Questo sito utilizza i cookies per fornire i nostri servizi, per migliorare le prestazioni, per analisi, e (per gli utenti che accedono senza fare login) per la pubblicità. Usando LibraryThing confermi di aver letto e capito le nostre condizioni di servizio e la politica sulla privacy. Il tuo uso del sito e dei servizi è soggetto a tali politiche e condizioni.
Risultati da Google Ricerca Libri
Fai clic su di un'immagine per andare a Google Ricerca Libri.
Devouring lions, giant bears, sharp-taloned birds of prey, deadly snakes, and snapping alligators - these and other animal predators in search of human flesh are a staple of ancient mythology, along with their mythic counterparts - dragons, griffins, gorgons, harpies, and more. The message is clear: for thousands and thousands of years our ancient human ancestors lived in fear of predatory animals and reflected the dangerous nature of their daily existence in the many animal myths that exist in almost every culture. In this illuminating and evocative exploration of the origin and function of storytelling, author Paul A. Trout argues that mythmaking evolved as a cultural survival strategy for coping with the constant fear of being killed and eaten by predators. Beginning nearly two million years ago in the Pleistocene era, the first stories, Trout argues, functioned as alarm calls, warning fellow band members about the carnivores lurking in the surroundings. At the earliest period, before the development of language, these rudimentary "stories" would have been acted out. When language appeared with the evolution of the ancestral human brain, stories were recited, memorized, and much later written down as the myths that have survived to this day.
Going beyond the works of Joseph Campbell, Deadly Powers takes the reader through the landscape of world myth to show how our more recent ancestors mythologized animal predators in four basic ways: as monsters, as gods, as benefactors, and as role models. Each incarnation is a variant on the fear-management technique that enabled early humans not only to survive but to overcome the potentially incapacitating fear of predators. In the final chapter, Trout explores the ways in which our visceral fear of predators is played out in the movies, where both animal and human predators serve to probe and revitalize our capacity to detect and survive danger. Anyone with an interest in mythology, archeology, folk tales, and the origins of contemporary storytelling in many genres will find Deadly Powers to be an exciting and provocative exploration into the environmental and psychological forces that shaped human culture and gave rise to storytelling and myth making. - Publisher.… (altro)
Devouring lions, giant bears, sharp-taloned birds of prey, deadly snakes, and snapping alligators - these and other animal predators in search of human flesh are a staple of ancient mythology, along with their mythic counterparts - dragons, griffins, gorgons, harpies, and more. The message is clear: for thousands and thousands of years our ancient human ancestors lived in fear of predatory animals and reflected the dangerous nature of their daily existence in the many animal myths that exist in almost every culture. In this illuminating and evocative exploration of the origin and function of storytelling, author Paul A. Trout argues that mythmaking evolved as a cultural survival strategy for coping with the constant fear of being killed and eaten by predators. Beginning nearly two million years ago in the Pleistocene era, the first stories, Trout argues, functioned as alarm calls, warning fellow band members about the carnivores lurking in the surroundings. At the earliest period, before the development of language, these rudimentary "stories" would have been acted out. When language appeared with the evolution of the ancestral human brain, stories were recited, memorized, and much later written down as the myths that have survived to this day.
Going beyond the works of Joseph Campbell, Deadly Powers takes the reader through the landscape of world myth to show how our more recent ancestors mythologized animal predators in four basic ways: as monsters, as gods, as benefactors, and as role models. Each incarnation is a variant on the fear-management technique that enabled early humans not only to survive but to overcome the potentially incapacitating fear of predators. In the final chapter, Trout explores the ways in which our visceral fear of predators is played out in the movies, where both animal and human predators serve to probe and revitalize our capacity to detect and survive danger. Anyone with an interest in mythology, archeology, folk tales, and the origins of contemporary storytelling in many genres will find Deadly Powers to be an exciting and provocative exploration into the environmental and psychological forces that shaped human culture and gave rise to storytelling and myth making. - Publisher.