Short Stories

13 stories

4½ stars - I think I liked these stories even more than The Garden Party and Other Stories. Mansfield's use of color in her descriptions reminds me a bit of Willa Cather although her people are quite different. The title seems ironic since most of the stories described less than perfect relationships... ( )

What a lovely collection of short stories. I'm looking forward to exploring more of Mansfield's writings.

Bliss was Mansfield's second short story collection. The most conspicuous story in the book is not "Bliss", but "Prelude", a long piece about a middle-class New Zealand family, obviously modelled on Mansfield's own, moving to a new out-of-town house with a big garden. Apart from being rather longer than most, this has pretty much all the hallmarks of a Mansfield story. We are thrown in at the deep end without any explanation of who is who or what's happening, so that we have to work it out for ourselves from a series of little clues, and will make a few false assumptions before we get it all straight. Nothing obviously important happens, and the story stops as inexplicably as it started, with the lid of a jar falling off a table and not breaking. But in the meantime, we have somehow or other discovered a surprising amount about the members of the family and what is going on in their minds, information that would have made all their lives much easier if they had been able to express it and exchange it with each other. It's a story about things that mostly don't happen, connections that are not made, feelings that can't be shared. (An earlier version of this story was later published posthumously as "The Aloe".)

The title story, "Bliss", the one Virginia Woolf threw down with the expression "She's done for!" the first time she read it ("...the whole conception is poor, cheap, not the vision, however imperfect, of an interesting mind. She writes badly too."), is perhaps the most direct in the book - Bertha is a young housewife who's feeling inexplicably much happier than is justified by being about to host a dinner-party. She discovers over the tomato soup that she's fallen desperately and completely in love - without realising it - with one of her guests. They share a perfect moment together over the pear tree, then Mansfield disillusions her horribly, and brings the story to a rapid halt before we've quite decided in which way everything is going to continue badly - for continue badly it must.

The remaining stories in the collection all seem to touch on similar themes of people being stuck in situations where they are permanently at cross-purposes, doing some kind of slow, painful harm through their inability to be open and honest about something. Sometimes it's a marriage, sometimes employer and employee, sometimes a group of people trapped in the same social convention. The mood is steered by important little details of setting, speech, weather, plants (Mansfield always brings significant plants in somewhere), but there's always something nasty for us to discover about human nature, and it's usually something that we wouldn't have discovered without Mansfield to lead us to it. ( )