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The Borrower: A Novel di Rebecca Makkai
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The Borrower: A Novel (edizione 2011)

di Rebecca Makkai

UtentiRecensioniPopolaritàMedia votiConversazioni / Citazioni
1,30313414,802 (3.41)1 / 70
Fiction. Literature. HTML:In this delightful, funny, and moving first novel, a librarian and a young boy obsessed with reading take to the road.
Lucy Hull, a young children's librarian in Hannibal, Missouri, finds herself both a kidnapper and kidnapped when her favorite patron, ten- year-old Ian Drake, runs away from home. The precocious Ian is addicted to reading, but needs Lucy's help to smuggle books past his overbearing mother, who has enrolled Ian in weekly antigay classes with celebrity Pastor Bob. Lucy stumbles into a moral dilemma when she finds Ian camped out in the library after hours with a knapsack of provisions and an escape plan. Desperate to save him from Pastor Bob and the Drakes, Lucy allows herself to be hijacked by Ian. The odd pair embarks on a crazy road trip from Missouri to Vermont, with ferrets, an inconvenient boyfriend, and upsetting family history thrown in their path. But is it just Ian who is running away? Who is the man who seems to be on their tail? And should Lucy be trying to save a boy from his own parents?… (altro)
Utente:alclay
Titolo:The Borrower: A Novel
Autori:Rebecca Makkai
Info:Viking Adult (2011), Edition: 1, Hardcover, 336 pages
Collezioni:La tua biblioteca, In lettura, Lista dei desideri, Da leggere
Voto:*****
Etichette:Nessuno

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The Borrower di Rebecca Makkai

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Inglese (122)  Olandese (4)  Spagnolo (3)  Tedesco (2)  Francese (1)  Tutte le lingue (132)
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Entertaining and fun, particularly for the children's lit references. Requires a willing suspension of disbelief, but it's fiction, so that's not necessarily a bad thing in my opinion. Thoroughly enjoyed it! ( )
  kdegour23 | May 29, 2024 |
There is just too much in this book, and also I think a bit too little. Let's start with the too much.

The writing style suffers from an abundance of the narrator's meandering thoughts and conjectures. Like most people the narrator (Lucy) has numerous false starts before she says (or doesn't say) something, but here we are given free access to these stumbles; way too much information. Furthermore, Lucy spins out endless scenarios of what other characters may be doing, which bogs down the flow because the author never does anything with these thoughts, just lets them pile up. A character's conjecturing is like highlights in your hair - best when used sparingly and with careful placement, otherwise it's a hot mess.

And speaking of meandering conjectures, Lucy does a lot - A LOT - of this about herself. And here it would generally work because she is on the run, and imaging the outcomes of various actions is logical. But here's where the too much starts to overlap with the too little: we have pages and pages and pages devoted to Lucy's meandering conjectures about what she could do, but she barely does anything at all! She just keeps driving, and aside from stops in Chicago and Pittsburgh this driving is completely aimless. The contrast between her overabundant imaginings and her complete lack of action is perhaps intentional, but it does not make for good reading.

So Lucy's inaction brings us to the heart of the too little portion. Lucy AT NO POINT asks Ian why he is running away! They are together a week, most of that time alone in a car, and she never asks him! She assumes she knows why, but even so a real person would still ask a child for an explanation, would try to talk about it again and again until there was some clarity. It makes no sense at all, and when I realized that she was never going to ask him about his reasons, well, for me the book shattered.

There were some bright spots in the book, to be sure. First, I really liked the idea that a kid can force an adult into uncomfortable/dangerous/illegal actions and situations by threatening to lie about the adult to authorities. Kids actually have a lot of power over adults, and this explored that dynamic in an interesting way. Second, I liked the literary allusions and poems the author sprinkles throughout; they were fun and made me smile. Third, I liked that the author took on the damaging (and illegal) practice of " reprogramming" gay and lesbian people to become heterosexual. She does a pretty good job of creating a fun, interesting, smart, happy child whose parents are trying to break him to fit into a specific mold that matches their religion, and to show what can be lost if they succeed. I LOVE that she specifically talks about how the Bible's prohibition against homosexuality is in the same sentence as a prohibition against eating shellfish, which is in itself sandwiched among rules about menstruation and crop rotation, and all the latter are freely ignored in modern Western society while the former is used to justify every conceivable physical and psychological torture. We need more contemporary, popular novels that unmask this dangerous hypocrisy, although hopefully better written.
( )
  blueskygreentrees | Jul 30, 2023 |
If you intend the listen to the book, rather than read it, try to avoid the Emily Bauer version. It nearly stopped me listening ( )
  bergs47 | Jul 5, 2023 |
Made me uneasy in a good way. Excellent in idea and often execution. I did spend a good chunk of reading time wondering what it is about writing children, if we all base our expectations on ourselves at age x (read: the modern self we map onto our pasts) or a child we know or just the written children of our own childhood reading... in any case Ian didn't quite read realistic to me for his age, but I don't know if that's fair.
( )
  Kiramke | Jun 27, 2023 |
Lucy and Ian are absolutely lovable characters! I'm so impressed with Makkai's writing and I picked her book up entirely by accident. The copyright is 2011 and her debut novel....just delightful writing. Of course in the crazy times we are now in it would probably be up for banning!! Having Lucy be such a book lover herself made the story rather enchanting with the enormous amount of exchanges about books and yes, poems and songs from the past. Thoroughly enjoyable reading material and I'm so glad she didn't stop writing....there are MORE Makkai books for me to read!! ( )
  nyiper | May 19, 2023 |
The novel bogs down for a long time in the middle with an excess of plot, but the moving final chapters affirm the power of books to change people’s lives even as they acknowledge the unbreakable bonds of home and family.

Smart, literate and refreshingly unsentimental.
 
In her bracingly tough-minded tale of a discontented librarian who hits the road with a maladjusted 10-year-old, Rebecca Makkai tips her hat to a shelf-load of children's literature, offering sly echoes of everything from "Charlotte's Web" by E.B. White to "Where's Spot?" By Eric Hill, while crafting her own distinctive sound in a first novel definitely not for kids. Makkai avoids almost all the pitfalls of debut fiction, including sentimentality and undigested autobiography, and though her plotting isn't as deft as her characterizations, the wonderfully nuanced closing pages more than make up for the occasional longueurs that precede them....Yet every conflicted word Lucy utters in Makkai's probing novel reminds us that literature matters because it helps us discover ourselves while exploring the worlds of others.
 

» Aggiungi altri autori (4 potenziali)

Nome dell'autoreRuoloTipo di autoreOpera?Stato
Rebecca Makkaiautore primariotutte le edizionicalcolato
Bauer, EmilyNarratoreautore secondarioalcune edizioniconfermato
Homedes Beutnagel, JofreTraduttoreautore secondarioalcune edizioniconfermato

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I might be the villain of this story. Even now, it's hard to tell.
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Fiction. Literature. HTML:In this delightful, funny, and moving first novel, a librarian and a young boy obsessed with reading take to the road.
Lucy Hull, a young children's librarian in Hannibal, Missouri, finds herself both a kidnapper and kidnapped when her favorite patron, ten- year-old Ian Drake, runs away from home. The precocious Ian is addicted to reading, but needs Lucy's help to smuggle books past his overbearing mother, who has enrolled Ian in weekly antigay classes with celebrity Pastor Bob. Lucy stumbles into a moral dilemma when she finds Ian camped out in the library after hours with a knapsack of provisions and an escape plan. Desperate to save him from Pastor Bob and the Drakes, Lucy allows herself to be hijacked by Ian. The odd pair embarks on a crazy road trip from Missouri to Vermont, with ferrets, an inconvenient boyfriend, and upsetting family history thrown in their path. But is it just Ian who is running away? Who is the man who seems to be on their tail? And should Lucy be trying to save a boy from his own parents?

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