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Sto caricando le informazioni... We Bury the Landscape (edizione 2012)di Kristine Ong Muslim
Informazioni sull'operaWe Bury the Landscape di Kristine Ong Muslim
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Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. These one-hundred stories were inspired by real pieces of art -- but you don't need to be familiar with any of the images to enjoy these stories. Muslim's jumping point -- a painting -- ends with wonderful crafted story, poignant and sharp, sad and humorous. I read all the stories first, image unseen, then went to Muslim's website where she links to every image. Then, after checking out the images, I reread the stories. I'll be honest: in many cases, I rather enjoyed the story more before seeing the image. Sometimes, Muslim's story is a literal description of the painting; when the image was unfamiliar, I savored her descriptions, but after seeing the picture, I preferred my mental image over the reality. Described as 'flash fiction', these short stories are, in some cases, simply a paragraph -- but the length doesn't detract from the wallop of imagery and emotion. At 169 pages, this volume is easy to race through: I would read on, potato-chip reading, as I described it to my wife, inhaling one story after another, unable to stop myself. Some of the stories are darkly humorous; others, creepy and grotesque. Many of the stories have a surrealist feel to them, reminding me of Aimee Bender, Ben Loory, and Catherynne M. Valente -- helped by Muslim's choice in art. Ranging from well-known artists like Dali and Miro, she also picks contemporary artists who were new-to-me, and the spectrum of art styles was exciting and interesting. (I recommend checking out Muslim's essay on Necessary Fiction to learn more about her process for writing; I read it during my reading of this volume and found myself appreciating the stories even more.) Even if you're not a short story fan, consider this collection: the pieces are so interesting, odd, dark, and twisted, they're like literary amuse-bouche, or a sampler flight of strange fiction. A unique way to dip your toes into odd fiction. nessuna recensione | aggiungi una recensione
We Bury the Landscape is an exhibition of literary art. Ekphrasis, collected. One hundred flash fictions and prose poems presented to view. From the visual to the textual, transmuting before the gallery-goer’s gaze, the shifting contours of curator Kristine Ong Muslim’s surreal panorama delineate the unconventional, the unexpected, and the unnatural. Traversing this visionary vista’s panoply of “rooms of unfinished lives,” the reader unearths and examines and reanimates—illuminating the transcendent uncanniness that subsists underfoot. Non sono state trovate descrizioni di biblioteche |
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The stories may not describe the art that inspired them but they are tied to it, especially in execution - abstract works yield equally abstract fiction, and more traditional subjects result in stories that are more easily processed by those with limited appreciation for modern art. Being one of the latter while I can see the merits of this collection the pieces aren't something I particularly enjoyed reading - in literature, as in visual art, I prefer fiction that reads more like Vermeer's paintings look, as opposed to Bosch's. If your artistic preferences tend in the opposite direction and you enjoy flash fiction I would venture to guess that you will very much like this collection. ( )