbally dazzling...the most exciting, witty intellectual treat imaginable. Appartiene alle Collane EditorialiEvergreen Black Cat Books (B-162) Literaire reuzenpocket (260) Teatro [Sellerio] (19) Ha l'adattamentoÈ ispirato aHa ispiratoHa come guida di riferimento/manualeHa uno studioHa come supplementoHa come guida per lo studentePremi e riconoscimentiElenchi di rilievo
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm's-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare's play. In Tom Stoppard's best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. Non sono state trovate descrizioni di biblioteche |
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Google Books — Sto caricando le informazioni... GeneriSistema Decimale Melvil (DDC)822.914Literature English English drama 1900- 1900-1999 20th Century 1945-1999Classificazione LCVotoMedia:
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La trama segue Rosencrantz e Guildenstern, due amici d'infanzia di Amleto, che vengono chiamati alla corte del re per spiare e indagare sull'insolito comportamento del principe. Tuttavia, i due non riescono a capire il significato delle parole e degli eventi che li circondano, finendo per diventare vittime della loro stessa ignoranza e confusione.
La pièce è caratterizzata da un intreccio di dialoghi comici e filosofici, che esplorano temi come la vita, la morte, l'identità, la realtà e la percezione. In particolare, la pièce mette in discussione la natura della verità e delle apparenze, suggerendo che la realtà può essere soggettiva e mutabile.
"Rosencrantz and Guildenstern Are Dead" è una delle opere più celebri di Tom Stoppard e ha ricevuto numerosi premi e riconoscimenti. La pièce è stata spesso rappresentata in tutto il mondo ed è considerata un classico del teatro contemporaneo.
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The title "Rosencrantz and Guildenstern Are Dead" is significant because it immediately sets up the central premise of the play, which is a reimagining of William Shakespeare's "Hamlet" from the perspective of two minor characters, Rosencrantz and Guildenstern.
In Shakespeare's play, Rosencrantz and Guildenstern are childhood friends of Hamlet who are summoned to the Danish court by Hamlet's uncle, King Claudius, to spy on Hamlet and determine the cause of his erratic behavior. In Stoppard's play, however, the focus is not on Hamlet but on Rosencrantz and Guildenstern themselves, who are portrayed as bumbling and confused figures trying to make sense of the world around them.
The title of the play, with its blunt declaration that the two characters are dead, also foreshadows the tragic ending of the play, in which Rosencrantz and Guildenstern meet their demise offstage, as they do in Shakespeare's play. The title thus serves as a reminder of the inescapable fate that awaits all mortal beings, regardless of their status or importance.
Overall, the title "Rosencrantz and Guildenstern Are Dead" is significant because it encapsulates both the central premise and the overarching themes of the play, while also signaling the tragic fate that awaits all human beings. ( )