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Sto caricando le informazioni... Isaac: A Modern Fable (edizione 2012)di Ivan G. Goldman (Autore)
Informazioni sull'operaIsaac: A Modern Fable di Ivan G. Goldman
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![]() Iscriviti per consentire a LibraryThing di scoprire se ti piacerà questo libro. Attualmente non vi sono conversazioni su questo libro. ![]() ![]() ![]() I spent most of this book being either bored or annoyed. It starts out decently enough. Ruth meets Lenny as she escapes a truly terrible first date, and the two hit it off immediately. But the story quickly gets bogged down in Lenny’s waffling. He wants to be with Ruth but he can’t. He wants to run from the Beast, but he also wants to stand up to him. For an immortal that lived through so much history, Lenny isn’t all that interesting. His reflections on the past are brief glimpses, a peek into fogged memories that do little to impress the weight of so many years upon his character. As he admits to himself at one point, he’s been alive all this time and never done anything important, and in all likelihood that isn’t going to change. If Isaac/Lenny is adrift in time, Ruth too is without roots. Her mother gave her away, and she grew up in foster homes without forming lasting family relationships. As a scholar, we’re told that she’s wonderful and amazing, but I didn’t see much evidence of it in her in-text citations. Never mind. I honestly didn’t care much about her. Even though she’s narrating half of the story, she never felt like a real person, only a locus for the showdown between Isaac and the Beast. The story tried to build up to this faceoff between the two men, but it takes forever to get there and then the payoff is incredibly weak. The final third of the book is underdeveloped and rushed, and the overall narrative can be quite jumbled and distracting. By the time the author made a cameo in his own book, I was ready to clock out from this ‘modern fable’. ![]() ![]() I didn't like the narrative structure of one central character's story having "x" amount of pages while the other gets a smaller "y" amount of pages. I'm sure the author probably had the book in that particular format as a means of showing the story in both Ruth and Lenny's points of view, but it just doesn't do the reader any favors. The story itself seemed promising for the first half of the book, but got a bit sluggish in the second half of the book (especially the very late addition of Borges/The Devil/whoever the hell he was supposed to be in this book...). I didn't mind the humor, but it was one of those blink-and-miss type with the odd throwaway line or two in a wall of text. ![]() How does a man, more than a few thousand years old, deal with that old devil Satan. You'd think with the wisdom of the ages, wouldn't you? But Isaac, who goes by the name Lenny, finds himself emotionally immature and falling in love. With a woman named Ruth. The pair must make some difficult decisions. Ones that will effect not only them, but others about them. Will they choose wrong? Or will, somehow, they best that old temptor, Satan who calls himself Borges. Uh uh uh! I'm not going to tell!!! You'll want to get this book, hold on tight, and prepare for a wild ride. Full of nuance, wit and passion, I can do no less than give Isaac a modern fable... ...five stars and... ...a big Thumbs Up! ****Disclosure: this book was provided by Early Reviewers in exchange for an independent and non-biased review. nessuna recensione | aggiungi una recensione
"In this fast-paced mashup of Faust and the biblical story of Isaac, former Los Angeles Times reporter Goldman (The Barfighter) twists the screws on a pair of star-crossed lovers as they struggle to overcome the natural and supernatural forces keeping them apart. When clever, gorgeous professor Ruth Canby meets handsome muscle-for-hire Lenny at the L.A. Farmers Market, their mutual attraction overpowers Ruth's inhibitions. But mysterious Lenny, who is, in fact, Isaac, son of Abraham, physically young after 4,000 years and world-weary but still in love with life{u2014}throws her over to protect his secret. Hurt and disappointed, Ruth accepts a too-good-to-be-true offer to join a Columbia University think tank and tries to forget Lenny, while fending off a colleague's advances. Back in L.A., Lenny avoids his age-old nemesis "The Beast" and attempts to forget Ruth. But he discovers that she's in grave danger, and only a supreme sacrifice might save her. Goldman's snappy dialogue and light touch make this sendup of West Coast superficiality, East Coast academia, and the Old Testament an entertaining read full of weighty, nuanced questions about faith, fate, and what makes life precious, even after four millennia."--P.W. Non sono state trovate descrizioni di biblioteche |
Già recensito in anteprima su LibraryThingIl libro di Ivan G. Goldman Isaac: A Modern Fable è stato disponibile in LibraryThing Early Reviewers. Discussioni correntiNessuno
![]() GeneriSistema Decimale Melvil (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999Classificazione LCVotoMedia:![]()
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